Cello
Bach: Cello Suites
Douban
Jean-Guihen Queyras genre: Classical
release date 2007-09-01 publisher: Harmonia Mundi Fr.
法国大提琴手 Jean-Guihen Queyras 演奏的巴赫大提琴组曲。Queyras 师从荷兰大提琴家 Anner Bylsma 学习巴洛克演奏技法,在这张专辑中他用现代乐器来演奏这部巴洛克时期作品。整个演奏过程的节拍和节奏都非常自然顺畅,Queyras 用娴熟的技巧和投入的感情对巴赫的这部名作作出了优异的演绎。 2007 年发行 2 CD + DVD,DVD 包含录音解说和第三组曲的录制视频。
Bach: Cello Sonatas BWV 1027-1029
Douban
大提琴:Mischa Maisky / 钢琴:Martha Argerich
release date 1990-10-25 publisher: DG
《巴赫古大提琴奏鸣曲》,巴赫为古大提琴和大健琴一共创作有3首奏鸣曲,编号为BWV1027-1029。这3首奏鸣曲是为当时克滕宫廷的古大提琴演奏家阿贝尔所作,大约作于克滕时期。当时的古大提琴是六弦琴,用现在的大提琴来演奏技巧上会有一定难度。这3首大提琴奏鸣曲不如6首无伴奏组曲变化多端,所以现在演出机会不多。但这一组奏鸣曲充分表现了低音弦乐器优美的表现力。这3首奏鸣曲是: 第一号,G大调,BWV1027,共4个乐章:1.慢板,田园曲风的优美主题。2.不太快的快板,赋格曲。3.行板,虔诚的、沉缓的冥想曲风格。4.稍慢的快板,赋格曲。 第二号,D大调,BWV1028,共4个乐章:1.慢板。2.快板,二段体,第一段大部以重奏方式进行,第二段是古钢琴呈示的主题形成的赋格曲。3.行板,平静而富歌谣性质的主题。4.快板。 第三号,G小调,BWV1029,没有缓慢的序奏,共3个乐章:1.较快的快板。2.慢板,三段体,大提琴与古钢琴互为模仿地对答歌唱。3.快板,赋格。 梅斯基(Mischa Maisky)是世界上唯一一位有幸随当代两位大提琴巨匠姆斯蒂斯拉夫·罗斯特罗波维奇和格雷戈尔·皮亚蒂戈尔斯基研习琴艺的大提琴家。罗斯特罗波维奇称赞米沙·梅斯基为:“年轻一代大提琴家中最杰出的天才之一。他的演奏融诗意、优雅的精致与高贵的气质和辉煌的技巧于一体。” 梅斯基的演奏既有传统的延伸,又有他独具的特色,其技巧圆熟、热情、细腻;音色醇朗、润泽、柔美,尤其富于歌唱性,他的个人演奏专集有《沉思集》、亨德尔的《广板》、勃拉姆斯的《摇篮曲》、舒曼的《梦幻曲》、门德尔松的《无言歌》、克莱斯勒的《爱的忧伤》,另几张小品专集有《柔板》、《大提琴曲集萃》、《柴科夫斯基作品集》、《舒伯特作品集》等。他和女钢琴家阿格里奇(Martha Argerich)合作的一系列录音,都有十分出色的表现。
Elgar Cello Concerto & Sea Pictures
Douban
★ 10.0 19 ratings
Jacqueline du Pre / Dame Janet Baker … genre: Classical
release date 1997-01-01 publisher: EMI Classics
Text for Sea Pictures Sea Slumber Song Text by Roden Berkeley Wriothesley Noel (1834-1894) Sea-birds are asleep, The world forgets to weep, Sea murmurs her soft slumber-song On the shadowy sand Of this elfin land; I, the Mother mild, Hush thee, oh my child, Forget the voices wild! Hush thee, oh my child, Hush thee. Isles in elfin light Dream, the rocks and caves, Lulled by whispering waves, Veil their marbles Veil their marbles bright. Foam glimmers faintly white faintly white Upon the shelly sand Of this elfin land; Sea-sound, like violins, To slumber woos and wins, I murmur my soft slumber-song, my slumber song Leave woes, and wails, and sins. Ocean's shadowy night Breathes good night, Good night... Leave woes, and wails, and sins. Good night...Good night... Good night... Good night... Good night... Good night. 2. In Heaven (Capri) Text by Caroline Alice Elgar (1848-1920) Closely let me hold thy hand, Storms are sweeping sea and land; Love alone will stand. Closely cling, for waves beat fast, Foam-flakes cloud the hurrying blast; Love alone will last. Kiss my lips, and softly say: Joy, sea-swept, may fade to-day; Love alone will stay. 3. Sabbath Morning at Sea Text by Elizabeth Barret Browning (1806-1861) The ship went on with solemn face; To meet the darkness on the deep, The solemn ship went onward. I bowed down weary in the place; for parting tears and present sleep Had weighed mine eyelids downward. The new sight, the new wondrous sight! The waters around me, turbulent, The skies, impassive o'er me, Calm in a moonless, sunless light, As glorified by even the intent Of holding the day glory! Love me, sweet friends, this sabbath day. The sea sings round me while ye roll afar The hymn, unaltered, And kneel, where once I knelt to pray, And bless me deeper in your soul Because your voice has faltered. And though this sabbath comes to me Without the stolèd minister, And chanting congregation, God's Spirit shall give comfort. He who brooded soft on waters drear, Creator on creation. He shall assist me to look higher, He shall assist me to look higher, Where keep the saints, with harp and song, An endless endless sabbath morning, An endless sabbath morning, And that sea commixed with fire, And that sea commixed with fire, Oft drop their eyelids raised too long To the full Godhead's burning. The full Godhead's burning. 4. Where Corals Lie Text by Richard Garnett (1835-1906) The deeps have music soft and low When winds awake the airy spry, It lures me, lures me on to go And see the land where corals lie. The land, the land where corals lie. By mount and steed, by lawn and rill, When night is deep, and moon is high, That music seeks and finds me still, And tells me where the corals lie. And tells me where the corals lie. Yes, press my eyelids close, 'tis well, Yes, press my eyelids close, 'tis well, But far the rapid fancies fly The rolling worlds of wave and shell, And all the lands where corals lie. Thy lips are like a sunset glow, Thy smile is like a morning sky, Yet leave me, leave me, let me go And see the land where corals lie. The land, the land where corals lie. 5. The Swimmer Text by Adam Lindsay Gordon (1833-1870) With short, sharp violent lights made vivid, To southward far as the sight can roam, Only the swirl of the surges livid, The sees that climb and the surfs that comb. Only the crag and the cliff to nor'ward, And the rocks receding, and reefs flung forward, Waifs wreck'd seaward and wasted shoreward, On shallows sheeted with flaming foam. A grim, gray coast and a seaboard ghastly, And shores tro seldom by feet of men - Where the batter'd hull and the broken mast lie, They have lain embedded these long years ten. Love! Love! when we wandered here together, Hand in hand! Hand in hand through the sparkling weather, From the heights and hollows of fern and heather, God surely loved us a little then. The skies were fairer and shores were firmer - The blue sea over the bright sand roll'd; Babble and prattle, and ripple and murmur, Sheen of silver and glamour of gold. Sheen of silver and glamour of gold. So, girl with tempest and wing'd with thunder And clad with lightning and shod with sleet, And strong winds treading the swift waves under The flying rollers with frothy feet. One gleam like a bloodshot sword-blade swims on The sky line, staining the green gulf crimson, A death-stroke fiercely dealt by a dim sun That strikes through his stormy winding sheet. O brave white horses! you gather and gallop, The storm sprite loosens the gusty rains; O brave white horses! you gather and gallop, The storm sprite loosens the gusty rains; Now the stoutest ship were the frailest shallop In your hollow backs, on your high-arched manes. I would ride as never a man has ridden In your sleepy, swirling surges hidden; I would ride as never a man has ridden To gulfs foreshadow'd through strifes forbidden, Where no light wearies and no love wanes. Where no love wanes.
Duo
Douban
★ 9.0 6 ratings
Hélène Grimaud / Sol Gabetta genre: Classical
release date 2012-10-08 publisher: Deutsche Grammophon
Two of today's most passionate and inspirational artists join forces in the recital programme that brought audiences to their feet at the Menuhin Festival in Gstaad in Summer 2011. The chemistry between Hélène Grimaud and Sol Gabetta left critics and audiences nothing short of euphoric and this first duo recording captures the revelatory magic of their collaboration The album reprises the same programme the duo performed in Gstaad: Robert Schumann’s Fantasiestücke, Claude Debussy’s Sonata for Cello and Piano in D minor, Johannes Brahms Sonata for Cello and Piano No.1 in E minor and Dmitri Shostakovich’s Sonata for Cello and Piano. Hélène’s recordings have been best-sellers on the Yellow Label with more than 800,000 units sold altogether to date. Sol is also a best-selling, chart-storming artist, who is regarded as one of the great cellists of our day.
R. Strauss: Don Quixote & Cello Sonata Op. 6
Douban
Maximilian Hornung / Paul Rivinus … genre: Classical
release date 2014-08-18 publisher: Sony Japan
德國大提琴名家霍爾儂向理查史特勞斯150歲冥誕致敬之最新專輯。 世紀指揮大師海汀克指揮巴伐利亞廣播交響樂團,最真摯詮釋的交響詩《唐吉訶德》。 專輯同時收錄理查史特勞斯18歲天才之作----大提琴奏鳴曲,展現霍爾儂精采的演奏實力。 「霍爾儂可能是外星球來的。」德國時報周刊說:「他是一位早熟的天才,結合了老手的冷靜自信,又帶著新秀的年輕叛逆。」今年(2014)才二十八歲的霍爾儂,已經是德國最耀眼的大提琴明星,自從2005年贏得德國音樂協會首獎之後,他旋即展開耀眼的個人演藝事業,也曾與小提琴家慕特來台演出。2011年霍爾儂加入Sony發行個人首張專輯「Jump!」,便獲得當年度德國回聲唱片大獎,隔年再以德弗札克大提琴協奏曲錄音拿下年度最佳協奏曲專輯大獎。 霍爾儂2014年發行的最新錄音,是向今年一百五十歲誕辰的理查史特勞斯致敬之專輯,選錄的《唐吉訶德》是作曲家最受歡迎的交響詩名作之一。這是以變奏曲形式的協奏交響樂曲,大提琴擔任唐吉訶德一角,而中提琴則扮演僕從桑丘。本錄音由世紀大師海汀克指揮巴伐利亞廣播交響樂團,首席中提琴手曼寧豪斯(Hermann Menninghaus)擔任中提琴獨奏,而霍爾儂曾經也是該樂團的大提琴首席,彼此合作默契自然完美無瑕,與指揮家海汀克為這位夢幻騎士注入更多的理解與感動。 另外收錄理查史特勞斯早期的F大調大提琴奏鳴曲(作品6),這是作曲家十八歲就學時代所展現的天才成果,由霍爾儂與德國鋼琴家李雲尼斯(Paul Rivinius)擔綱合作,大提琴與鋼琴交相爭輝的競奏,是何等意興飛揚。這兩首理查史特勞斯的經典,將再次見證霍爾儂成為當今最傑出大提琴家的驚人實力。