介质为1CD！ 这张唱片由DG公司出品，是企鹅三星高度评价名演版本，录音极佳，其中收录了贝多芬的三首钢琴奏鸣曲：《“月光”奏鸣曲》、《“悲怆”奏鸣曲》、《第十三钢琴奏鸣曲》。由前苏联伟大的钢琴大师吉列尔斯演奏。吉利尔斯最后十年为DG所灌录的贝多芬钢琴奏鸣曲无疑是他个人一生艺术的精华所在，完美的触键和录音让我们更正确地深入贝多芬的世界。吉利尔斯的演奏更充满了光辉的音色和力度，除了完美的技巧外，也灌注了适当的情感。尤其是对“热情”的演绎可谓空前绝后。 吉利尔斯生于敖德萨，13岁入敖德萨音乐学院，1935年考取莫斯科音乐学院研究生，在涅高兹指导下继续深造。1938年获布鲁塞尔国际钢琴比赛一等奖，同年毕业并留任莫斯科音乐学院教授。1947年起在欧洲各地巡回演出，1955年成为战后第一位访问美国演出的苏联钢琴家。吉利尔斯和比他年长一岁的里赫特，被并誉为俄罗斯钢琴学派的当代传人。 唱片编号：DG 400 036-2 KLAVIERSONATE NR.8 C-MOLL OP.13 01 GRAVE-ALLEGRO DI MOLTO E CON BRIO 02 ADAGIO CANTABILE 03 RONDO.ALLEGRO KLAVIERSONATE NR.13 ES-DUR OP.27 NR.1 04 ANDANTR-ALLEGRO-TEMPO I 05 ALLEGRO MOLTO E VIVACE 06 ADAGIO CON ESPRESSIONE 07 ALLEGRO VIVACE-PRESTO KLAVIERSONATE NR.14 CIS-MOLL OP.27 NR.2 08 ADAGIO SOSTENUTO 09 ALLEGRETTO 10 PRESTO AGITATO

f小调第二十三钢琴奏鸣曲，作品第57号“热情” 这是贝多芬中期奏鸣曲中代表性的杰作，也是贝多芬在创作中获得的最伟大的成果之一。作品出版于1807年，被出版商克朗茨起名为“热情”。 升F大调第二十四钢琴奏鸣曲，作品第78号“致特瑞莎” 这首奏鸣曲虽然短小，却充分利用了钢琴纤细微妙的表现力，充满了诗意的柔情和春日和煦的气息。本曲题献给特瑞莎·布龙斯维克，贝多芬的学生，一位贵族千金。 G大调第二十五钢琴奏鸣曲，作品第79号“杜鹃” 整曲轻快而富有魅力，在紧凑的曲式中流露出舒畅的情调。第一乐章的展开部多处可以听到杜鹃的啼鸣，乐曲也由此得名。 降E大调第二十六钢琴奏鸣曲，作品第81a号“告别” 此曲题献给贝多芬的保护人鲁道夫大公，他在贝多芬最困难的时期给予经济和精神上很多帮助。1809年奥法战争爆发，鲁道夫大公为了暂避战火离开维也纳。期间贝多芬按捺不住依依不舍的感情写下了这首奏鸣曲，并给每一章都写下了标题，分别为：“告别”、“别后”、“重逢”。这在贝多芬的钢琴奏鸣曲中是唯一一次。 保罗·巴杜拉-斯科达1927年出生于奥地利的维也纳，在乐坛活跃六十多年至今，被称为“我们这个时代最重要的钢琴家之一”、“维也纳钢琴学派的一代宗师”和“德奥钢琴作品最权威的诠释者”。

Evgeny Kissin releases Beethoven album to launch new exclusive collaboration with Deutsche Grammophon after 25 years. Evgeny Kissin skyrocketed to international fame as a piano sensation in the 1980s. He entranced international audiences with captivating interpretations of Romantic masterworks during his teens, and has since flourished as one of the world’s most charismatic and visionary performers. Today he is a living legend, one of the most iconic names and magnetic personalities in all of music.. Kissin’s discography so far contains landmark recordings for Deutsche Grammophon, critically acclaimed collaborations with the Berliner Philharmoniker, Herbert von Karajan and Claudio Abbado among them. Selected by the artist himself, this luxurious Beethoven double album represents Kissin's personal journey with the composer's solo work over the last decade and includes some of Beethoven's greatest and best-loved solo piano works such as the "Moonlight" Sonata or the "Appassionata" - most of them never released before. This album is a first in a series of releases renewing the relationship between Kissin and Deutsche Grammophon.

Beethoven’s Diabelli Variations are considered a magnum opus of the piano repertoire, a towering contribution to the genre and an entire encyclopaedia of pianism. Following his monumental exploration of the 32 Sonatas, András Schiff has recorded - on two period instruments - remarkable, contrasting versions of the Diabelli Variations alongside major late works with intrinsic ties to them. The Sonata Op. 111 and the Diabelli Variations (CD 1) are played on an original Bechstein grand from 1921, and the second reading of the Diabelli Variations (paired with the Six Bagatelles, Op. 126 on CD 2) on a Hammerflügel fortepiano from Beethoven’s own day. This gives listeners a unique opportunity to compare the rich range of these highly contrasting sonic universes, a world apart from modern day instruments. The first is a studio recording from Lugano in December 2012, while the fortepiano version was recorded at the Beethoven-Haus in Bonn in July of the same year. In his liner note András Schiff acknowledges the value of having been able to consult the previously unknown original manuscript of the Variations which provided invaluable insight into Beethoven’s compositional process - with his penmanship and writing speed offering subtle hints as to crescendos, tempos and arcs of tension - and intentions.

LUDWIG VAN BEETHOVEN 4 Lieder Zärtliche Liebe · Adelaide Resignation · Der Kuß Fritz Wunderlich Hubert Giesen CD |A|D|D| 000289 449 7472 0 |G|OR| + Schumann: Dichterliebe Schubert: 9 Lieder The Originals Int. Release 06 Jan. 1997 Robert Schumann (1810 - 1856) Dichterliebe, Op.48 1. Im wunderschönen Monat Mai [1:33] 2. Aus meinen Tränen sprießen [0:52] 3. Die Rose, die Lilie, die Taube, die Sonne [0:32] 4. Wenn ich in deine Augen seh' [1:23] 5. Ich will meine Seele tauchen [0:55] 6. Im Rhein, im heiligen Strome [1:45] 7. Ich grolle nicht [1:19] 8. Und wüßten's die Blumen, die kleinen [1:17] 9 9. Das ist ein Flöten und Geigen [1:31] 10. Hör' ich das Liedchen klingen [1:55] 11. Ein Jüngling liebt ein Mädchen [1:02] 12. Am leuchtenden Sommermorgen [2:37] 13. Ich hab' im Traum geweinet [2:32] 14. Allnächtlich im Traume seh' ich dich [1:28] 15. Aus alten Märchen winkt es [2:31] 16. Die alten, bösen Lieder [4:08] Ludwig van Beethoven (1770 - 1827) 17 Zärtliche Liebe, WoO 123 "Ich liebe dich" [2:08] 18 Adelaïde, Op.46 [5:56] 19 Resignation, WoO149 [2:26] 20 Der Kuss, Op.128 [1:59] Franz Schubert (1797 - 1828) 21 An Sylvia, D.891 (Op.106/4) [3:00] 22 Lied eines Schiffers an die Dioskuren, D360 [2:46] 23 Liebhaber in allen Gestalten, D.558 [1:17] 24 Der Einsame, D.800 [4:23] 25 Im Abendrot, D.799 [3:26] Schwanengesang, D.957 26 Ständchen "Leise flehen meine Lieder" [3:46] 27 An die Laute, D. 905 (Op.81/2) [1:56] 28 Der Musensohn, D.764 (Op.92/1) [2:16] 29 An die Musik, D.547 (Op.88/4) [2:24] Fritz Wunderlich, Hubert Giesen Total Playing Time[1:05:03]

This is the eagerly awaited final instalment of András Schiff's acclaimed complete Beethoven cycle. Collectors can now finally explore the extraordinary interpretative and editorial qualities of this cycle in full.Schiff's much-admired art of musical characterisation is particularly evident in these last six sonatas that combine dramatic and symphonic grandeur with intimate beauty. As Schiff completed his Beethoven performances at the Tonhalle in Zurich where all 8 volumes have been recorded live, a journalist wrote "This was a Beethoven which transfixed the audience with its Apollonian balance, its subtly hued sonic and dynamic differentiation, depth of thought and technical command...The three sonatas sounded like a quintessence of pure late style, otherworldly as if made from precious marble" Schiff's reading of the musical texts is personal and charismatic, yet extremely thorough, offering many revealing new insights.

吉利尔斯最后十年为DG所灌录的贝多芬钢琴奏鸣曲无疑是他个人一生艺术的精华所在，他把生命的最后时光奉献给贝多芬的奏鸣曲。吉利尔斯本来想要以录制被誉为“钢琴音乐的“新约圣经”的贝多芬的32首奏鸣曲来圆满结束他的艺术生涯的计划，但就在他尚未完成全集录音时，便已逝世，而此套作品似乎在人们心中也就成为绝响。 吉列尔斯演奏的贝多芬钢琴奏鸣曲,其力度变化上,被认为是施纳贝尔之后的最好选择，他的演奏充满了光辉的音色和力度，除了完美的技巧外，也灌注了适当的情感，他完美的触键和录音让我们更正确地深入贝多芬的世界。 第5、第10、第19、第20：三星保留一星 第8（悲怆）、第13、第14（月光）：三星保留一星 第7、第18、15首变奏曲与赋格曲（英雄变奏曲）：三星 第21（华尔斯坦）、第23（热情）：三星带花 第29（槌子键琴）：三星 第30、第31：三星