乐队的第三张专辑《 Green River 》开始在音乐上逐渐摆脱了当地的迷幻摇滚乐的影响，John似乎对乡村音乐、传统布鲁斯音乐等美国南部地区的音乐风格情有独钟，这使得乐队在当地（旧金山地区）显得尤为不同，更像是一支南方乐队，他们的音乐充满了密西西比州的田园气息。《 Green River 》同上一张专辑一样取得了排行榜第7位的成绩。

泰迪罗宾 Teddy Robin Kwan 。出生日期：1945-03-02 。原名关维鹏，生于广西桂林，后随父母移居香港。曾组建花花公子乐队。60年代有了Teddy Robin And The Playboys乐队，才有70年代的温拿，才有80年代的beyond。但是，Teddy Robin And The Playboys的音乐中你是完全听不出那种港味。 也许你没有听过他的歌，但是也许你看过他的电影，没错，在一些很老的香港喜剧中那个身高不足1.5米的怪异丑角就是他了。因为在70年代他就转行做电影制片人兼喜剧演员了，有时还会做些电影配乐和插曲为香港流行音乐黄金时代添一笔。 Underground Masters厂牌发行的一张精选合集，收录了TEDDY ROBIN & THE PLAYBOYS 的22首歌。

One of two classic records (the other being Waltz for Debby) culled from perfectionist pianist Bill Evans' stand at the Village Vanguard in 1961. The album cover features the by-line "featuring Scott LaFaro", the bass player whose accidental death soon after highlighted his immense contributions to jazz. Absolutely timeless.

FREDDIE HUBBARD,trumpet GEORGE COLEMAN,tenor sax HERBIE HANCOCK,piano RON CARTER,bass TONY WILLIAMS,drums

Side Trips was Kaleidoscope's 1967 debut album. It was released in June 1967, and re-released on vinyl by Sundazed Records (2007). The album has a raw, non-limited instrumental mentality, for each member played many instruments; for example, David Lindley played guitar, banjo, fiddle, and mandolin, and Solomon Feldthouse played saz, bouzouki, dobro, vina, oud, doumbek, dulcimer, fiddle, guitar, and vocals.

The Black Saint and the Sinner Lady is a studio album by American jazz musician Charles Mingus, released on Impulse! Records in 1963. The album consists of a single continuous composition—partially written as a ballet—divided into four tracks and six movements

Monk's Dream is the first album jazz musician Thelonious Monk released on Columbia Records. It was issued in 1963. [1] "Bye-Ya" and "Bolivar Blues" were recorded on October 31, 1962; "Body and Soul" and "Bright Mississippi" on November 1; "Sweet and Lovely", "Just a Gigolo" and "Monk's Dream" on November 2; and "Five Spot Blues" on November 6. "Bright Mississippi" is the only track on the album that Monk had not previously recorded. "Bolivar Blues" was originally titled "Ba-lue Bolivar Ba-lues-are", and had been on Monk's 1957 Riverside album, Brilliant Corners. "Five Spot Blues" was originally called "Blues Five Spot" and had first appeared on the album Misterioso, which was recorded live at the Five Spot Cafe in New York in 1958 and released on Riverside. "Monk's Dream", "Bye-Ya", and "Sweet and Lovely" had also been previously recorded by Monk for Prestige Records at a session ten years earlier.

BILL EVANS - piano SCOTT LAFARO - bass PAUL MOTIAN - drums Recorded live at the Village Vanguard New York; June 25, 1961.

1966's Hums of the Lovin' Spoonful glistens with chart-toppers ("Summer in the City," "Rain on the Roof," "Nashville Cats") from John Sebastian and Co. The Spoonful's folk, blues, country and jug band roots meet an intensified focus on production value and experimentation to yield an enduring classic, now available on gatefold high-definition vinyl from the original stereo masters, and bolstered by 4 previously unissued bonus tracks.

Time Further Out continues the Dave Brubeck Quartet's exploration of unusual time signatures that began on their 1959 album Time Out. The tracks are ordered by the number of beats per bar, starting with "It's a Raggy Waltz" and "Bluette" in 3/4; "Charles Matthew Hallelujah", a tribute to his newborn son, in 4/4; "Far More Blue" and "Far More Drums" in 5/4; "Maori Blues" in 6/4; "Unsquare Dance" in 7/4; "Bru's Boogie Woogie" in 8/8; and concluding with "Blue Shadows in the Street" in 9/8. The time signatures are listed on the album's cover, where they are referred to as "tempos". Like Time Out, Time Further Out's cover features a work of modern art: a painting by Catalan-Spanish artist Joan Miró.

Donovan Phillips Leitch is a Scottish singer, songwriter and guitarist. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelic rock, and world music. He has lived in Scotland, Hertfordshire, London, California, and since at least 2008 in County Cork, Ireland, with his family.

The Zombies这个乐队相当不出名，Odessey and Oracle大概是让他们被人记住的唯一理由，因为他们好不容易出了这么一张像样的专辑就马上散伙了。这张专辑录制于1967年，录完后两个星期乐队就宣告解散。发行商直到1969年才把它翻出来听（个人认为很可能是打算听一遍就扔掉），然而听过之后，这个交好运的发行商忽然发现原来垃圾堆里也有宝贝，这张专辑才得以发行。 就是这样一张侥幸逃过灭顶之灾且知名度并不太高的唱片，在强手林立的滚石500张最强专辑中排名却高居第80位，并不是偶然的。滚石的编辑认为，这张专辑把类似于Beatles的那张Sgt. Pepper's Lonely Hearts Club Band中的迷幻曲风和正在发展的英格兰流行音乐进行了很好的融合。我听过之后，觉得确实非常好听，单纯论好听的话，我认为不比Beatles那张Sgt' Pepper's Lonely Heart Club Band差。如果不是因为乐队名气实在太小，我相信这张专辑还可以获得更高的名次，推荐！ 这张专辑在1998年推出30周年纪念版，在原版12首歌基础上增加15首Bonus Track。2004年又再版一次，总曲目变为28首，这里发布的是2004年版本。

Digitally remastered reissue of this 1967 release, one of Rock's 'greatest albums of all time'! This really is an album that no collection is complete without! With A&M junior popmeister Richard Perry, jack of all trades Ry Cooder and songwriting genius Russ Titelman, The Captain makes his first real shot at being legendary...and succeeds! Beautifully re-mastered and wonderful liner notes by Kris Needs with comments from the stars of today! 19 tracks. Rev-Ola. 2009.

香港独立音乐杂志MCB选出的百张欧美最具革命性的专辑之一，评语是“堪与Sgt. Pepper's Lonely Hearts Club Band比拼的迷幻专辑，是他们“历年来想象力最为丰富的作品”。这张专辑纯粹是滚石乐队为了和Beatles一比高下而推出的，虽然没有获胜，但在英国当年排行榜第三，美国排行榜第二，也算虽败犹荣了。