Experimental
虛菩提的致幻劑
Douban
★ 8.5 8 ratings
梁奕源 genre: Rock
release date 2011-06-04 publisher: 拾柒贰肆唱片
官方购买 所有不切實際的臆想和付出都可以成爲對這個現實世界的反抗 出品人:ROAD 製作人:梁奕源 出品: 拾柒贰肆 作曲、編程:梁奕源 器樂演奏:梁奕源(巴烏、古琴、揚琴) 平面設計:梁奕源 錄音混音:梁奕源 母帶處理:楊文虎 唐信明 李雲中 錄音室: 絕粒堂 宣傳: 小吉 備註: 一.請開大音量,讓聲場把自己包圍。 二.放鬆,放鬆,再放鬆,或者在聲場中躺下,休息。 三.如果你睡著了,我們會非常高興,你的睡眠和夢境將被視爲這個作品的一部分。 四.爲了您的安全,請不要給在駕駛和性交時收聽。 感謝:白岡岡、黃郡、胡曉瑩、高菲、懷一法師、耀易法師、李雲中、邱大立、唐信明、佟妍、徐益英、楊文虎、楊波、夜郎、朱芳瓊和小泉、肖真、杭州清影畫廊、佛山殊同文化、廣州千尋影音、廣州191SPACE。 歡迎傳播 功德無量 写在《虛菩提的致幻劑》发行之前 road/1724 Records 在前两张唱片之后,梁奕源这次希望你能在他的新声景中入睡。 2010年初,刚拿到这张新唱片的小样版本曾经让我目瞪口呆。作为梁奕源的忠实拥趸,我已经很难由这些声音里找到解读可能。作为出品人,我则对更积极的听者回应不抱期望。 我们计划同年6月发行,梁奕源的个人网站则提前上线。 之后,我主动“忽略”了义务提交网站设计稿的“独立趋势”的小朋友,把时间和精力抛洒在了帝都谋生的广阔天地里。梁奕源则在广州、丽江的搬迁过程中一次次重新制作这张催眠唱片的后期版本。同样,我们计划制作的周边产品和梁奕源的小说也在这个过程中无限拖延。 如是直到年底,我们最终也没能实现不让新唱片跨年的愿望。 不过,不管是因为梁奕源的一贯逆天,还是基于认可基础上对拾柒贰肆的可怜执行力的忍耐,我们终于能在这个春天结束这次旷日持久的造音。 没错,梁奕源这次是在创造声音,曾经看过他现场的人应该对此有一定了解。在对巴乌、古琴、扬琴和各种非音乐器具的组合使用之后,就是这张貌似简单的氛围作品。如果不考虑作者对标签的反感,《虚菩提的致幻剂》的准确分类应该是氛围化的实验音乐。和先锋们的实验不同,梁奕源是在严格地极简主义标准下在探究声音呈现的可能。和艺术家们的孤高有别,这款“致幻剂”欢迎听者的接受和再创造。如果将新作和此前两张唱片组合使用,效果或许更佳。 我想,作为一个着眼点不只限于声音的创作者,梁奕源并不反对这种功用化的处理。或许,他还会有大计得售的得意。而我,则期待这个独特的梁氏系列产品能够继续排列下去。
Canopy
Douban
★ 8.9 32 ratings
Silent Whale Becomes A° Dream genre: Rock
release date 2011-03-31 publisher: Arbouse Recordings
Silent Whale Becomes A° Dream’s debut album “Canopy” is an unforgettable and awe-inspiring instrumental rock masterpiece of majestic depth consisting of four long atmospheric tracks fuelled by orchestral expansiveness, soaring guitars and intense melodies that induce powerful emotions and a dreamlike state at every listen. “Canopy” is an astoundingly disarming debut release from a band that immediately displayed remarkable cohesion in their compositions and a natural ability to tug at one’s heartstrings. The arrangements emphasize texture, structure and pacing. The lush cinematic strings are constantly enveloping and come to life with mystical grandeur. Yannick Tournier’s pristine production only further empowers the high-reaching capabilities of this imposing band that truly lives up to their name. “Canopy” is a towering triumph born out of ambition, emotions and mesmerising mastery. It is a larger than life post-rock symphony for the ages. - Elusive Sound
Catalin
Douban
Eluvium
release date 2014-01-17 publisher: Temporary Residence
This is an extremely unique, extremely rare item that we are lucky to have to sell to you while supplies last. Recently Eluvium was commissioned to score a new exhibit by renowned installation artist, Charles Long, for The Contemporary Austin museum. This album is a highly limited artifact from that exhibit, pressed in a numbered edition of 300. Each side of opaque cream-colored vinyl features a single, side-long 20-minute composition by Eluvium. The pieces play on a constant loop during the exhibit on these very records, so this is not just simply a record, it's a piece of fine art. housed in gorgeous hand-printed metallic gold and royal purple jackets, each copy also includes a matching screen-printed download card and custom envelope. These are too beautiful for words!
Celestial Ocean
Douban
★ 8.7 10 ratings
Brainticket genre: Rock
release date 1972-01-01 publisher: Cleopatra
Special deluxe edition of the definitive 1974 album from Krautrock pioneers! Features all new artwork, liner notes by band founder and mini LP packaging. Purple Pyramid. 2002.
Make Me Know You Sweet
Douban
Pendant genre: Electronic
release date 2018-01-01 publisher: West Mineral Ltd.
Pendant is the artist formerly known as Huerco S, and this is the debut release on his new label West Mineral Ltd, following on from his acclaimed ‘For Those Of You Who Have Never (And Also Those Who Have)’ album. The artist sometimes known as Huerco S. ushers a phase shift of sound on the shoegazing harmonic gauze of Make Me Know You Sweet, his immersive debut proper under the Pendant alias. In this horizontal mode he relays abstract stories from a headspace beyond the dance, placing his interests in the Romantic landscapes of JMW Turner, Robert Ashley’s avant-garde enigmas, and Indigenous North American philosophy at the service of a more expressive, oneiric sound that sub/consciously avoids the trapfalls of ‘chillout’ ambient cliché. Across seven amorphous, texturally detailed tracks he establishes far reaching coordinates for both Pendant and the West Mineral label, which aims to release everything except commonly accepted, traditional forms of late 20th/early 21st century dance music, while also representing the work of his inner circle of friends, producers and artists. In that sense there’s a definite feeling of “no place like home” to his new work, but that home appears altered, much in the same way The Caretaker/Leyland Kirby deals with themes of memory and nostalgia. It’s best described as mid-ground music, as opposed to the putative background purpose of Ambient styles, or the upfront physicality of dance music. Rather, the sound here billows and unfurls with a paradoxically static chaos, occupying and lurking a space between the eyes and ears in a way that’s not necessarily comforting, and feels to question the nature and relevance of ubiquitous pastoral, new age tropes in the modern era of uncertainty and disingenuity. The results ponder an impressionistic, romantically ambiguous simulacra of reel life worries and anxiety, feeling at once dense and impending yet without centre. From the keening, 11 minute swell of VVQ-SSJ at the album’s prow, to the similar scope of its closer, Pendant presents an absorbing vessel for introspection, modulating the listener’s depth perception and moderating our intimacy with an elemental push and pull between the curdling, bittersweet froth of BBN-UWZ, the dusky obfuscation of IBX-BZC and, in the supremely evocative play of phosphorescing light and seductive darkness in the mottled depths of KVL-LWQ, which also benefits from additional production by Pontiac Streator. Make Me Know You Sweet taps into a latent, esoteric vein of American spirituality that’s always been there, yet is only divined by those who remain open-minded to its effect.
逝者魔幻
Douban
★ 8.2 10 ratings
Anna Von Hausswolff genre: Rock
release date 2018-03-02 publisher: City Slang
“Dear listeners. This is the first track from my new album, Dead Magic! Me, my band and Randall Dunn spent 9 days in Copenhagen recording this record. The great pipe organ you’re hearing is a 20th century instrument located in Marmor Kirken, "The Marble Church", Copenhagen. Here is a poem for you by the Swedish writer Walter Ljungquist (1900-1974): ”Take the fate of a human being, a thin pathetic line that contours and encircles an infinite and unknown silence. It is in this very silence, in an only imagined and unknown centre, that legends are born. Alas! That is why there are no legends in our time. Our time is a time deprived of silence and secrets; in their absence no legends can grow." Please enjoy the music. Yours sincerely, Anna von Hausswolff"