A baby lamp finds a ball to play with and it's all fun and games until the ball bursts. Just when the elder Luxo thinks his kid will settle down for a bit, Luxo Jr. finds a ball ten times bigger.

这部由被誉为动画界昆汀·塔伦蒂诺的美国知名动画导演比尔·普莱姆顿执导的喜剧动画短片《很黄很暴力》，再次以趣味诙谐的动画形式，演绎了一番敏感争议的“性与暴力”的主题。在短短的不足八分钟的时间里，你将看到二十四段人生小插曲。其中七段关于性，十段描写暴力，另外的七段则刻画了人性的弱点，尤其是挑战身体的极限。这二十四个短暂而微小的瞬间被无尽放大甚至凝固，而它们，就发生在我们身边。 《很黄很暴力》以戛然而止的叙事风格，加上看似随性粗糙的人物变形设计，活脱脱构造出了一个冠以“比尔·普莱姆顿”标签的独特影像世界。

有趣的故事。随着开关一开一合，发生了奇怪的事。离奇。

An animated adaptation of Franz Kafka’s acclaimed novella, “The Metamorphosis,” made from carving images into sand with glass.

以下是来源于IMDb上的评论 'Voyage into Next (1974)' is a quaint little anti-war statement, the sort of laid-back, hippie-inspired short film that one would expect the 1970s to have produced. But it was also directed by John and Faith Hubley, a husband-and-wife animating team whose work is more subtle and understated than most. Many of the pair's films were produced by animating unrehearsed conversations (usually) between two people, and I had previously enjoyed their 'Windy Day (1968),' which excellently utilised this free-wheeling technique. 'Voyage into Next' was obviously more tightly-scripted, and that the film was to be an anti-war cartoon restricted the voice actors (namely Maureen Stapleton and Dizzy Gillespie) in which conversational paths they could take. Stapleton and Gillespie play Mother Earth and Father Time, respectively, as they observe the destructive conflicts waged between the human nations (represented here as floating boxes) and ponder why our species so unthinkably forgot the virtues of sharing that allowed our ancestors to progress beyond the Stone Age. There's nothing particularly impressive about the Hubleys' style of animation – minimalist line-drawn human figures highlighted with soft shades of colour – but their style is distinctive, later influencing short films such as the Oscar-winning 'Leisure (1976).' The two well-known voice actors are perfectly chosen (Dizzy Gillespie has one of the coolest-sounding voices ever), and the jazz musician's music is employed successfully to create the film's lighthearted mood, despite the grimness of the subject matter. Mother Earth and Father Time oversee their lilliputian creations, hidden amid mini puffs of artillery smoke, and contemplate their inability to alter human history. The future, it seems, is not in the hands of the gods, but in our own. Of course we have the ability to achieve peace and mutual understanding once more… but will we attain it in time? 'Voyage into Next' was nominated for an Academy Award in 1975, but lost out to the inferior claymation 'Closed Mondays (1974).

本部动画片用简单的线条勾勒出了抽烟已久的西服男，想方设法戒烟的全过程。在25个充满讽刺跟夸张的情境中，西服男的种种行为看上去都那么愚蠢可笑，又那么不切实际。如果你想戒烟，那么就跟着西服男一起尝试吧：“雇人监管你”，“或者去掉过滤嘴”，再不然就“使用热追踪导弹”……导演向烟民们推荐了25种戒烟法则，25条“金玉良言”。这样，你就可以骄傲的说：“终于戒烟成功！现在我可以风和日丽自由呼吸了！”。 附赠：吸烟有害健康。

这是一部非常有意思的动画片，曾在2006年法国安锡（Annecy）国际动画电影节上被评为“动画的世纪•100部作品”第92名。 山尖上有一座小屋，里面住了一位脾气火爆的老太和一位性格绵软的退伍老伯，两人养了奶牛、狗、猫、羊等动物。屋里屋外稍微有点动静，譬如狗出去撒尿、老太将奶牛赶出挤奶、鸟儿飞过时拉下一把屎，小屋就会摇摇摆摆几欲失掉平衡。更令人捧腹的是，一天到晚叮叮咚咚响个不停的小屋竟然还有中转站的功用。

The setting is on a floating platform where a group of evenly and carefully placed men live. Each man is aware that the platform is not stable and in order not to fall to their deaths, they maintain a careful balance of weight to prevent the platform from tipping too far and cause them all to fall.

2004 animated short film directed by Sejong Park

A young surveyer, new to Ontario, encounters the blackflies. Over and over again, he encounters those blackflies.

Bunny, an elderly rabbit who uses a walker, is in her kitchen one night baking a cake. A photograph from her wedding day is on her wall. A pesky and persistent moth bangs about the kitchen. She shoos it outside, turns off the porch light, and returns to her baking. The moth finds its way back into the kitchen, she bats it with a wooden spoon, and it falls into the mix. She stirs it up, pours the batter into a pan, and pops it into the oven. But the moth isn't done: it has a different mission, turning the oven into a portal, and inviting Bunny on a voyage of reunion.

1981 film by Frédéric Back

2000 film by Michaël Dudok de Wit

2004 film by Jeff Fowler

Scrat tries to finish his rather large collection of acorns when things start going nutty.

Mike discovers that being the top-ranking laugh collector at Monsters, Inc. has its benefits – in particular, earning enough money to buy a six-wheel-drive car that's loaded with gadgets. That new-car smell doesn't last long enough, however, as Sulley jump-starts an ill-fated road test that teaches Mike the true meaning of buyer's remorse.

A factory worker in a dark, gray world assembles devices that promise happiness. In his spare time he tinkers to create something better, and finally succeeds in perfecting his invention, which allows people to see life through rose-colored glasses, but he has to pay a price for his success.

A hilarious collection of animated television commercials that were rejected because of their creator's failing grip on sanity.

The stone-people Hew and Kew have seen a lot in their everlasting lives on top of their mountain. Therefore they're only mildly amazed by the ongoings in the valley below, they've got their own little problems to deal with - But all of a sudden, Mankind is discovering and inventing, instead of just woozeling, and this new behavior starts to threaten Hew's and Kew's stoic peacefulness...

A fine day in the life of a fly presented completely from the fly's point of view. A fine day until something dreary happens, that is.