2014
亚瑟:王者之剑
Artus - Excalibur Douban
★ 7.4 5 ratings
Robin Lerner / Ivan Menchell genre: Musical composer: Frank Wildhorn
other title: Artus - Excalibur director: Francesca Zambelloon actor: Patrick Stanke / Annemieke van Dam / Mark Seibert / Thomas Borchert / Sabrina Weckerlin
Artus - Excalibur is a musical loosely based on the legends of the 5th/6th Century British monarch, King Arthur and his fabled sword, Excalibur. The score is by Frank Wildhorn, with lyrics by Robin Lerner and book by Ivan Menchell. Arrangements and orchestrations by Koen Schoots. The musical had its world premiere at the Theater St. Gallen in St. Gallen, Switzerland on March 15, 2014.
Mini Metro
IGDB Douban
★ 8.9 122 ratings
Dinosaur Polo Club other title: 模拟地铁 / 迷你地铁 2015-10-22
genre: Puzzle / 模拟 … platform: Windows / macOS / iPhone / iPad / Android … publisher: Playdigious
Mini Metro is a strategy simulation game about designing a subway map for a growing city. Draw lines between stations and start your trains running. As new stations open, redraw your lines to keep them efficient. Decide where to use your limited resources. How long can you keep the city moving?
2014年维也纳新年音乐会
Douban
Daniel Barenboim / Wiener Philharmoniker genre: Classical
release date 2014-01-13 publisher: Imports
2014年维也纳新年音乐会由来自以色列的指挥大师丹尼尔·巴伦博伊姆(Daniel Barenboim)担任指挥。这是巴伦博伊姆继2009年之后再度亮相维也纳新年音乐会指挥台。2009年的维也纳新年音乐会开创了这场音乐会的一个新的纪元,从那一年开始,维也纳新年音乐会便在每一年都上演一到两位新的作曲家的作品。而在2014年,维也纳新年音乐会上将迎来克莱芒·莱奥·德里布和理查德·施特劳斯两位新作曲家的作品,继续为这场音乐会注入新鲜的血液。值得一提的是,理查德·施特劳斯的那部《随想曲》是他的最后一部歌剧,而剧本的创作人之一正是维也纳新年音乐会的首位指挥家克莱门斯·克劳斯。同时我们还发现,在这一年的维也纳新年音乐会上,爱德华·施特劳斯的一首四对舞将作为开场曲目,这也是近几十年来绝无仅有的一次开场选曲。同时,约翰·施特劳斯的《百万富翁圆舞曲》、《维也纳森林的故事圆舞曲》等经典圆舞曲将重返舞台。 本次音乐会曲目共计二十一首,其中有八部作品是首度出现在维也纳新年音乐会上。二十一首曲目分别出自于八位作曲家之手:除了施特劳斯家族的四位成员(老约翰、小约翰、约瑟夫、爱德华)以及经常露脸的小约瑟夫·赫尔梅斯伯格以及约瑟夫·兰纳之外,2014年将有两张“新面孔”登陆这台历史悠久的音乐盛会,他们是1864年出生、在2014年将迎来诞辰150周年纪念的德国人Richard Strauss[理查·斯特劳斯]以及法国著名歌剧及芭蕾舞剧作曲家Clément Philibert Léo Delibes (克莱芒·菲利贝·里奥·德利布)。 The New Year’s Concert live from Vienna is one of the world’s most famous and spectacular classical music events. It is broadcast on TV and radio in almost 80 countries with more than 40 million viewers. The annual New Years Day Concert in Vienna has been a major event for more than seven decades. The resulting recordings with works from the Strauss dynasty and their contemporaries are among the classical markets most important releases. In 2014 The Vienna Philharmonic invited Daniel Barenboim to conduct the New Years Concert. The programme traditionally revolves around waltzes and polkas by the Strauss family (Johann father and son, as well as Josef and Eduard Strauss), and includes works by other composers of that era. The proven formula blends well-known classics with premieres of works that have never been recorded or are rarely heard – and the result is invariably both joyful and moving. The Vienna New Year’s Concert can trace back its origins to 31 December 1939. The concert initially took place on the last day of the year. By 1941, however, it was being held on 1 January, when the Vienna Philharmonic established a tradition that continues to flourish to this day. The list of names of leading conductors who have led the Vienna Philharmonic’s New Year’s Concerts includes great maestros such as Herbert von Karajan, Lorin Maazel, Claudio Abbado, Carlos Kleiber, Zubin Mehta, Riccardo Muti, Nikolaus Harnoncourt, Seiji Ozawa, Mariss Jansons, and Franz Welser-Möst. It continues to be works by members of the Strauss family – Johann Strauss Father and Son as well as Eduard and Josef Strauss – that are central to this media event. Old favourites from their output are heard alongside others that have never been recorded or are only rarely heard; all of them programmed around two fixed points in the concert: the Blue Danube Waltz and the Radetzky March. Daniel Barenboim was born in Buenos Aires to parents of Russian-Jewish descent. He began piano lessons at the age of five with his mother, continued musical studies with his father, and gave his first official concert in Buenos Aires when he was seven. In 1952, the family moved to Israel, and two years later his parents took Daniel to Salzburg to take part in Igor Markevitch’s conducting classes. In 1955 and 1956, he studied harmony and composition with Nadia Boulanger in Paris. From the mid-1960s, Barenboim began to devote more time to conducting. From 1975 to 1989 he was chief conductor of the Orchestre de Paris, with whom he often performed contemporary works by composers such as Lutoslawski, Berio, Boulez, Henze, Dutilleux and Takemitsu. In 1973 he made his opera debut at the Edinburgh Festival and in 1981 his debut at the Bayreuth Festival, where over 18 consecutive summers he conducted Tristan und Isolde, The Ring, Parsifal and Die Meistersinger. In 1991, he succeeded Solti as music director of the Chicago Symphony and in 2006 was named “honorary conductor for life”. In 1992, he became general music director of Berlin’s Deutsche Staatsoper and in 2000, the Berlin Staatskapelle appointed him “chief conductor for life”. He also appears regularly with the Berliner Philharmoniker and the Wiener Philharmoniker. In 2007 he began a close relationship with the Teatro alla Scala in Milan, where he conducts opera and concerts as well as playing chamber music. In 2011 he was appointed music director of the legendary Milan institution. In 1999, together with the late Palestinian-born writer and Columbia University professor Edward Said, Barenboim founded the West-Eastern Divan workshop and orchestra. For his efforts towards reconciliation in the Middle East as well as his musical achievements, Barenboim has been the recipient of many prizes and honours. He previously conducted the New Year’s Concert in 2009.
2014格莱美的喝彩
Douban
★ 6.8 13 ratings
Various Artists genre: Pop
release date 2014-01-21 publisher: Atlantic
The Recording Academy's GRAMMY Recordings and Atlantic Records have teamed to release the 2014 GRAMMY Nominees album, which will be available Jan. 21, 2014, in stores and via digital retailers. The 20th anniversary installment of the best-selling series will feature an array of this year's GRAMMY-nominated artists and hit songs across multiple genres. A portion of the proceeds from sales of the album will help support the year-round efforts of the GRAMMY Foundation and MusiCares Foundation — two charitable organizations of The Recording Academy.
Yes!
Douban
★ 7.6 63 ratings
Jason Mraz genre: Pop
release date 2014-07-15 publisher: Atlantic Records
Mraz is currently working on a fifth studio album, with pop-rock all-girl band Raining Jane, tentatively titled Yes, to be released 15 July 2014.
Guardians of the Galaxy: Awesome Mix Vol.1
Douban Eggplant.place
★ 9.6 114 ratings
Various Artists genre: Soundtrack
release date 2014-07-29 publisher: Hollywood Records
Marvel's upcoming sci-fi movie bringing a whole new meaning to "Space Jam." Keeping the hype machine rolling for Marvel's upcoming Guardians of the Galaxy flick, writer/director James Gunn gave fans a little peek at the songs included on the movie's uniquely retro soundtrack. Posting on Facebook Tuesday, Gunn first released the image (shown) that will grace the cover of the official soundtrack before later announcing the official track list. Fans that have watched the Guardians of the Galaxy trailers already know that one of Peter Quill's (Chris Pratt) most cherished items is his old school Sony Walkman and a mix tape of songs he made before being taken into space as a child. According to Gunn, the track list for the soundtrack includes: Blue Swede - "Hooked on a Feeling" Raspberries - "Go All the Way" Norman Greenbaum - "Spirit in the Sky" David Bowie - "Moonage Daydream" Elvin Bishop - "Fooled Around and Fell in Love" 10cc - "I'm Not in Love" Jackson 5 - "I Want You Back" Redbone - "Come and Get Your Love" The Runaways - "Cherry Bomb" Rupert Holmes - "Escape (The Pina Colada Song)" The Five Stairsteps - "O-O-H Child" Marvin Gaye/Tammi Terrell - "Ain't No Mountain High Enough" When asked about the songs included in the movie and the soundtrack, Gunn stated, "Marvel was kind enough to shell out for every single song I requested." Also, he let fans know that the songs which made it onto the soundtrack aren't all the songs he used during filming, writing: "NOTE this is not the entirety of the Mixed Tape that Peter Quill listens to, the one that I gave to Chris Pratt that he listened to endlessly before the movie started. That is a longer list, that includes these songs, among others. I'll release that full list closer to the release of them film." Guardians of the Galaxy hits theaters nationwide on Friday, August 1st. The official soundtrack is scheduled to release earlier that week on Tuesday, July 29th
Bed of Lies (feat. Skylar Grey)
Douban
★ 9.0 10 ratings
Nicki Minaj / Skylar Grey genre: Pop
release date 2014-11-16 publisher: Cash Money Records Inc.
"Bed of Lies" is a song by American rapper Nicki Minaj, from her upcoming third studio album, The Pinkprint (2014). It was released on November 16, 2014 by Young Money Entertainment, Cash Money Records and Republic Records as the fourth single from the album. It features additional vocals from American singer-songwriter Skylar Grey.
New Year's Concert 2014
Douban
丹尼尔·巴伦波伊姆 Daniel Barenboim / 维也纳爱乐乐团 Wiener Philharmoniker genre: Classical
release date 2014-01-01 publisher: SONY
2014年维也纳新年音乐会由来自以色列的指挥大师丹尼尔·巴伦博伊姆(Daniel Barenboim)担任指挥。这是巴伦博伊姆继2009年之后再度亮相维也纳新年音乐会指挥台。2009年的维也纳新年音乐会开创了这场音乐会的一个新的纪元,从那一年开始,维也纳新年音乐会便在每一年都上演一到两位新的作曲家的作品。而在2014年,维也纳新年音乐会上将迎来克莱芒·莱奥·德里布和理查德·施特劳斯两位新作曲家的作品,继续为这场音乐会注入新鲜的血液。值得一提的是,理查德·施特劳斯的那部《随想曲》是他的最后一部歌剧,而剧本的创作人之一正是维也纳新年音乐会的首位指挥家克莱门斯·克劳斯。同时我们还发现,在这一年的维也纳新年音乐会上,爱德华·施特劳斯的一首四对舞将作为开场曲目,这也是近几十年来绝无仅有的一次开场选曲。同时,约翰·施特劳斯的《百万富翁圆舞曲》、《维也纳森林的故事圆舞曲》等经典圆舞曲将重返舞台。 本次音乐会曲目共计二十一首,其中有八部作品是首度出现在维也纳新年音乐会上。二十一首曲目分别出自于八位作曲家之手:除了施特劳斯家族的四位成员[老约翰、小约翰、约瑟夫、爱德华]以及经常露脸的小约瑟夫·赫尔梅斯伯格以及约瑟夫·兰纳之外,2014年将有两张“新面孔”登陆这台历史悠久的音乐盛会,他们是1864年出生、在2014年将迎来诞辰150周年纪念的德国人Richard Strauss[理查·斯特劳斯]以及法国著名歌剧及芭蕾舞剧作曲家Clément Philibert Léo Delibes[克莱芒·菲利贝·里奥·德利布]。
生命是场马拉松
Douban
★ 9.0 18 ratings
旅行团 genre: Pop
release date 2014-11-19 publisher: 来福胶泥工作室
生命是场马拉松 以生命为起,不止于谈及生死;以马拉松为题,不止取于速度与距离。 万物各得其所,各有所长,寻得生存之道。拥有时分享,虚无时自赏。 生命的过程里每个人都有属于自己的故事,它没有名字,渴望吐露时却欲言又止,直到有一天,我们孤独的跑在路上…… 旅行团乐队全新创作视角 用脚步幻化音符 在这个资讯快速充斥耳目,手与脑无及过滤信息的时代,很多人习惯着新闻只看热点,音乐只截副歌,阅读只看标题的方式。生活变得像一部时刻都在按着快进的电影。擅于思考的人觉得:人们发达了科技,却衰退了双手的创造力;擅于工作的人说:单位时间内效率得到了提高,注定完胜的成果。 当我们寻求一切最好都“简单直给”时,很多对与错,善与恶都模糊了。只因没时间思考,没力气计较。把如此生命比作一场马拉松式的自我战役,救赎也许是很多种坚持,也或许是某一时刻的放弃。 带着旅行团式特有的创作思维,让感性的过程架于理性的结果之上,让脚步幻化音符潇洒于奔跑之间。当视角投放到这些用毅力与坚强挑战身体极限与超越的奔跑的人群中时,等待我们的将是一个又一个,一个又一个在告别和未来中连接的那些关于欲望,胆怯,冷漠和热烈的故事…… 来福胶泥工作室 20014.11 ---------------------------------- 附: 关于本歌 By 作曲/孔阳 眼睛略着风景,钟表走着时间,词作者王海涛在上海回京飞机上写下词,我在落地南京的大巴车上写下曲,世界的一切都在往前,但写歌的过程,仿佛是被凝止住。 写这首歌源于一次在朋友圈的偶然聊天,涛哥是一个运动人,常会把对跑步的心情体会分享在朋友圈,很多情绪鼓舞人心,一个充满正面能量的运动人;当拿到他写好的歌词,画面立体的被一个个词组展现出来,曲子也像水银泻地一样,从大脑蹦出,转入这首属于黑夜的歌,感谢这首好词,这是我目前写过最一气呵成的歌,也是从今年开始,在一个朋友推荐下,我尝试快歌白天写,慢歌晚上写,遵循天地自然的规律,收益的能让作品变得自然鲜活和有原味。 写歌和跑步很相似,好似一场旅行,一路感受不同的风景,也是感受不同的自己,记录和接纳自己的好与不好,激发那些未知的潜能,这种感觉会上瘾,我相信这是一种饥饿感,有饥饿感,人会更健康,思想也是。生命不会太长,可思想他会一直生长,它丢不掉,也无法隐藏;生命这个词太大,我想只有在生命接近终点时才可能道出那有用的两三句,但活着只不过是一场游戏,哪里有什么输赢和标准答案,能决定游戏乐趣的人只有自己,拉上那个不好的自己,别让他活在可怕的习惯里。 那件疯狂的事 By 作词/王海涛 我想我从没如此疯狂的投入在一件事里长达这么久的时间,热情非但不见消退,甚至有与日俱增的趋势。两年前,当我被朋友游说上了这条贼船时,我料想不到仅不到两年,我会为它搭飞机去另一个城市参加比赛,乐此不疲的好像又回到满膛热血的二十岁。 这件疯狂的小事叫跑步。 二零一三年初,当我开始系统的跑起来时,最懊丧的是,朋友们都可以轻松的干掉十几公里,我只能在5公里上下喘成一只有心无力的老残之兽,我的教练给我的训练方法是名为“757533”的变速跑法,三个月的跑步机变速跑,让我慢慢适应了相对长的距离,对跑步这件事逐渐不再有排斥的心理,也是那个时候,我一个跑龄只有五个月的初跑者,乍着胆子跟瞿颖一起报了2013年的北马,我们俩当时的想法是,人家跑全程,我们跑个半程有什么不行的? 在北马开赛的前两个月,我像疯了一样,除去每天必做的一小时力量训练外,一个半小时的跑步机变速跑日日不落,教练勒令我不要这样冒进蛮干,一是怕我过量的有氧运动致使肌肉大幅掉减,二是身体得不到充足的休息会导致受伤,也是在那段时间,我几乎每次都是偷着跑,怕被教练看到挨骂,说来好笑,我的第一个长距离18.9公里,是在毫无生趣的跑步机上完成的,也是那次,我的左脚脚踝、趾骨间的软组织受了两处大伤,迫不得已,我放弃了人生报上的第一个马拉松。那之后,彻彻底底停跑了三个月,那三个月中,真是沮丧至极,觉得或许我的马拉松之梦自此没有了指望。 脚伤初愈后,跟着几个朋友,我们开始了室外跑,每隔一天干掉一个十公里,故宫外围、奥森北园、青年湖公园、朝阳公园、亦庄文化园区、南海子公园这些地方几乎我们都跑遍了,而真正第一个半马训练,则在2014年6月18日的上海,原本去出差,无意间跟当地朋友的“碧池”跑团约了夜跑,人生的第一个半程马拉松给了上海,跑完兴奋至极,尽管跑程中大腿不停抽筋,可心理上的快感如喷射状般发送至大脑皮层,那一晚回到酒店迟迟睡不着,不跑步的人一定不能理解。 这次夜跑,让我在上海遇到了很多日后成为朋友的可爱的人,同为跑步的人,即使陌生,也会生出一股亲切感觉,就像在去异地的火车上,一聊起来、“哎呀你也是北京人”的感觉。 在上海的那两天我萌生了回京后为周围喜欢跑步的朋友组自己的跑团的想法,“跑出盐(Power True Wing)”这名字几乎是在有这想法的同时想出,回北京的飞机上,我把这两年跑步的心情写成了歌词,就是今天大家听到的“旅行团”《生命是场马拉松》。 在这之后,我比自己设想的提前一年完成了全程马拉松,第一站的秦皇岛马拉松至今难忘,那是因为让我真正感受到马拉松意义的一个跑友,老哥看起来已年近五十,事后我知道,秦皇岛马拉松也是他的第一个全马,在跑到25公里处我们遇上,他彼时已因流失大量电解质导致大腿小腿抽筋而无法跑下去,我把随身带的支链氨基酸冲了一大瓶拿给他喝,陪他走了一公里,接着往下跑时留给了他两粒盐丸,35公里时回头看,他在离我两百米处艰难的跑着,40公里还是看得见他,待我已入场离终点还剩一百米左右时,再回头望去,老哥距我只十米左右,可是让我浑身起鸡皮疙瘩的是,这次看过去时,他满脸的泪,满脸的泪,看得我不敢再与他对视。到了终点我拉着他一起去领完赛牌时,他告诉我,他一个来月前查出的癌,但他想得很清楚,不手术不化疗,做想做的事,一件一件去做,这样过完剩下的人生也很好。 再之后,我完成了雾霾中的北马、暴雨中的上马,下个月还有一场台北富邦马拉松,今年的所有比赛就暂告一段落了,与此同时,朋友帮我报上了明年七月的旧金山马拉松,想一想,真是兴奋。 在第一个全马完成拿到完赛牌时,那种满足感不啻于我的歌词得了最佳奖项,甚至高过了那种成就感,可它到底是什么呢?说不清楚。 马拉松是件让人无比疯狂的小事,可就是这么一件小事,里面藏着巨大的能量,让人变得更具善意,想竭尽全力帮助路上因伤止步的人,毫不吝惜的对就要放弃的选手喊加油,就是这件看起来有点傻气的小事,让人的内心变得渴望分享,渴望拿出爱,渴望更加温柔的,对待这个世界。 谢谢“旅行团”让我在第一次写关于跑步的歌就遇到了这条好听的旋律,生命其实不是一场马拉松,因为生命和马拉松这两样东西,直到现在,我也还不能完整的、清晰的说明白它们是什么。但这并不重要,至少我已开始享受于它们,并且,在这两样东西面前,我更加知道,痛苦和快乐,都很短暂,而且,都不算什么。
Begin Again
Douban
★ 9.1 109 ratings
Various Artists genre: Soundtrack
release date 2014-07-15 publisher: Imports
《重新开始》(Begin Again)是一部2013年爱尔兰导演约翰·卡尼编剧并执导的美国音乐浪漫剧情片,Keira Knightley、Mark Ruffalo和Adam Levine主演。影片讲述了女主角格雷塔跟男友来到美国纽约市,以帮助他寻找更好的事业机会。然而男友很快与别的女子有染,导致格雷塔愤然与其分手。失意的她在迷茫时偶遇了同样彷徨的音乐制作人穆里根,两人于是决定一起合作并重新开始一段感情。Gregg Alexander联合Danielle Brisebois, Nick Lashley, Rick Nowels 和 Nick Southwood为影片谱写歌曲,导演卡尼与爱尔兰音乐人Glen Hansard也创作了一些歌曲。
FOLKLORE
Douban
AOKI,Hayato と Haruka Nakamura
release date 2014-10-25 publisher: Fete Musique
彼らは探している。 音楽を奏でることによって探している。 それは帰る場所。 自分のルーツはどこにある? 生まれ故郷だろうか、古くからの友人だろうか。 “FOLKLORE”。 それは伝わるもの。 たくさんの人によって受け継がれていくもの。 AOKI, hayatoとharuka nakamura。 ふたりの奏でる音楽は旅。 違う場所に生まれ育ち、 ある時まで出会わず、ある時に出会う。 昼の街。夜の街。 新しい場所を巡る。 懐かしさを見る。 新しい思い出を重ねる。 ふたりは、同じ場所を目指す。 そして最後は、また違う場所に、落ち着くのだ。