Note By Note is a feature-length independent documentary that follows the creation of a Steinway concert grand, #L1037. It explores the relationship between musician and instrument, chronicles the manufacturing process, and investigates what makes each Steinway unique in this age of mass production. From the factory floor in Queens to Steinway Hall in Manhattan, each piano's journey is complex, spanning 12 months, 12,000 parts, 450 craftsmen, and countless hours of fine-tuned labor.Filmed in key locations including Steinway's the factory and reserved Bank,and private auditions. Note By Note is the first documentary to portray the patience, craft, and personality built into each Steinway. Note by Note is a loving celebration of not just craftsmanship, but of a dying breed of craftsperson who is deeply connected to working by hand. Featuring interviews with and performances by such world-class artistis as Lang Lang, Hélène Grimaud, Pierre-Laurent Aimard, Harry Connick Jr., and jazz greats Hank Jones, Marcus Roberts, Kenny Barron, and Bill Charlap.

Simon Russell Beale presents a radical reappraisal of the place of the symphony in the modern world and explores the surprising way in which it has shaped our history and identity

Lyla and Louis, a singer and a musician, fall in love, but are soon compelled to separate. Lyla is forced to give up her newborn but unknown to her, he grows up to become a musical genius.

这出背景设定在1970年代纽约的HBO全新戏剧影集， 由大导演马丁史柯西斯、滚石乐团主唱米克杰格及知名编剧兼制作人特伦斯温特连手打造。本片透过巴比康纳维尔所饰演的唱片公司总裁里奇范斯特拉之眼，在他努力不毁灭任何人的情况下，拯救公司和自身灵魂的过程中，看尽充斥着性与毒品的音乐产业的百态。

2016 film by Kankurō Kudō

Amazon已续订《丛林中的莫扎特》第三季。

Paris, 1910. Emile, a shy movie projectionist, and Raoul, a colourful inventor, find themselves embarked on the hunt for a monster terrorizing citizens. They join forces with Lucille, the big-hearted star of the Bird of Paradise cabaret, an eccentric scientist and his irascible monkey to save the monster, who turns out to be an oversized but harmless flea, from the city's ruthlessly ambitious police chief.

费加罗（赫尔曼·佩雷 Hermann Prey 饰）是在阿玛维瓦伯爵手下任职的男仆，与同为女仆的苏珊娜（米雷拉·弗蕾妮 Mirella Freni 饰）两情相悦，两人约定携手步入婚礼的殿堂。然而，阿玛维瓦伯爵贪恋苏珊娜的美貌已久，想方设法阻碍她和费加罗的结合，愤怒的费加罗决定利用自己的智慧，联手伯爵的妻子罗西娜给这个贪婪好色的老头子一点颜色瞧瞧。 苏珊娜给伯爵写了一封热情洋溢的信，约他在花园里见面。当夜，伯爵趁着月色准时赴约，隐约看到一女子站在树下，于是不分青红皂白就抱住她亲热了起来，哪知道这名女子不是苏珊娜，而是他的妻子罗西娜。

The life and work of the great Russian composer Dmitriy Shostakovich is presented in this documentary through rare images and audios from many archives, at one time censored by the Soviet government. A brief take on his life, from his transition as an early prodigy to a first rate artist, his celebrated compositions and the final years with a declining health.

Engrossing video essay by Leonard Bernstein commemorates the 125th anniversary of Gustav Mahler's birth. Bernstein recorded a cycle of the Mahler symphonies and was clearly obsessed with the man. Bernstein himself was a world-class raconteur and the film provides many insights into both Mahler and Bernstein himself, both now regarded as exceptional composers, showmen, and (self-consciously) Jews. Bernstein's thoughts on how his Jewish background influenced Mahler and his music are as controversial now as they were in 1985.

从十九世纪八十年代《碣石调·幽兰》回归中土、到二十世纪末的两个甲子之间，中国的古琴艺术在时代大潮中，也面临着千年未有之大变局。这也是与当代古琴界血脉相连、为所有琴人所熟悉的历史阶段。本书讲述的就是这一百二十年间琴坛的轶闻趣事，涉及琴人一百五十余位，不仅包含了九十多篇掌故，还选配了近八十张图片，其中不乏首次正式面世的珍品。通过这些文字和图像，既重温历史，也开阔眼界和心灵。 本书用传统的笔记体裁进行撰写，却兼顾了内容的严谨。在每篇掌故之后，都注明了依据的文献出处；在全书之后，都列出了征引、参考书目及版权信息。此外，本书还特地作“人名索引”，方便读者查找；对书中涉及到的主要人物，还一一写出小传，便于读者理解。因此，一般读者固然可在本书中饶有兴味地看故事，关心古琴文化与艺术的读者却更可看到历史，看到人生，看到前辈的风范。 给古琴界编这么一本掌故书，是有史以来的第一本。书中多是有趣的故事，并不涉及专门的学问，但又与专门的学问多少有点关系。对读者而言，可以看故事，可以尝趣味，懂琴的，不懂琴的，都可以看。通过书中揭示的近世文人与古琴的纠结来聆听传统中国文化的遗响，则是更有深意的事。书中另有许多难得一见的插图，有人物，也有实物，不但可以增益阅读之趣，本身也很有史料价值。

本书是阿尔伯特•施韦泽，诺贝尔和平奖获得者，为音乐大师巴赫书写的一部传记。它是西方音乐研究中的必读巨著、经典，甚至，它是一座里程碑。迄今，它已被译成10余种语言文字，在全世界范围内出版发行。 施韦泽的《论巴赫》为历代的巴赫研究者所青睐，深受专家们的好评。该书在美学理论与实践两端皆具有极高价值，为诸多巴赫研究中的晦涩地带带来曙光。作者论证了巴赫作品的来源、他的管风琴作品、受难曲和康塔塔，分析了巴赫乐思中的图像化倾向，引导人们重新调整对音乐美学的总体观念。此外，施韦泽对巴赫作品的正确演奏方法进行了推敲与讨论，尤其为该领域带来了新曙光。本书的出版将填补国内巴赫研究中长期存在的极大空白。 毫无疑问，施韦泽的《论巴赫》是整个历史上影响最深远的巴赫巨作。 ——C.伍尔夫（莱比锡巴赫档案馆前馆长，哈佛大学音乐学教授） 这是一本经典名著——两位伟人，一位是音乐家，另一位是哲学家和宗教学家，他们代表了西方文化的一个重要人文传统，而后者研究前者，其心得远远超过一般水平。译者也是学问渊博的年轻学者，精通音乐和文学，相得益彰。此书值得精读。 ——李欧梵（香港中文大学讲座教授