谣曲
Your Face Is Like the Moon, Your Eyes Are Stars
Douban
Bhutan Balladeers genre: World Music
release date 2024-06-21 publisher: Glitterbeat Records
Produced by Grammy-winner, Ian Brennan (Tinariwen, Ustad Saami, The Good Ones [Rwanda], Parchman Prison Prayer), the Bhutan Balladeers perform classical music from Bhutan called Zhungdra, that dates back to the dawn of the 17th century. The music features extended vocal tones that weave complex patterns, and melodies that are sup-ported by minimal instrumental accompaniment. That instrumentation consists of the Drumnyen (a lute with 3 double-strings, also sometimes known as Drangyen), the wooden flute, Lemo (hammered dulcimer), and the Chiwang (a 2-string, bowed fiddle). Derived from Sanskrit, the Choekey language (“dharma language”) used in Zhungdra songs is indeci-pherable to most Bhutanese apart from Buddhist monks. The Bhutan Balladeers collective’s entire debut album was recorded live in a hilltop forest outside of the capital, Thimphu. --------------------------- Bhutan is officially the highest nation on earth and was the first carbon neutral country, with the only other currently being Suriname. Over 60% of Bhutan’s land is legally mandated to remain forested. In 2020, zero homicides were reported in the entire nation. We set-up to record in the forest with sixteen singers on a mountain which reportedly has no name, and where the largest sitting Buddha in the world (169-feet tall) kept watch, the top of its head just clearing the ridgeline. When each song was through, the crows appeared in droves, chiming in— more loudly for some performances than others as if critiquing each piece. Many songs were entirely a cappella and the men provided most of the instrumentation when it was utilized. Only one woman, Lemo, accompanied herself. She played the Yangchen, a hammered dulci-mer, which set the birds particularly aflutter. But as with everywhere on earth, animals are almost never out-of-tune or arhythmic— instead, they are close listeners responding. The other women worked chorally. Whether duos, trios, quartets or more, they devised a way to make space for every voice. But one elder, Pemo Choden’s song was so rare that no one could join with her since they’d never heard it. In total over thirty-seven songs were recorded. As with so much folk music around the world, the songs often bear mournfully bent notes. --- Ian Brennan credits released June 21, 2024 Singers: 1. Women’s choir 2. Yeshi Zangmo (32) 3. Tandin Lhamo (26) 5. Tshechu Choden (30) 6. Lemo (37) 7. Yeshi (61) 8. Pemo Choden, (61) 9. Zeko Lhamo (53) 10. Kinley Dorji (29) 11. Tshewang Lhamo (27) 12. Bhutan Balladeers chorus Musicians: Yeshi: Drumnyen (lute with 3 double-strings), Chiwang (a 2-string, bowed fiddle), flute. Kinley Dorji (29): Drumnyen (lute with 3 double-strings) Lemo: Yangchen (dulcimer) license all rights reserved
東光院ライブ
Douban
Various
release date 1981-09-22 publisher: Kojima Recordings, Inc.
Sarod – Mohan Sundar Shrestha Sitar – Ganesh Bahadur Bhandary Tabla – Sambhu Prasad Mishra Tambura – Kuniko Motoya Limited 200 numbered.
E Shudhu Gaaner Din
Douban
Geetashree Sandhya Mukherjee
release date 1980-09-22 publisher: Columbia
Photography By – Sunil Dutta Printed erroneously on back cover: Bengali modern songs On labels: Bengali film songs The songs are from the following films: A1 - Agni Parikshka (1954) A2 - Suryamukhi (1963) A3 - Sabar Uparey (1955) A4 - Mayamriga (1960) A5 - Natun Jiban (1966) A6 - Pita Putra (1969) B1 - Antony Finringee (1967) B2 - Deya Neya (1963) B3 - Shravan Sandhya (1974) B4 - Basanta Bahar (1956) B5 - Nayika Sangbad (1967) B6 - Pathey Holo Deri
Hamt Zamin Hümüs
Douban Spotify
★ 7.9 11 ratings
NaraBara genre: World Music
release date 2023-06-19 publisher: NCR游牧城市
无言地(Üg Hürhgüi Gazar)至萨玛地(Samadhi) 0 - 1 - 0 向内,观自己原生的力。向外,融合世界冲破边界。 NaraBara乐队四人,化作草原的小马驹。 穿过混沌,任音乐游牧天地;采样情感,让爱与信念回归自己。
Malam Minggu : Saturday Night in Sunda
Douban
Various Artists genre: World Music
release date 2019-02-15 publisher: Akuphone
Akuphone resumes its reissue operations with its latest compilation, Malam Minggu: A Saturday Night in Sunda. This release brings us once again to Southeast Asia, with a stopover in the Indonesian archipelago – to the region of Sunda in western Java. As its name suggests, this collection immerses us in the vibes of Sundanese nights at the turn of the 1980s. During the post-independence climate of the 1960s, Presidents Sukarno and Suharto encouraged artists to renew and innovate traditional Indonesian art forms in an attempt to limit and control the spread of Western music - which was banned from broadcasting in 1961. This policy saw a revival of traditional musical styles like gamelan degung, and the emergence of Indonesian singing genres: jaipong and pop sunda. Recorded between 1978 and 1985, this unique and surprising selection presents some of the most popular artists of the time, such as Nano S. and Tati Saleh. It is richly documented by Southeast Asia music specialist Édouard Degay Delpeuch. All tracks licensed by Manfred Gillig (BLUE VISION, Germany) (c) 1991-1994 Blue Vision (p) 2018 Akuphone All tracks recorded between 1978 and 1985 Mastered by J-P Bameulle Front & back artwork by Hadrien Degay Delpeuch Liner notes by Édouard Degay Delpeuch Research by Marie-Emilie Lorenzi and Édouard Degay Delpeuch English version by Steven Cayrasso AKUPHONE AKULP1012 akuphone.com welcome@akuphone.com
调·歪
Douban
★ 5.8 5 ratings
神纳姆乐队 genre: Rock
release date 2021-09-15 publisher: 北河三音乐
“度化不开心”的神纳姆以独具匠心的美学诠释着贵州方言和地方文化的独到智慧,贵州话段子搭配融合了民乐元素的摇滚乐,抹开一派浓郁热烈的市井风情。虽然唱词里随处可见迷人的怪趣,时常让人忍俊不禁的神纳姆乐队对待音乐却是毫不“调歪”。对各种音乐形态的着迷,对地域文化的坚守、焕发,让他们不断尝试着全新的器乐编排,和不同风格之间的交流碰撞。他们用扎根泥土的生命力,延展着沟通世界的渴望,为我们描绘一幅另类的贵州风情画卷,在生命的张扬和音乐的融合之中,始终给予我们更纯粹的力量。
საქართველოს ბგერები ºº the sounds of GEORGIA ºº ((saqartvelos bgerebi))
Douban
Vincent Moon / Petites Planètes genre: World Music
release date 2013-09-30 publisher: Petites Planètes
recorded by Vincent Moon & Priscilla Telmon around Georgia, september-october 2013 produced by Zoé Perret, Priscilla Telmon & Vincent Moon with the local help of 'Meme' Avalonelli, Elena Sahnova, Stefan Williamson Fa, Elizbar Okropiridize, Mariam Kveselava, Audrey Bogini and more
Longing For The Past: The 78 Rpm Era In Southeast Asia
Douban
various artists genre: World Music
release date 2013-10-01 publisher: Dust to Digital
Compiled and edited by David Murray Longing for the Past: The 78 rpm Era in Southeast Asia is the first survey of the 78 rpm record era in Southeast Asia. It is a kaleidoscopic collection featuring 4 CDs with 90 tracks of music spanning six decades (1905-1966), accompanied by a 272-page book with essays and annotations by leading ethnomusicologists that is richly illustrated with more than 250 vintage photographs, record labels, and sleeves.
Chopin: Spirit of the Lowlands
Douban
Zespol Polski
release date 1999-06-01 publisher: OPUS111
波兰音乐是欧洲斯拉夫民族最古老的音乐文化之一,它的发展同欧洲其他民族音乐的发展有密切关系。在10世纪波兰国家形成之前,最古老的波兰民间歌曲在结构、节奏、旋律方面都是相当简单原始的,调式基本上是五声音阶的。10世纪以后西欧天主教的教会音乐开始传入波兰,古代教会调式以及后来的大小调式也渗透进来,这对波兰的民间歌曲逐渐产生了影响。波兰民间歌曲与舞蹈的关系密切,许多民歌旋律就是舞蹈曲调,这是波兰民间音乐的一个重要特点。特别是16~17世纪波兰的马祖卡舞曲、波洛奈兹舞曲定型后,在其影响下波兰民间音乐在结构、节奏、旋律上的变化则更为明显。波兰民歌和民间舞曲的重要特征是:三拍子占多数,而且重音常常从第1拍移到第2拍或第3拍上来,如马祖卡舞曲、克拉科维亚克舞曲、奥别列克舞曲等,曲调常有较大幅度的跳动,大调式居多。 有乐谱记载的最古老的波兰专业音乐文化始于12世纪。当时用原始记谱法记载下来的音乐文献是天主教教堂中的宗教歌曲。从13世纪起非宗教性的专业世俗歌曲也逐渐产生了。15世纪后,波兰的多声部复调音乐开始得到发展,当时著名的代表人物是拉多姆的米科瓦伊(活动于15世纪上半叶)他的主要作品是三声部的宗教声乐曲和赞美诗等。文艺复兴时期波兰的复调音乐得到很大发展,被称为波兰古代音乐的黄金时代。当时最重要的代表人物是M.戈穆卡(约1535~约1591),他用波兰文谱成的四声部赞美诗是16世纪波兰复调音乐最重要的成就。当时贵族宫廷中的世俗音乐文化,特别是以琉特音乐为主的器乐也得到了发展。以首都克拉科夫为中心,世俗的无伴奏合唱、牧歌、民族舞曲、管风琴的前奏曲、里切尔卡等声乐、器乐体裁都很发展,波兰成为欧洲中部、东部音乐最发达的国家。后来,波兰民族舞曲马祖卡舞曲、波洛奈兹舞曲等流传到欧洲其他国家。 17世纪和18世纪上半叶由于政治经济的衰落,天主教势力的加强,波兰的音乐文化发展一度缓慢。18世纪后半叶,由于启蒙运动思想的影响,特别是由于外国侵略引起的民族意识的加强,波兰民族音乐又得到了迅速发展。1765年在华沙成立了民族剧院,1794年上演了波兰最早的民族歌剧《想象的奇迹》,(又名《科拉克夫人和山民》),作曲者是捷克籍音乐家J.斯泰凡尼(1746~1829),脚本作者是著名戏剧家W.博古斯瓦夫斯基。歌剧的音乐以波兰的民间歌曲和民间舞曲为基础,有浓郁的民族风格18世纪末叶在维也纳古典乐派的影响下,波兰的交响曲、协奏曲、室内乐等大型器乐创作有了发展,代表性的作曲家有克莱琴斯基(1756~1828)、F.W.米雷茨基(1791~1862)等人。 19世纪后,波兰音乐的特点是民族意识同浪漫主义音乐潮流结合起来,代表人物..希曼诺夫斯卡(17891831)、J.A.F.埃尔斯纳、K.K.库尔平斯基成为19世纪波兰民族乐派的先驱。这个乐派的伟大代表是F.F.肖邦。他的钢琴音乐创作不仅为波兰、而且为整个欧洲的浪漫主义音乐作出了巨大贡献,肖邦的名字在欧洲音乐史上占有重要地位。稍晚一些的S.莫纽什科则为波兰民族歌剧的发展开拓了道路,他的代表作歌剧《哈尔卡》,成为波兰歌剧史上最重要的作品之一。 19世纪末20世纪初,在创作方面的重要人物有W.泽伦斯基(1837~1921)、Z.诺斯科夫斯基(1846~1909)等人。在演奏方面出现的两个杰出人物,即小提琴家H.维尼亚夫斯基和钢琴家I.J.帕德雷夫斯基,他们的艺术成就获得了世界声誉。20世纪初叶最重要的作曲家是M.卡尔沃维奇,他的交响诗《斯坦尼斯拉夫与安娜·奥希维齐莫娃》和《小提琴协奏曲》,是波兰早期现代音乐的重要文献。对波兰现代音乐创作发生了重要影响的是20世纪初期成立的创作小组“青年波兰”,它的主要成员除了K.希曼诺夫斯基外,还有A.谢卢托(1884~1966)、.鲁瑞茨基(1883~1953)、G.菲特贝尔格(1879~1953)等人。其中成就最大的是希曼诺夫斯基。他的前期创作受到斯克里亚宾、 R.施特劳斯、 M.拉韦尔等人的影响,在后期作品中现代作曲技巧同波兰民间音乐的因素融合在一起,形成了一种独特的波兰现代音乐风格,获得了世界声誉,并对20世纪波兰音乐创作产生了影响波兰人民共和国成立后的音乐创作,在题材内容和风格语言上都发生了不小的变化。W.卢托斯瓦夫斯基的管弦乐《小组曲》声乐管弦乐曲《西里西亚三部曲》等,都具有独特的波兰民族风格;他的《管弦乐协奏曲》、《葬礼音乐》都是波兰现代音乐的重要作品。在歌剧创作方面,.谢利戈夫斯基(1896~1963)的《大学生的起义》具有代表性。此外,.贝尔德(1928~  )、G.巴采维奇(1909~1969)等人都是第二次世界大战后比较重要的后起之秀。60年代以后,波兰最活跃的作曲家是K.彭代雷茨基。他的弦乐曲《献给广岛受难者的哀歌》,大型声乐器乐曲《圣母悼歌》、《小提琴协奏曲》等,在欧美现代音乐中都占有重要地位。
Essential
Douban
Vaughan Williams genre: Classical
release date 2008-06-24 publisher: Warner Classics
Listened
Dec. 7, 2018
尤其喜欢Loch Lomond,听得鸡皮疙瘩起来了......
英国 谣曲