Eight women gather to celebrate Christmas in a snowbound cottage, only to find the family patriarch dead with a knife in his back. Trapped in the house, every woman becomes a suspect, each having her own motive and secret.

During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.

1895 film directed by Louis Lumière

A long series of unrelated images, revolving, often distorted: lights, flowers, nails. A lightboard appears from time to time carrying the news of the day. Then, an eye. A woman in a car drives along country roads. Farm animals. She descends from the car, again and again. Images: dancing legs, seashore, swimming fish, geometric shapes, cut glass. A man removes his starched collar. It rotates. A girl has garishly painted eyes. No, she's only fooling. Those were her eyelids.

1982 film by Agnès Varda

Dulac’s three 1929 "abstract" films, Record 957, Αrabesques, and Themes and Variations, were the results of a long period of reflection by the filmmaker, who sought to create a "pure" or "integral" cinema that would capture the essence of the new medium and owe nothing to the other arts. Each of these three studies was designed to be played silent. The first one, Record 957, is conceived of as a "visual impression […] in listening to Frédéric Chopin's Preludes n. 5 and 6." Its title and its opening shot of lightplay on a spinning record not only announce the film's dominant cyclical motif, but also evoke one of the filmmaker’s major sources of inspiration in Loie Fuller's serpentine dances.

On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.

2016 French-Belgian drama film

本部动画短片用流畅而细腻的笔触，勾勒了一个在二维平面和三维立体间随意转换的奇妙空间。黑白小人穿梭在随手勾画出的平面正方形里，但是无论怎么描画都不满意。刚刚画出一部分，就很快被自己画出的正方形挡住。直到他无意间画出了三维立方体，但是他始终走不出二维平面的束缚。黑白小人反反复复的跟立方体博弈着，却最终还是回到了原点。 这部由法国鬼才导演Léonard Cohen执导完成的短片，荣获2011年昂西动画节最佳毕业作品奖。导演Léonard Cohen毕业于法国国家高等装饰艺术学院，从本片的影像风格中可见一斑。

"This funny individual will make you laugh until your sides ache. He is funny in all his actions, yet when he puts on his shoes you can imagine the noise he can make when he dances an ordinary clog. The shoes referred to are made of some elastic material which enables Little Tich to bow almost to the floor without bending his legs, the spring in the shoes carrying him down and up again. He places his hat on the floor and, leaning over on the toes of his wonderful shoes, dips his head into the hat and comes up without having to move from the spot or to bend his legs. He is a comical looking sight at best, being made up to suit the part, and he will make you laugh whether you want to or not."

In this whimsical and playful film, Bokanowski returns to the complex optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage.

Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

Gai Dimanche is a 1935 three reel film written by and starring Jacques Tati and his friend Rhum. The pair star as down-and-outs (very much their situation in reality at the time) who try to generate funds by providing an impromptu leisure tour in a rickety bus they wangle use of for free. Released in 1935 and rarely seen today, the film offers brief glimpses and hints towards methods Tati would begin to perfect on the big screen a decade later.

Jacques Tati plays a French postman adamant to prove he can be just as fast as American postmen at delivering mail.

2012 film by François Ozon

Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.

A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.