Japanese exclusive reissue of 2003 album. This Toshiba/EMI pressing features an insert with Japanese text & lyrics in Japanese & English. Manufactured & pressed in Japan. This album has been direct metal mastered from a digitally remastered original tape to give the best possible sound quality. Includes a bonus seven inch single featuring a unique insight into the Beatles at work in rehearsal & in the studio during January 1969. Gatefold sleeve. 2003.

FIRST TIME EVER SPECIAL EDITION will include both the stereo CD and a BONUS AUDIO DVD packaged in a digi-package with O-card. The DVD is audio only and will contain 81 minutes of music in both 5.1 surround sound and stereo (presented in DVD-Audio MLP, DTS, Dolby and PCM). "Love" is a fascinating reworking of numerous classic Beatles recordings by the band's original producer, Sir George Martin, and his son Giles. "Love" is also the title of the highly successful Cirque du Soleil show, a co-production with Apple Corps featuring the music of the Beatles, currently wowing audiences in Las Vegas. In creating the music for the show and for the album, George and Giles have created a continuous "soundscape"--a series of well-known Beatles songs augmented by additional instrumentation and vocals taken from their vast bank of original multi-track tapes. If you can imagine "Strawberry Fields Forever" beginning with John's original demo before going into an early take of the song and then climaxing in a musical collage including the piano solo from "In My Life" and the harpsichord pattern from "Piggies" and lots, lots more--or "Get Back" prefaced by the "Hard Day's Night" opening guitar chord, the guitar and drum solos from "The End," and segued into "Glass Onion," you will begin to get the picture. But hearing is believing! The guys have pushed back the boundaries and come up with a brand-new work that will add to the enduring legacy of the band. The result is an amazing album that not only reinforces the timeless quality of the group's recordings--the fans will have fun enjoying the roller-coaster experience of the album whilst trying to spot where all the pieces come from--it is also destined to open up a new legion of fans to the Beatles experience.

《Magical Mystery Tour》，这张长约一小时的专辑于1967年节礼日(英国假日，圣诞节后一天)那天推出，它的“自我放纵”显然没有受到大众的好评。你几乎不能想象那些忙着在圣诞树上挂彩球的老奶奶们第一次听到“I Am The Walrus”(我是个矮胖子)时的情形。这是The Beatles所有专辑中最不可思议的一张，而“All You Need Is Love”(你所需的只是爱)、“Penny Lane”(佩尼小巷)和“Strawberry Fields Forever”(永远的草莓地)明显是给美国人听的。这是疯狂的，但他们的路走对了。

3 LP set. The most anticipated of the Anthology series, this disc covers what was arguably the Fab Four's most intensely creative period ('65-'67) when they single-handedly changed the course of popular music. Anthology 2 doesn't disappoint. Outtakes and demos show the building of songs like "Strawberry Fields Forever" and "Being for the Benefit of Mr. Kite," while the pure pop song writing of Rubber Soul and Help! is also documented, along with the sonic experimentation that characterized Revolver. Even if the legendary proto-metal jam of "What's the New Mary Jane" didn't see the light of day here, there is plenty for any Beatles fan. EMI. 2005.

Japanese exclusive reissue of 1963 album. This Toshiba/EMI pressing features an OBI strip (different from the last Japanese pressings issued in 1990) & an insert with Japanese text & lyrics in Japanese & English. Manufactured & pressed in Japan. This album has been direct metal mastered from a digitally remastered original tape to give the best possible sound quality. 2003.

First CD reissue of the album. Revolver is the seventh studio album by the English rock band the Beatles. It was first released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" and "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content. Credits: Made By – PDO, Germany – 2896 974 Published By – Northern Songs Ltd. Printed By – EMI Services Benelux B.V. Phonographic Copyright ℗ – EMI Records Ltd. Copyright © – EMI Records Ltd. Design [Cover Designed By], Cover – Klaus Voormann Engineer – Geoff Emerick Lead Vocals [Lead Singer] – George Harrison (tracks: 1, 4, 12), John Lennon (tracks: 3, 7, 9. 11, 14), Paul McCartney (tracks: 2, ,5, 8, 10, 13), Ringo Starr (tracks: 6) Photography By – Robert Whitaker Producer – George Martin Written-By – Harrison* (tracks: 1, 4, 12), Lennon/McCartney* (tracks: 2, 3, 5 to 11, 13, 14) Made in W. Germany ℗ 1966 Original Sound Recordings made by EMI Records Ltd. © 1966 EMI Records Ltd. Printed in Holland by EMI Services Benelux B.V. Uden

Digitally remastered digipak edition of this classic 1970 album from The Beatles featuring 'The Long And Winding Road', 'Across The Universe', 'Let It Be', 'Get Back' and many more. The album has been remastered at Abbey Road Studios in London utilizing state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. Within the CD's new packaging, the booklet includes detailed historical notes along with informative recording notes. A newly produced mini-documentary on the making of the album is included as a QuickTime file on each album. The documentary contains archival footage, rare photographs and never-before-heard studio chat from The Beatles, offering a unique and very personal insight into the studio atmosphere. Capitol. NOTE: Let It Be was never released in mono and is not available in The Beatles In Mono boxset.

Abbey Road is the eleventh released studio album by English rock band The Beatles and their last recorded. Though Let It Be was the last album released before the band's dissolution in 1970, work on Abbey Road began in April 1969. Abbey Road was released on 26 September 1969 in the United Kingdom, and 1 October 1969 in the United States. It was produced and orchestrated by George Martin for Apple Records. Geoff Emerick was engineer, Alan Parsons was assistant engineer, and Tony Banks was tape operator. Abbey Road is regarded as one of The Beatles' most tightly constructed albums, although the band was barely operating as a functioning unit at the time.Rolling Stone placed it at number 14 on its list of "The 500 Greatest Albums of All Time". In 2009, readers of the magazine also named Abbey Road the greatest Beatles album. (转自维基百科)

Digitally remastered digipak edition of this classic 1965 album from The Beatles featuring 'Ticket To Ride', 'Help!', 'You've Got To Hide Your Love Away', 'I've Just Seen A Face', 'Yesterday' and many more. The album has been remastered at Abbey Road Studios in London utilizing state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. Within the CD's new packaging, the booklet includes detailed historical notes along with informative recording notes. A newly produced mini-documentary on the making of the album is included as a QuickTime file on each album. The documentary contains archival footage, rare photographs and never-before-heard studio chat from The Beatles, offering a unique and very personal insight into the studio atmosphere. Capitol.

动感电影《黄色潜水艇》上市30周年纪念特辑采用全球最新[5.1环绕音效科技混音]录制，自1965-67年创作的经典作品完整收录。30年前您若错过一次，这次岂能错过千禧年全球最大盛事，改写音乐历史的巨人――[披头士合唱团]。披头士创下多项历史记录，拥有如此高的成就，这些荣耀应归功于热情的披头迷。 《99全新数位混音版》共收录披头士15首歌曲，所不同的是30年前版本只有6首披头士作品，这张CD将原来《黄色潜水艇》（《YELLOW SUBMARINE》）漏收的这9首重新加入，并全部数位化。

滚石音乐(Rolling Stone Magazine )史上最佳Top 500 Albums之010#

Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." EMI. 2005.

First CD reissue of the album. Sgt. Pepper's Lonely Hearts Club Band (often referred to simply as Sgt. Pepper) is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture. «Before Sgt. Pepper, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 30-plus years, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds," the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64," to Harrison's Eastern-leaning "Within You Without You," and the avant-garde mini-suite, "A Day in the Life," Sgt. Pepper was a milestone for both '60s music and popular culture. --Billy Altman» Credits: Phonographic Copyright ℗ – EMI Records Ltd. Copyright © – EMI Records Ltd. Artwork [Cover Staged By] – Jann Haworth, Peter Blake (4) Artwork [Cover] – M C Productions, The Apple Artwork [Wax Figures] – Madame Tussauds Design – Paul Wilkinson (3) Design Concept [Cd Packaging Design Idea] – Kathryn Varley Engineer [Recording] – Geoff Emerick Engineer [Second] – Richard Lush (tracks: 1 to 8, 10 to 13) Liner Notes – Peter Blake (4) Liner Notes [Quote] – George Martin Liner Notes [Words] – Mark Lewisohn Photography By [Cover] – Michael Cooper (8) Producer – George Martin Written-By – Lennon/McCartney* (tracks: 1 to 7, 9 to 13) ℗ 1967 Original Sound Recordings made by EMI Records Ltd. © 1967 EMI Records Ltd. © 1987 EMI Records Ltd. Made in the U.K. (on back cover). Made in Italy (on CD). Comes in a jewel case enclosed in a cardboard box with a 28 page booklet including Sgt. Pepper's cut-outs. Track 1 recording started in studio 2 at Abbey Road on February 1, 1967. Album version mixed from take 10. Track 2 recording started in studio 2 at Abbey Road on March 29, 1967. Album version mixed from take 11. Track 3 recording started in studio 2 at Abbey Road on March 1, 1967. Album version mixed from take 8. Track 4 recording started in studio 2 at abbey Road on March 9, 1967. Album version mixed from take 15. Track 5 recording started at Regent Sound Studio, Tottemham Court Road, London on February 21, 1967 and later completed at Abbey Road. Album version mixed from take 3. Track 6 recording started in studio 2 at Abbey Road on March 17, 1967. Album version mixed from take 9. Track 7 recording started in studio 2 at Abbey Road on February 17, 1967. Album version mixed from take 9. Track 8 recording started in studio 2 at Abbey Road on March 22, 1967. Album version mixed from take 2. Track 9 recording started in studio 2 at Abbey Road on December 6, 1966. Album version mixed from take 4. Track 10 recording started in studio 2 at Abbey road on February 23, 1967. Album version mixed from take 11. Track 11 recording started in studio 2 at Abbey Road on February 8, 1967. Album version mixed from take 11. Track 12 recording started in studio 1 at Abbey Road on April 1, 1967. Album version mixed from take 9. Track 13 recording started in studio 2 at Abbey Road on January 19, 1967. Album version mixed from takes 6 & 7. Black and white photograph courtesy of the Michael Cooper Collection. The rear of the booklet states all tracks except 8 are by Lennon/McCartney, but the liner notes are more specific.