Bach
Bach: The Well-Tempered Clavier, Book 2
Douban
★ 9.1 9 ratings
Friedrich Gulda genre: Classical
release date 1995-10-17 publisher: Philips
《巴赫:平均律钢琴曲集第二集》是巴赫《平均律钢琴曲集》第2集/这张唱片收录的是伟大的音乐大师巴赫的平均律钢琴曲集的下卷。该部作品奠定了后来音乐创作的音律规范,肖邦更称其为每一位钢琴家每日必食的面包。此录音由古尔德演绎,水准高超。巴赫《平均律钢琴曲集》(48首前奏曲与赋格)是巴赫键盘音乐中最伟大的作品,这套作品是巴赫音乐创作的峰巅,彪罗(Hans Guido Von Büllow)把它比喻为音乐上的《旧约圣经》。平均律的标题乃巴赫所起。平均律是一种律制,它对自然律进行修正,将八度音程分为十二半音的调律法,以便于转调。这种调律法虽在18世纪已被提倡,但一直未予以重视、首先采用这种方法运用于全部二十四调的音乐家,就是巴赫。 Disc: 1 01 Prelude In C,No 01 02 Fugue In C,No 01 003 Prelude in C Minor, No 02 04 Fugue in C Minor, No 02 05 Prelude in C Sharp, No 03 06 Fugue in C Sharp, No 03 07 Prelude in C Sharp Minor, No 04 08 Fugue in C Sharp Minor, No 04 09 Prelude In D, No 05 10 Fugue in D, No 05 11 Prelude in D Minor, No 06 12 Fugue in D Minor, No 06 13 Prelude in E Flat, No 07 14 Fugue in E Flat, No 07 15 Prelude in E Flat Minor, No 08 16 Fugue in D Sharp Minor, No 08 17 Prelude in E, No 09 18 Fugue in E,No 09 19 Prelude in E Minor, No 10 20 Fugue in E Minor, No 10 21 Prelude in F, No 11 22 Fugue in F, No 11 23 Prelude in F Minor, No 12 24 Fugue in F Minor, No 12 25 Prelude in F Sharp, No 13 26 Fugue in F Sharp, No 13 Disc: 2 01 Prelude in F Sharp Minor, No 14 02 Fugue in F Sharp Minor, No 14 03 Prelude in G, No 15 04 Fugue in G, No 15 05 Prelude in G Minor, No 16 06 Fugue in G Minor, No 16 07 Prelude in A Flat, No 17 08 Fugue in A Flat, No 17 09 Prelude in G Sharp Minor, No 18 10 Fugue in G Sharp Minor, No 18 11 Prelude in a, No 19 12 Fugue in A, No 19 13 Prelude in A Minor, No 20 14 Fugue in A Minor, No 20 15 Prelude in B Flat, No 21 16 Fugue in B Flat, No 21 17 Prelude in B Flat Minor, No 22 18 Fugue in B Flat Minor, No 22 19 Prelude in B, No 23 20 Fugue in B, No 23 21 Prelude in B Minor, No 24 22 Fugue in B Minor, No 24
The Silence Before Bach (2007)
Die Stille vor Bach WikiData IMDb TMDB Douban
Pere Portabella actor: Christian Atanasiu / 费奥多尔·阿特金 …
other title: 巴赫前的寂静 / Die Stille vor Bach …
“The Silence before Bach” is an approach to music and the trades and subjects that surround it through Bach’s works. A look at the profound dramaturgic relationship between image and music where the latter is not merely conceived as subsidiary to the image but as a subject of the narration in its own right. The film springs from a previously defined musical structure. The soundtrack feeds on works by J.S Bach and two of Felix Mendelssohn’s sonatas to create an architectural vault beneath which the story of the film unfolds ; a promenade through the XVIIIth, XIXth and XXIth centuries led by the hand of J.S. Bach.