On the brink of the First World War, Albert's beloved horse Joey is sold to the Cavalry by his father. Against the backdrop of the Great War, Joey begins an odyssey full of danger, joy, and sorrow, and he transforms everyone he meets along the way. Meanwhile, Albert, unable to forget his equine friend, searches the battlefields of France to find Joey and bring him home.

A drama based on the true story of a college professor's bond with the abandoned dog he takes into his home.

George Coleman医生（贾斯汀·柯克 Justin Kirk 饰）是纽约城最有名的兽医。他能理解各种患者的“想法”和行为，从而与它们进行“交流”。但是他却讨厌人类，特别是动物患者的主人们！Dorothy（艾米·胡伯曼 Amy Huberman 饰）是George的前女友。如今她和别人订了婚，并接管了家族动物医院成了George的新老板。最糟的是她对于和动物打交道毫无经验，也不喜欢George的治疗方法。Dorothy是个聪明、有野心的女人，她要George为他们的过去付出代价。毫无疑问，一场较量即将在两人之间展开。但George并不在乎，他只想维持现状，维持他的“动物王国”－－这当然包括他最喜爱的活动……

加拉帕格斯群岛（又名科隆群岛）隶属厄瓜多尔，以其保持原始风貌的独特生物物种而闻名于世，素有“生物进化活博物馆”之称，1979年被列入世界遗产名录。 群岛总面积7882平方公里，由长达130公里的第一大岛伊莎贝拉岛、四个稍小一点的岛、以及总面积1平方公里多的14个小岛组成，才外还有许多岩礁和小礁。群岛最高处是伊莎贝拉岛上的沃尔夫火山，海拔1707米。 加拉帕格斯群岛是由四五百万年前巨大的海底火山喷发形成的，在一百多万年前浮出海面。直到现在，岛上的火山喷发还时有发生，群岛最西边的伊莎贝拉岛和费尔南迪岛上的火山一直没有消停，最近的两次喷发是在1995年和1998年。这里的火山不高，但面积很大，一座海拔不过千米的火山，直径能达20千米。 群岛的位置极其特殊，正处在寒暖洋流交汇处，来自南部的秘鲁寒流和北部的赤道暖流交汇于此。这里的海洋生物丰富异常，喜寒、喜暖动物一应俱全。除此之外，地球上还没有什么地方能让企鹅和热带珊瑚鱼同游一水间。

Animals Are Beautiful People (also called Beautiful People) is a 1974 South African nature documentary written, produced, directed, filmed and edited by Jamie Uys, about the wildlife in Southern Africa, presented with comedic elements. It was filmed in the Namib Desert, the Kalahari Desert and at the Okavango River and Okavango Delta. It was the recipient of the 1974 Golden Globe Award for Best Documentary Film. The film, a critical and commercial success, was independently made by Uys, also known for his later African comedy The Gods Must Be Crazy (1980).

Belle and Sebastian is set high in the snowy Alps during the Second World War. The resourceful Sebastian is a lonely boy who tames and befriends a giant, wild mountain dog, Belle – even though the villagers believe her to be ‘the beast’ that has been killing their sheep.

2011 film directed by Cameron Crowe

The quiet life of a terrier named Max is upended when his owner takes in Duke, a stray whom Max instantly dislikes.

2017 film by Lasse Hallström

2017 film by Benjamin Renner

Amy is only 13 years old when her mother is killed. She goes to Canada to live with her father, an eccentric inventor whom she barely knows. Amy is miserable in her new life... until she discovers a nest of goose eggs that were abandoned when a local forest was torn down. The eggs hatch and Amy becomes "Mama Goose". When Winter comes, Amy, and her dad must find a way to lead the birds South.

眨眼之间，喵星人似乎“统治”了地球，这种软萌又傲娇的小动物所散发出来的甜蜜气息，很少有地球人能够抵挡。《猫咪物语》是富士电视台拍摄制作的高人气纪录片，镜头紧紧围绕着或是“家养”或是“野生”的喵星人，以人类的视角解读着这群可爱小精灵的一举一动，同时亦关注着它们日益恶劣的生存环境，和令人担忧的种群境遇。 在第五部中，镜头对准了被誉为“猫岛”的田代岛。在2011年发生的东日本大地震中，田代岛作为受灾岛屿受到了广泛的关注，封闭的环境，不便的交通，除了原住民外，常年生活在岛上的数百只野猫亦令人揪心。幸运的是，猫咪和人类都是坚强的，在外界的大力帮助之下，在灾难中死去的猫咪和居民们的灵魂庇佑之下，田代岛重新振作起来了。

BBC播出的纪录片《纯种狗的悲哀》着重提出了很多纯种犬只所承受的严重健康问题。人类为了犬类比赛以及所谓的“优良血统”而数十年将纯种狗近亲繁殖，如今导致了诸多犬种从癫痫症到癌症的一系列威胁生命的病症。 查尔斯国王骑士獚犬因为头骨太小而不能容纳大脑；牛头犬的怪异形状致使他们无法自然交配生产；金毛犬极易患上癌症……人类手下的生命，不是产品，并不存在标准化和优劣，生而平等，他们都有活下去的权利。

由于某个事件而遭到搜查一课流放的刑警须藤友三（渡部笃郎 饰），被分配到“警视厅总务部总务课动植物管理组”虽然他留恋在现场办案的日子，渴望重返一线，但他也理解警察组织的规定，明白那非常困难。就在他开始考虑为年轻人让路，渐渐丧失了对办案的热情时，他与兽医系毕业的动物专家、新人警察圭子（桥本环奈 饰）成为搭档。比起人类更爱动物的圭子，时常惹得须藤不知如何是好。但若遇上了事件，圭子会透过遗留在现场的宠物与自身丰富的知识、观察力进行推理。而在与圭子合作的过程中，须藤也重新燃起了对工作的热情。

David Attenborough再次联合BBC推出全新纪录片，由《行星地球》团队倾力打造，全方位展现动物在觅食过程中的戏剧性一刻，并首次披露南美水濑，座头鲸的猎食行为，更借用了电影、戏剧中的片段，力求给观众一个具有说服力的印象。 摄制组的足迹遍布雨林，冻土层，海洋，草原，极地，典型生态环境一网打尽，还记录了各路科学家以及环保人士对保护濒危动物所做出的努力。 由《地心引力》的作曲家Steven Price作曲。

园丁鸟的魅力艺术（Bowerbirds: The Art Of Seduction） 这一次大卫来到了澳大利亚，他为我们介绍了几种最具代表性的园丁鸟和它们建造的亭巢。从最简单的“西式庭园”到较有规模的“五月柱”，还有最令人叹为观止的“棚顶式建筑”。园丁鸟一次次地向我们展现着它们非凡的建筑技巧和装饰灵感，不愧为鸟类中的“艺术大师”。

Fleeing their doomed warren, a colony of rabbits struggle to find and defend a new home.

寂地、扫把等联袂冠名推荐，国内第一本记录人与动物温暖新闻的绘本集。 由新生代人气画师卤猫潜心两年收集创作国内第一本记录人与动物温暖新闻的绘本集。把这些故事、语言和颜色，安上想象的翅膀，筑成最舒服灵动的画面。给读者传递温暖的信息，号召大家热爱自然和我们生活的星球，以及星球上形形色色的生物。除此之外还有海量创作访谈和花絮曝光。如果你不小心错过了本绘本，那就是错过了最简单的快乐和温暖。

Since humans first emerged as a distinct species, they have eaten, fought, prayed, and moved with other animals. In this stunningly original and conceptually rich book, historian Alan Mikhail puts the history of human-animal relations at the center of transformations in the Ottoman Empire from the sixteenth to the nineteenth centuries. Mikhail uses the history of the empire's most important province, Egypt, to explain how human interactions with livestock, dogs, and charismatic megafauna changed more in a few centuries than they had for millennia. The human world became one in which animals' social and economic functions were diminished. Without animals, humans had to remake the societies they had built around intimate and cooperative interactions between species. The political and even evolutionary consequences of this separation of people and animals were wrenching and often violent. This book's interspecies histories underscore continuities between the early modern period and the nineteenth century and help to reconcile Ottoman and Arab histories. Further, the book highlights the importance of integrating Ottoman history with issues in animal studies, economic history, early modern history, and environmental history. Carefully crafted and compellingly argued, The Animal in Ottoman Egypt tells the story of the high price humans and animals paid as they entered the modern world.