On March 26, 1972, David Crosby and Graham Nash, always ready to lend a hand to help a worthy cause, headlined the This Sheriff's Benefit Concert to help raise awareness of prisoner issues. The show also featured local groups Earth Rise and Stoneground, as well as Elvin Bishop. Crosby & Nash had just finished recording their self titled debut album, which included such songs as Southbound Train, And So It Goes and Immigration Man. Nash has also recently recorded a solo disc, Songs For Beginners, which featured such classic tunes as Military Madness and Chicago. Three songs into the show, Neil Young joined Crosby and Nash, a wonderful surprise as the 3 had not performed together since CSNY finished touring in 1970. It would be another 2 years before the foursome would reunite for a memorable, but turbulent, tour in 1974. In the interim, fans had to be thankful for unannounced reunions such as this one.

In 2006, Crosby, Stills, Nash & Young reunited for the Freedom Of Speech Tour. In 2008, they premiere CSNY/D‚j… Vu, a feature-length documentary based on that controversial tour. But the only place to hear in their entirety the impassioned performances in the film is on CSNY/D‚j… Vu Live. A mix of CSNY classics and more recent antiwar material from Neil Young, CSNY/D‚j… Vu Live marks the return to the socio-political stage of David Crosby, Stephen Stills, Graham Nash and Neil Young in a musical d‚j… vu. 16 tracks.

Though it once again reunites him with Crazy Horse and includes such typical rock workouts as the lengthy "Change Your Mind" and the raucous "Piece of Crap," Sleeps With Angels is more musically varied than most of Neil Young's albums with his erstwhile backup group, ranging from piano-based ballads like the album opener, "My Heart," and closer, "A Dream That Can Last," which might have fit on After the Gold Rush, to the country-folk "Train of Love," which sounds like a leftover from Harvest Moon, and the hard-edged grunge of the title track. The Crazy Horse influence comes in the songs' structural simplicity and the unpolished playing. Though musically diverse, Sleeps With Angels is a song cycle in which Young repeats the same themes and images. To put it simply, the album is about death, presumably primarily the suicide of Nirvana's Kurt Cobain, which occurred while it was being recorded. From "My Heart," which declares, "It's not too late" and "Somehow, someone has a dream come true," to "A Dream That Can Last," which declares, "There's a better life for me someday," Young begins and ends with a shaky, uncertain optimism, even though his language is riddled with references to violence, especially gunfire, and desperation. As in the album's title, even the references to sleep and dreams are about death. Young repeats some of the same lines from song to song and sometimes the same music ("Western Hero" and "Train of Love" have the same tune). The album thus has a tired, mournful feel that is both compelling and off-putting. Young had not investigated such forbidding territory since the days of Tonight's the Night and On the Beach, and Sleeps With Angels is on a par with those often harrowing works.

Neil Young has announced the release of Live At The Cellar Door. The latest edition of Young's Archives Performance Series is released on December 9 via Reprise Records. Included on the album are songs recorded during Young's six-show residency at The Cellar Door in Washington DC between November 30 and December 2, 1970, following the August release of After The Gold Rush. Included on the album is a solo piano-led version of 'Cinnamon Girl', solo performances of Buffalo Springfield's 'Expecting To Fly', 'I Am A Child' and 'Flying On The Ground Is Wrong' The album was recorded by Henry Lewy and produced by Young, and will be released digitally, on CD and on 180g vinyl mastered by Chris Bellman at Bernie Grundman Mastering and pressed at Pallas in Germany.

Landing on Water is the fifteenth studio album by Canadian musician Neil Young. The album was released on July 28, 1986, by Geffen Records. Several of the songs on the album were resurrected from Neil Young and Crazy Horse's failed 1984 sessions - a set of sessions where, according to longtime producer David Briggs, the musicians "played like monkeys".

In the fall of 1978, Neil Young undertook a North American tour with Crazy Horse, then added overdubs to new songs recorded on the tour for one of his best albums, Rust Never Sleeps. In the fall 1986, he did the same thing, but Life, Young's first album with Crazy Horse since 1981's Re-ac-tor, was not one of his best albums. It was, however, better than most of the other albums he had made in the 1980s, and it was the first really interesting album he'd made in a long time. Despite the return to Crazy Horse, Young continued to use some of the production techniques from Landing on Water, especially the loud drums and the synthesizers. But he mixed things up, including acoustic-based songs such as "Long Walk Home" (which recalled "After the Gold Rush") and "Inca Queen" (the third in his series of long, atmospheric songs about the Incas) and rockers like "Prisoners of Rock 'n' Roll." The last, with its attacks on "record company clowns" and chorus "that's why we don't want to be good," seemed intended as the theme song for the Rusted-Out Garage Tour on which it was performed and served as a reminder that Young was still at odds with Geffen Records, which he left after releasing this album. Despite the criticism he had endured for his support of President Reagan's military buildup, Young had foreign policy on his mind in the action-movie-in-song "Mideast Vacation" and in "Long Walk Home," which addressed military misadventures from Vietnam to Beirut. It could be argued that Young was repeating himself on much of this material and that the album was typically uneven. But Life was an encouraging step back to the tried and true for an exploratory artist who finally seemed to have realized that he had experimented too much for his own good.

This Note's for You is the seventeenth studio album by Canadian musician Neil Young, released on April 11, 1988 on Reprise. It was originally credited to Young and the Bluenotes. Most of the album's concept centered on the commercialism of rock and roll, and tours in particular (the title track is a social commentary on concert sponsorship). The music is marked by the use of a horn section. It also marked Young's return to the recently re-activated Reprise Records after a rocky tenure with Geffen Records.

Hawks & Doves is the tenth studio album by Canadian musician Neil Young. Its two sides were recorded in different circumstances, side one being culled from sessions dating from approximately 1974 through 1977, and side two from sessions specifically for the album in early 1980. The record peaked at #30 on the Billboard Top Pop Albums chart in December 1980 in the US. It is also one of Young's shortest albums, its running time just under half an hour.

Greendale is the twenty-sixth studio album by Neil Young. Young and Crazy Horse's Greendale, a 10-song rock opera, is set in a fictional California seaside town.

Chrome Dreams II is the twenty-ninth studio album by Canadian musician Neil Young. The album was released on October 23, 2007 as a double LP and as a single CD. The album is a sequel to Chrome Dreams, a legendary Neil Young album from 1977 that had originally been scheduled for release but was shelved in favor of American Stars 'N Bars.

Ragged Glory is the nineteenth studio album by Canadian musician Neil Young, his sixth with Crazy Horse, released on September 9, 1990.

This eight-song album is a collaboration between the acclaimed rock icon and musician, songwriter, and producer Daniel Lanois, known for his work with U2, Bob Dylan, Peter Gabriel, Brian Eno, Emmylou Harris, Willie Nelson, The Neville Brothers and many others. As producer or co-producer Lanois won Grammy Awards in 1987, 1992, 1997, 2000, and 2001. Young and Lanois have crossed paths musically over the course of many years, including Lanois performances at Youngs Bridge School Benefit Concert and Youngs performance at Farm Aid when Lanois was Willie Nelsons music director, but this is the first time the two have recorded together. Recorded in Lanois home in the Silverlake area of Los Angeles, Le Noise features Young on acoustic and electric guitars with Lanois adding his trademark sonic textures, creating one of the most sonically arresting albums Young has ever recorded. No band, no overdubs, just a man on a stool and me doing a nice job on the recording, as Lanois puts it. Neil was so appreciative of the sonics that we presented to him, Lanois says. He walked in the door and I put an acoustic guitar into his hands - one that I had been working on to build a new sound. Thats the multi-layered acoustic sound that you hear on the songs Love and War and Peaceful Valley Boulevard. I wanted him to understand that Ive spent years dedicated to the sonics in my home and that I wanted to give him something hed never heard before. He picked up that instrument, which had everything - an acoustic sound, electronica, bass sounds - and he knew as soon as he played it that we had taken the acoustic guitar to a new level. Its hard to come up with a new sound at the back end of 50 years of rock and roll, but I think we did it.

Harvest Moon is the 19th studio album by Canadian musician Neil Young, released on November 2, 1992. Many of the musicians appearing on it also appeared on his 1972 album Harvest.