Once known as hard-core blues/R&B traditionalists, the Stones plunged deeper into the waters of original songwriting on BETWEEN THE BUTTONS, leading to a golden age of classic albums including LET IT BLEED, BEGGAR'S BANQUET and EXILE ON MAIN STREET. BUTTONS was also the last album produced by then-manager/svengali Andrew Loog Oldham. More importantly, the obscure songs on this tight package show the Stones coming into their own as composers. Between the melodic balladry of "Back Street Girl" and Mick Jagger's Dylanesque inflections on "She Smiled Sweetly," BUTTONS found the Stones in a strata far beyond covering Chuck Berry and Buddy Holly. Although none of these developments ranks with the Beatles' contemporaneous sonic experiments, the Fabs' bad-boy counterparts showed differing degrees of whimsy and sass, i.e. Ian Stewart's barrelhouse piano and Brian Jones' kazoo playing on "Cool, Calm & Collected" or the Dixieland-flavored "Something Happened To Me Yesterday."

Remastered reissue of 1970 album (in concert), suitable for standard & 'Super Audio' CD players. Digipak.

During the mid-'70s, the Rolling Stones remained massively popular, but their records suffered from Jagger's fascination with celebrity and Keith's worsening drug habit. By 1978, both punk and disco had swept the group off the front pages, and Some Girls was their fiery response to the younger generation. Opening with the disco-blues thump of "Miss You," Some Girls is a tough, focused, and exciting record, full of more hooks and energy than any Stones record since Exile on Main St. Even though the Stones make disco their own, they never quite take punk on their own ground. Instead, their rockers sound harder and nastier than they have in years. Using "Star Star" as a template, the Stones run through the seedy homosexual imagery of "When the Whip Comes Down," the bizarre, borderline-misogynistic vitriol of the title track, Keith's ultimate outlaw anthem, "Before They Make Me Run," and the decadent closer, "Shattered." In between, they deconstruct the Temptations' "(Just My) Imagination," unleash the devastatingly snide country parody "Far Away Eyes," and contribute "Beast of Burden," one of their very best ballads. Some Girls may not have the back-street aggression of their '60s records, or the majestic, drugged-out murk of their early-'70s work, but its brand of glitzy, decadent hard rock still makes it a definitive Stones album.

这张专辑是当时Stones的经纪人、以铁腕手段闻名业界的 Allen Klein主导，选出Stones未发表的珍稀作品，合成一辑。这张专辑收录的并非Stones名曲的outtake和demo，而是Mick/Keef 写了却没用的歌。这张专辑的评价历来未必多高，但这却是Stones成军四十年迄今「唯一一张」珍稀作品选辑。在类似Bob Dylan的Bootleg Series和Beatles的Anthology系列问世之前，这张专辑是滚石乐迷唯一的选择。

《It's Only Rock 'N Roll》是英国摇滚乐队The Rolling Stones的第十二张英国（第十四张美国）录音室专辑，发行时间：1974-10-18。

《Goat's Head Soup》是英国摇滚乐队The Rolling Stones的第十一张英国（第十三张美国）录音室专辑，发行时间：1973-08-31。

这部雄浑壮伟的钜作，正是滚石探索美国音乐集其大成的总验收－－蓝调、乡村、灵魂、福音，从Gram Parsons教给他们的白人歌谣到国会图书馆留下来的二○年代密西西比田野录音，Exile On Main Street探索了摇滚乐所从出的美国文化最深邃的灵魂，也替后世树立了一座绝难攀越的巨碑－－或者该说，一条切进美国音乐古老的心脏地带的Main Street。　　 Exile On Main Street，如今大家都同意，是摇滚乐诞生至斯，最值得纪念的扛鼎之作，可能也是滚石最好的一张唱片－－不幸的是，它也是滚石最后一张真正担得起「伟大」两字的专辑，结束了他们从1968年起算的辉煌年代。

香港独立音乐杂志MCB选出的百张欧美最具革命性的专辑之一，评语是“堪与Sgt. Pepper's Lonely Hearts Club Band比拼的迷幻专辑，是他们“历年来想象力最为丰富的作品”。这张专辑纯粹是滚石乐队为了和Beatles一比高下而推出的，虽然没有获胜，但在英国当年排行榜第三，美国排行榜第二，也算虽败犹荣了。

This Super Audio Compact Disc (SACD) recording offers high-resolution sound and is playable on both standard CD players and SACD-compatible devices.

GRRR! is an upcoming compilation album by The Rolling Stones. It is scheduled for release on 12 November 2012,and will commemorate the band's 50th anniversary. The set will feature two new songs titled "Doom and Gloom" and "One More Shot", which were recorded in August 2012. The album will be available in a 50-track regular edition and an 80-track "super deluxe" version. The full track listings were announced on 9 October 2012.

The GET YER YA-YA'S OUT! THE ROLLING STONES IN CONCERT 40TH ANNIVERSARY DELUXE BOX SET contains 3 CDs, 1 DVD, a 56-page Collectors Book and a postcard replica of the original Rolling Stones 1969 tour poster by David Byrd. The first CD is a remastered version of the original Get Yer Ya-Ya's Out release. The second CD contains 5 unreleased tracks by The Rolling Stones from the original Madison Square Garden concert. The third CD contains 12 never before released tracks by opening acts B.B. King and Ike & Tina Turner. The DVD features performances by The Rolling Stones from the 2 night concert at Madison Square Garden, backstage footage, scenes of Keith Richards in the studio and footage of the Get Yer Ya-Ya's Out album cover shoot, all shot by Albert and David Maysles. The 56-page Collectors Book includes photos and an essay by the acclaimed photographer Ethan Russell, an original article by Lester Bangs from Rolling Stone magazine and remembrances from concert-goers. A limited number of box sets will also have an insert with a code to download "I'm Free (Live)" for Guitar Hero.

Beggars Banquet is a studio album by English rock band the Rolling Stones. It was released in December 1968 by Decca Records in the United Kingdom and London Records in the United States; it is the band's seventh British and ninth American studio album. The recording marked a change in direction for the band following the psychedelic pop of their previous two albums, Between the Buttons and Their Satanic Majesties Request