2
Ten
Douban Discogs
★ 8.5 32 ratings
Pearl Jam genre: Rock
release date 1991-08-27 publisher: Epic Records
Ten is the debut studio album by American rock band Pearl Jam, released on August 27, 1991, through Epic Records. Following the dissolution of their previous band Mother Love Bone in 1990, bassist Jeff Ament and guitarist Stone Gossard began rehearsing with guitarist Mike McCready.
Listened Jan. 26, 2023
2
Goo
Douban
★ 8.8 98 ratings
Sonic Youth genre: Rock
release date 1990-01-01 publisher: Geffen Records
Sonic Youth's sixth album.
Listened Jan. 26, 2023
“卖身”后仍保有着不可触碰的酷劲儿
2
The Yes Album
Douban
Yes
release date 1971-01-01 publisher: Atlantic
Japanese HDCD remastered reissue of their 1971 album. Packaged in a limited edition miniature gatefold reproduction of the original LP sleeve.
Listened Jan. 26, 2023
2
For The First Time
Douban
★ 8.4 83 ratings
Black Country, New Road genre: Rock
release date 2021-02-05 publisher: Ninja Tune
Black Country, New Road return today with the news of their signing to Ninja Tune, who will release their much-anticipated debut album "For the first time" on February 5th 2021.Recorded with Andy Savours (My Bloody Valentine) during the early part of this year and then finished at the end of the nationwide lock-down, the album is the perfect capturing of a new band and all the energy, ferocity and explosive charge that comes with that whilst also clearly the work of a group who have no interest in repetition, one-note approaches or letting creative stagnation set in. Featuring six new songs including reinterpretations of early tracks "Sunglasses" and "Athens, France", "For the first time" is a sonic time capsule that somehow manages to bottle the past, the present and the future. “We wanted it to sound exactly how we love to sound live,” says saxophonist Lewis Evans. “This is basically representative of our first 18 months”, continues frontman Isaac Wood. Indeed the band found they had to stop themselves running too far ahead in order to document this album in a way that felt as truthful as possible. “We see this as being a stop in the road” explains Isaac. I've always been interested in a really honest portrayal of what a band is and what they've been working on. I think it's really nice if people can see an artist like: this was them in the early days, this was their next phase and that they're quite clear and honest about genuine progression as people and musicians.” The band have today also shared the new track, "Science Fair", alongside an interview with The FADER. Minimalist and foreboding, "Science Fair" opens around their rhythm section, precise percussion and bass locking in to allow a residual build from the rest of the band, viola and sax loop and layer over fits and squalls from dual guitars, a synth break and an ever-anxious narrative laid down by Isaac Wood. Climbing towards his desperate exclamation of - "it's black country out there!" - the song caves in on itself during a blistering, caustic final breakdown. Already a live favourite, "Science Fair" is paired to a video directed by Bart Price who said the following about its themes: "When developing the music video for 'Science Fair', I was thinking about fictitious worlds that we visit through our screens, such as the American high school. Despite our lack of direct experience, these worlds become a universal means of communicating about and understanding things like what it means to grow up, or what it means to be in a friendship group, or to be in love. I wanted to create such a world around Black Country, New Road, placing their music at the heart of a small American town, that in a sense we’ve all been to and lived in." Despite having just those two early singles to date, Black Country, New Road - their name originally found on a random Wikipedia generator - have made an impressive impact on fans and critics alike. Declared “the best band in the world” by The Quietus, with glowing reviews from The New York Times to The Guardian, a cover feature for Loud & Quiet, a live BBC 6 Music session, selling out shows across the country (including 1700 tickets in London), being invited to festivals around the world including Primavera and Glastonbury, and finding themselves on French TV sandwiched between Sonic Youth’s Kim Gordon and Radiohead’s Ed O’Brien. Their live performances gaining legendary status among fans of the emerging scene that coalesced around vaunted south London venue The Windmill, and which gave rise to many of their peers and contemporaries such as Fat White Family, black midi and Squid, artists with whom they have variously supported, toured with and collaborated with over the years.
Listened Jan. 26, 2023
2
Ramones
Douban
★ 8.1 73 ratings
Ramones genre: Rock
release date 1976-04-23 publisher: Sire
百张史上最具革命性的专辑 033 - Ramones - 1976 - Ramones Original Release Date: 1976 Number of Discs: 1 Label: Rhino / Wea 纵使美国纽约市传奇性punk-Rock乐队Ramones的乐队生涯,亦随着其告别巡回演出之完满结束而在96年划上句号,但在这年间,我们却感觉到乐队的音乐精神仿佛仍没有离开过。闻说歌手joey Ramone正在灌录他的首张个人大碟;鼓手Marky Ramone及其乐队the Intruders刚在早前发表了他们的the Answer To Your Problems专辑。更重要的是,随着一套Ramones的anthology式双cd专辑hey Ho Let's Go!之面世,一方面是对这对乐队崩乐先驱做出崇高的致敬意义,同时也好比悄悄地燃起一次Ramones热似的。 从74年组成到96年解散,经历了二十二年的长路远征,毋庸置疑的Ramones事实上最历史悠久,最长寿的punk Rock乐队,但不要忘记,Ramones也是最早出现在乐坛上的punk Rock队伍,在这个双重意义下,才是他们最难能可贵之处。 姑且无论早年曾有过the Stooges或thewho这些获誉为proto Punk的乐队存在,但Ramones才是摇滚式上第一队开宗明义的punk Rock乐队;三个chord的简约摇滚曲式,短小精悍的平均不超过两分钟的歌曲长度,急激快板的节奏,嘈噪的吉他声,口号似的歌唱,Yobbish的态度,简单的黑白唱片封套设计,只花雕了六千二百美元的唱片制作成本,在他们与76年发表的首张同名专辑里已标志着这种punk Rock之蓝本。而他们永远是皮褛加窄身牛仔裤加冬菇式长发的打扮,亦俨如成为乐队别树一帜的标记。 Ramones的出现促使了纽约市的punk Scene的形成,被公认为纽约崩坛头号乐队的他们,那仿佛是继the Velvet Undergroud后埋藏在地下音乐圈的另一颗炸弹。早年发迹且活跃于纽约市曼克顿区bowery Street之表演场地cbgb的Ramones (他们曾是cbgb的驻场乐队),便在当年联同television,Patti Smith Group,Blondie,The Dead Boys,Talking Heads等队缔造了这块传奇性纽约崩乐胜地。甚至笔者所收集到的一套摄制与78年的cbgb纪录片,便更实行以Ramones的成名作 blitzkrieg Bop为标题,可见他们之代表性。然而Ramones之影响力不独在于美国本土上,他们的启蒙性甚至被视为英国punk Movement之源头----乐队在76年7月首次登陆英伦,于伦敦roundhouse之演出,正式触发起英伦punk Movement衍生的历史性时刻,随即冒起的sex Pistols,The Clash,Buzzcocks等乐队身 上都不难找到源自 Ramones的熏陶。在近期于uncut杂志的访问中,Joey Ramone便不讳言的说:"Ramones触发了punk的开始,当我出道时我想我们是世上最积极的乐队,是punk Movement的蓝本,是malcolm Mclaren取材的源头,我犹记得我听闻达一个说法是sex Postole表示过:'我们希望做出犹如Ramones的声音。'即使joe Strummer也说过the Clash是听着Ramonesde唱片下学习弹奏音乐的"。Ramones影响着英国punk Scene的爆发,然后英国则令punk变成一股一发不可收拾的音乐文化革命。 Punk Rock的出现是因为一种年轻乐队认为那些是七十年代的恐龙级/大使级摇滚乐太高不可攀,从而锐意重拾回rock 'N' Roll最原始基本的音乐精神,Ramones亦是如此。本身热衷于六十年代摇滚乐的他们,Ramones的音乐风格其实是改良自早在六十年代初期的 rock 'N' Roll根源曲式,只是他们透过粗犷,吵杂,急激而不修饰的手法演奏出来。同时亦带出了犹如60's-Pop于surf-Pop般的快板节奏,Joey的主唱曲调往往是以调子流畅押韵见称,加上他们在歌词见透过虚无主义的笔触下所流露出的黑色幽默题材,Ramones的音乐所予人是绝对愉快的聆听经验,亦开启了所谓punk-Pop的门户。乐队在76年至78年间所发表的四张专辑:Ramones,Leaves Home,Rocket To Russia和road To Ruin,都是他们最典范的作品,像blitzkrieg Bop,Judy Is A Punk,Pinhead,Sheena Is A Punk Ricker,Rockaway Beach,I Wanna Be Sedated,Suzy Is A Headbanger等Ramones的"国歌",便是这个时期的作品,到了九十年代,像green Day,Rancid,The Offapring等西岸punk Pop巨星,便显然是承袭了与仿效着Ramones的乐风而来。此外,在日本大阪市,有"女版reamones"之称的shonen Knife;在北京,也有大唱<<你是我的雷蒙斯>>的新裤子。 来自纽约市皇后区的Ramones,也由歌手 ramone(原名jeffey Hyman),吉他手jonny Ramone(原名john Rcummings)和鼓手tommy Romone,低音吉他手dee Dee Ramone(原名douglas Colvin)作构成的阵容最为原装。其实原先他们是一队只有joey,Johhy和dee Dee三人的乐队,而tommy则是其经理人,后来经过执位后才变成这个Ramones的经典阵容。但像每一队历史悠久的乐队般,Ramones亦饱尝成员进进出出的经历,尤以鼓手的位置最不稳定。在77年的rocket To Russia后,Tommy便离队变成乐队的间歇性唱片监制,鼓手空缺由来自voidoids的marky Ramone补上;在乐队于83年发表过第七张大碟subterrnean Jungle后,Marky一度退出,鼓手位置便由richie Ramone取代;但合作了三张专辑后,Richie有为之告辞,虽然空缺曾由blondie的clem Burke取代;但最后还是由marky归队补上,而低音吉他的dee Dee亦在89年的brain Drain专辑后离队,并化名为dee Dee King作个人发展(曾出版过一张声名狼藉的rap Music唱片),由cj Ramone(原名christopher John Ward)取代他的位置,直至最后因joey亦有意离队,乐队便做出了解散的决定。 在乐坛上屹立了二十多载,纵使Ramones仍一直把持着鲜明的punk Rock的旗帜,但却不代表他们是一队一成不变的乐队。队员的替换跟不同的唱片监制合作,仍往往令Ramones的每张专辑能出现或多或少的不同。 Marky加入后所发表的road To Ruin不但在音乐质感上有所提升,连歌曲长度也相对地增加,成为他们首张超过半小时长度的专辑;由phil Spector监制的第五张专辑end Of The Century让他们重拾回60's Pop的根源,也是他们最富装饰性的一张唱片;81年pleasant Dreams由英国乐队10cc成员graham监制下,令他们的手法倾向重型,唯独一曲we Want The Airwaves却流露了多少new Wave式倾向。83年的subterranean Jungle时的两位监制ritchie Cordell和glen Kokotkin是生产p0wer Pop的美国独立唱片品牌beserkley之创办人,故此也令他们重投punk的原始张力;在84年too Tough To Die里既可看到他们对西岸的hardcore Scene作回想(Endless Vacation),也显示了一种post-Punk的低调趋向(I'm Not Afraid Of Life),而碟内由eurythmics成员dave Stewart监制的howing At The Moon则是他们向电气化new Wave曲式作探讨之意图;甚至乎连前卫乐手bill Laswell,也曾为他们在brian Darain(89年)是时期为乐队监制过i Believe In Miracles这首平平无奇之作。当然,Ramones所为人津津乐道的典故还有他们在80年代带来过rock 'N' Roll High School这套b级电影,而他们另一次跟电影扯上关系,便是89年为stephen King的电影pet Sematary撰写主题曲。 Hey Ho Let's Go!(名字取自blitzkrieg Bop内的一句口号)这张anthology专辑是对roamones二十多年来的音乐历程做出的总结。八十多页厚的书册正记载了乐队的历史故事与珍贵照片,而双cd内所选辑的五十八首作品,那几乎集齐所有Ramones的代表作,然而也倒有一些漏网之鱼,像欠缺了suzy Is Headbanger和用作炮轰里根总统的bonzo Goes To Bitberg,便总有多少美中不足。 有人说过punk Rock乐队只能是昙花一现,每每总会随着青春的消逝而终结。但Ramones在二十年来却能矢志不渝的坚守着punk Rock的态度,从没有像主流妥协也没有变质,他们在乐队的告别专辑adios Amigos里重玩tom Waits的i Don't Wanna Grow Up,你会发觉是那么寓意深刻。
Listened Jan. 26, 2023
我是朋克绝缘体..
2
穿越欧洲的快车
Douban
★ 9.4 59 ratings
Kraftwerk genre: Electronic
release date 1977-01-01 publisher: Capitol
Trans Europa Express/Trans-Europe Express was the first Kraftwerk album to be mixed in two entirely separate versions, one in German, the other in English. In addition, a French language version of 'Showroom Dummies' entitled 'Les Mannequins' was included on French pressings of the album (which otherwise features the English mix). Most German pressings (as well as the 2009 remastered reissues) list 'Metall Auf Metall' as two separate tracks, the second part entitled 'Abzug'. Most other versions only list 'Metal On Metal', but include both tracks. The original German pressing (and many of the other editions) features a monochrome portrait by New York photographer Maurice Seymour, with the group dressed in suits to resemble mannequins. A highly retouched colour photo montage of the group by J. Stara is used for the British, American and other editions. A color collage of the group sitting at a small cafe table designed by Emil Schult was used for the inner sleeve. Most of the 2009 reissues feature a simplified monochrome 'TEE' design. The original German release includes a colour poster of the Emil Schult image.
Listened Jan. 25, 2023
2
Black Holes And Revelations
Douban
★ 8.4 127 ratings
Muse genre: Rock
release date 2006-01-01 publisher: Warner Bros / Wea
2007 Japanese Limited Tour Edition 2-disc set comprising a 12-track CD album including the singles 'Supermassive Black Hole', 'Starlight', 'Knights of Cydonia' and bonus recording 'Glorious' plus BONUS DVD featuring 3 music videos, behind-the-scenes studio footage and live performances
Listened Jan. 25, 2023
2
Back in Black
Douban
★ 9.0 131 ratings
AC/DC genre: Rock
release date 1980-01-01 publisher: Atlantic
Produced by Robert John "Mutt" Lange Remastered from the original mastered tapes by George Marino at Sterling Sound All titles A.Young·M.Young·B.Johnson All titles published by J.Albert&Son(USA)Inc.(ASCAP) EPC 510765-5107651000
Listened Jan. 25, 2023
2
Illinoise
Douban Discogs
★ 8.9 76 ratings
Sufjan Stevens genre: Folk
release date 2005-07-05 publisher: Asthmatic Kitty
Illinois (styled Sufjan Stevens Invites You To: Come On Feel the Illinoise on the cover; sometimes written as Illinoise) is a 2005 concept album by American indie folk songwriter Sufjan Stevens. It is his fifth studio album, and features songs referencing places, events, and persons related to the U.S. state of Illinois. Illinois is Stevens' second based on a U.S. state—part of a planned series of fifty that began with the 2003 album Michigan that Stevens has since acknowledged was a gag.
Listened Jan. 25, 2023
2
Lodger
Douban
★ 8.6 23 ratings
David Bowie genre: Rock
release date 1979-01-01 publisher: EMI Int'l
Manufactured in Japan. CD sits within an exact replica of the original vinyl packaging including the inside sleeve. Packaging includes the Japanese spine sleeve.
Listened Jan. 25, 2023
2
Highway To Hell
Douban
★ 9.3 78 ratings
AC/DC genre: Rock
release date 1979-08-03 publisher: Atlantic / Wea
PRODUCED BY ROBERT JOHN "MUTT" LANGE Recorded at Roundhouse Studios,London Recording Engineer:Mark Dearnley Mixed at Basing Street Studios,London Mixing Engineer:Tony Platt Assistant Engineer:Kevin Dallimore Remastered from the original master tapes by George Marino at Sterling Sound All titles A.Young - M.Young - B.Scott All titles published by J.Albert&Son(USA)Inc.(ASCAP)
Listened Jan. 25, 2023
2
Closer
Douban
★ 9.3 174 ratings
Joy Division genre: Rock
release date 1980-01-01 publisher: Qwest / Wea
Listened Jan. 25, 2023
2
Innervisions
Douban
★ 9.0 48 ratings
Stevie Wonder genre: 放克/灵歌/R&B
release date 2000-01-01 publisher: Motown
滚石杂志对他的评价是:“虽然他可能看不见,但他却饱览了美国的风景,尤其对黑人的生活有着敏锐的洞察力”。Stevie把他对美国社会的思考和自己的理想表达在音乐里,一手包办了自己的大部分专辑。 这张专辑在滚石杂志选出的500张历代最强专辑中排名第23位。
Listened Jan. 25, 2023
2
The Cars
Douban
★ 8.3 30 ratings
The Cars genre: Rock
release date 1990-10-25 publisher: Elektra / Wea
风靡一时的朋克新浪潮乐队The Cars的第一张专辑,也是乐队最有代表性的作品,甚至乐队成员都开玩笑说,应该把这张专辑叫做The Cars精选集才对。专辑中大量使用的合成器配乐非常动听,专辑中有许多热门歌曲,比如"Just What I Needed" 就成为Circuit City音像店的招牌广告曲目。 本专辑在滚石杂志评出的500张历代最强专辑中排名第282位。
Listened Jan. 25, 2023
2
The Idiot
Douban
★ 9.1 46 ratings
Iggy Pop genre: Rock
release date 1977-01-01 publisher: Virgin Records
James Newell Osterberg Jr., better known as Iggy Pop, is an American singer, songwriter, musician, and record producer. Designated the "Godfather of Punk", he was the vocalist and lyricist of influential proto-punk band the Stooges, who were formed in 1967 and have disbanded and reunited multiple times since.
Listened Jan. 25, 2023
2
Chelsea Girl
Douban Spotify
★ 8.0 42 ratings
Nico genre: Chamber Folk / Folk Pop
release date 1967-10-01 publisher: Verve
1967年10月美国首发黑胶,是Nico的第一张个人专辑,包括五首VU成员参与歌曲:Little Sister (Cale/Reed), Winter Song (Cale), It Was A Pleasure Then (Nico/Cale/Reed), Chelsea Girls (Reed/Morrison), and Wrap Your Troubles In Dreams (Reed)。
Listened Jan. 25, 2023
vu余韵
2
American Beauty
Douban
★ 7.9 21 ratings
The Grateful Dead genre: Rock
release date 2003-02-25 publisher: Rhino / Wea
American Beauty is the fifth studio album by rock band the Grateful Dead. Released November 1, 1970, by Warner Bros. Records, the album continued the folk rock and country music style of their previous album Workingman's Dead, issued earlier in the year.
Listened Jan. 25, 2023
2
Wish You Were Here
Douban
★ 9.5 363 ratings
Pink Floyd genre: Rock
release date 1975-01-01 publisher: EMI
20分钟的歌曲再加上 "Shine On You Crazy Diamond" 所组成的这部专辑依旧是根系于他们早期的 "Atom Heart Mother Suite" 和 "Echoes" 等这些作品,但我们宁愿看到另一种 Pink Floyd 的音乐风格。"Shine On You Crazy Diamond" 的歌词完全是在赞美与称颂 Barrett 的聪明以及作为对其后来的隐退发出的一曲挽歌。整首歌曲由9段组成,而专辑选用了前面的5首片段作为整部专辑的开篇。对于该曲你往往最先可能被 Gilmour 忧伤的吉他主奏所打动,不过贯穿全曲的确是 Wright 有史以来最出色的键盘演奏,当然萨克斯演奏家 Dick Parry 如同在 Dark Side 中一样做了精彩的表演;而后面的4首片段则作为专辑的结束曲,伴随着风声以及David Gilmour 吉他的咆哮声和他的呐喊声中开始,并最终在波涛汹涌般的键盘声中逐渐结束整部专辑。本来该曲是作为一个整体演出的,但在1975年却被一分为二了。毫无疑问的是,这首歌曲就是针对并间接地回顾了 Pink Floyd 音乐历程上的第一个变故 —— 乐团创史人 Syd Barrett 中途离开乐队。1975年7月5日,当乐队录制完毕而进行混音制作阶段工作的时候,有一个陌生人来到录音室外面默默地看着里面工作的乐队成员,他就是 Syd Barrett。可惜当时他并不知道这部专辑就是题献给他的,在匆忙一瞥后,人们从此再也没在公共场合见到他。 在 VSC3 合成器极富规律的伴奏下,伴随着重复回声的组合引出了 "Welcome To The Machine" 开头的那部分音节,由此开始了一个针对当时音乐圈中广泛存在的“对金钱的追逐超过了对音乐制作创新的追求”现象的辛辣的讽刺,而将歌手 Roy Harper 引入并演唱 "Have A Cigar" 则似乎是 Waters 的耻辱,但当时在录制此曲的时候,本应担任主唱的 Waters 嗓子出了问题而无法正常演唱,刚巧他的朋友 Roy Harper 也同期在同一录音室录制别的作品,于是 Waters 便请他的朋友演唱了这首对唱片录音工业辛辣讽刺的歌曲,不过后来 Waters 对这个决定也无不抱怨说“not because he did it badly...it just isn't us anymore”。歌曲里面有一句歌词“Which one's Pink?”其实来自于一位对他们一无所知的美国唱片公司董事询问乐队时愚蠢的提问,后来在演唱会上,Waters 将这句话印到自己的T恤上。 唱片的标题曲 WISH YOU WERE HERE 同样也是针对 Syd Barrett,但也是 Roger Waters 对于徘徊在乐队成功的四周围的贪婪所进行的斗争中所感受到的紧张感,而根植于贯穿 Wish You Were Here 专辑中所体现出来的那种觉醒的主题不断的滋生发展并最终在后来的 The Wall 中萌发壮大。古典/爵士小提琴手 Stephane Grapelli 参加了该曲的录制,也就是全曲结束时那几个小节的风声的合成音响效果的录音。而歌曲的管弦乐片段其实是截取于 Tchaikovsky 的第四交响曲的录音。本曲以后成为乐队巡回演唱会上的保留曲目,即使是 Waters 离开乐队后,无论乐团还是他依旧喜欢在各自的演出中演唱它。 WISH YOU WERE HERE 专辑于75年9月27日进入美国排行榜并名列12位,并于10月4日升至榜首。而在英国,发行后第一周便荣登榜首,不过这要感谢提前预售的25万张唱片的功劳。Wish 专辑也是在他们离开了与之合作多年的 Capitol 唱片公司,并自组 Pink Floyd Music 公司后制作的第一部作品,另外他们将其作品改委由 Columbia 唱片公司发行而不是老东家EMI公司了。或许是因为上一张作品反映太好,它多少显得这张专辑有些失色,乐评家的评论甚至也仅以“了无长进”一笔带过。现在回过头来看这张唱片,虽然具有一定程度的商业化倾向的表现,但在音乐创作的本质上,它仍然够资格称得上是一张质量均佳的好作品。 这张专辑在滚石杂志选出的500张历代最强专辑中排名第209位。
Listened Jan. 25, 2023
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