cortionのDLFをはじめて聴いたときに、この作品は一定のテンポで定義されることを拒絶してるように思えた。

Invisible Island’ sees Berlin-based Japanese pianist and sound designer Midori Hirano explore a subtly unsettling, frayed nerve strain of neo-classical ambience upon her return to Sonic Pieces Following up the imaginative, playful scope of 2016’s ‘Minor Planet’, Midori’s new side is best defined by its bittersweet edge and queasy textural/atmospheric backdrops that create an absorbing, quizzical gulf of detachment between the notes and the textures. While ostensibly working with clean, simple piano phrasing, the devil really lies in Midori’s filigree post-production that makes everything appear slightly unsteady and seemingly lost to its own thoughts while we listen in. The experience of ‘Invisible Island’ almost feels voyeuristic, as though we’re watching from a distance a play of emotions fleeting across someone else’s silent face, morphing from melancholic introspection to pangs of cutting anguish and, eventually on the B-side, a sense of breezy relief and resolution that comes through as the bitterness of the A-side subsides like night to morning. Really, the difference between the impending feel of opener ‘Ocean’s Disconnect’ and the resolution of ‘Invisible Island’ at the end could hardly be starker, with the magic lying in the way Midori very stealthily transitions between these shades of mood.

心地良いミニマル、風景を喚起する音を追求。 大阪を中心にライブ活動を行っている。

韩国电子音乐人，8 bit 的风格相当讨喜。

出生在海南的制作人Guzz将他对热带生活、亚洲传统音乐的探索与热爱浓缩、调配成了个人全长专辑《林中之象》。他用丰富的采样与独特的声响铺陈开一段迷失丛林的旅程——穿过巨大的南国植物，窥见水边大象。 《深绿色的水雾》吸引你走进这一片神秘的丛林；来自老挝、印度的采样中走出神灵的坐骑——《宛如林中之象》；拨开棕榈叶，《丛林之中遇见神庙》，是未解的远古谜团；男人、女人、自然，和谐《相生》，互为一体。戏剧性的《凤霞》与迷离的《6: 30 A.M.》追寻着海南本地文化的踪迹。山地民族的英雄度过了《彩虹桥》，天降《火雨》。 跳舞音乐本就源自丛林部族，这一次扎根都市的俱乐部之声与它的异国远亲相遇，拥抱来自雨林的水气与灵性。人与自然，城市与丛林，历史与未来，以一种温和的东方哲学相互和解，“无欲无求，如林中之象”。