The Chordettes were an American female popular singing quartet, usually singing a cappella, and specializing in traditional popular music. They are best known for their songs "Mr. Sandman" and "Lollipop".

The Chordettes were an American female popular singing quartet, usually singing a cappella, and specializing in traditional popular music. They are best known for their songs "Mr. Sandman" and "Lollipop".

Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007.

American soul singer, born 28 September 1938 in Henderson, North Carolina, USA, died 30 April 2015 in Hackensack, New Jersey, USA.

weezer的第一张成名专辑，AMG五星评价，强烈推荐

Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. Rhino. 2006.

This first full live album (discounting 2002's part-studio 'Hullabaloo') from the epic Devonshire prog rockers is the follow-up to 2006's hugely successful studio set 'Black HolesAnd Revelations'. Recorded at their massive Wembley Stadiumshows in June 2007, this CD/DVD package captures the band, who have always been renowned for their live work, in blistering form. The title, too, becomes Muse's reputation - HAARPis the US military's High-frequency Active Auroral ResearchProgram, which has long been a bete noire of conspiracy theorists everywhere.

如丝绒般柔滑的男中音,独具品味地轻触你心--时人杂志﹡这个令人注目、充满感情的低音歌手使人想起年轻的法兰克辛纳屈--纽约邮报﹡天生的中低音与动感的舞台表演,麦可布雷以轻松自在的自信,与他的听众分享他活泼的诠释风味--洛杉矶时报 重新演唱汤姆琼斯、猫王、麦当娜、法兰克辛纳屈、比吉斯、洛史都华等13位不朽巨星经典名曲，他，让这些经典歌曲活了起来，大卫佛斯特麦克布雷，葛莱美奖情歌教父大卫佛斯特为都会男女寻觅已久的新浪漫主义歌手。 跨界风潮走到21世纪，不该只是狭隘的将摇滚、抒情、灵魂、爵士、大乐团、古典声乐等类型音乐作一融合的时尚，而是要以能与生活情境完美契合的听觉为依归，继心灵捕手Josh Groban (乔许)后，葛莱美奖名制作人David Foster (大卫佛斯特)致力于听觉品味的开发有了更上层楼的惊喜发现，一副既能表露歌声情感，又能摆荡歌声情趣的嗓子--Michael Buble(发音为Boo-blay)，这位现年25岁的年轻绅士，来自加拿大温哥华，只要他那天生歌唱家般的嗓子一开，就能创造出一个绝佳的听歌空间，与听者尽情的享受歌声所带来的愉悦感。 自对音乐产生兴趣以来，Buble就情不自禁的迷上Ella Fitzgerald、Sarah Vaughan、Rosemary Clooney这些相当真切的浪漫歌声，当水电工的爷爷为了磨Buble的歌艺，经常以修理水电为交换条件，让Buble能够与镇上的音乐家同台演唱，17岁时，Buble在加拿大的新秀选拔赛中夺冠，除了赢得灌录唱片的机会，并参予‘Red Rock Diner’、‘Swing’等音乐剧的演出，Buble的歌声吸引本身也是老歌迷的加拿大前首相Brian Mulroney的注意，Mulroney将他推荐给华纳音乐集团/143音乐厂牌的高层主管大卫佛斯特，在Mulroney女儿婚礼上高歌一曲"Mack The Knife"后，佛斯特正式将Michael Buble签入旗下。 2001年春季，佛斯特与制作老搭档Humberto Gatica(两人合作过乔许、席琳狄翁、芭芭拉史翠珊的专辑)展开首张同名专辑【Michael Buble】的录制工作，在以重现经典歌曲风华的目标下，完成了一张以听觉拭去类型音乐界线的歌唱作品，从"The Way You Look Tonight"、"For Once In My Life"、"That's All"这些30、40年代的流行名曲宝鉴，到男歌手Paul Anka 59年亚军招牌作"Put Your Head On My Shoulder"、爱尔兰民谣传奇歌手Van Morrison(范莫里森) 70年香醇小品"Moondance"、华丽摇滚名团Queen(皇后合唱团)80年冠军摇滚劲歌"Crazy Little Thing Called Love"、流行巨星George Michael(乔治麦可)88年全美TOP 5摩登爵士恋歌"Kissing A Fool"，这些半世纪以来的流行歌曲在Buble美妙演唱下，完全抹去岁月的尘埃，赋予相当迷人的当代风雅。 值得一提的是The Bee Gees(比吉斯合唱团)老大Barry Gibb特地在71年TOP 4伤心情歌"How Can You Mend A Broken Heart"里合声助阵。专辑推出后随即抢占Billboard热门潜力榜亚军，其中，"For Once In My Life"、"Kissing A Fool"更被选为伊旺麦奎格与芮妮齐薇格主演的爱情喜剧片‘爱情趴趴走’的插曲。 听过Michael Buble的柔情歌声，你是否感觉到一个新的浪漫主义歌手已经诞生了呢？

Human Again is the fifth studio album by Ingrid Michaelson. The album is expected to be released on January 30, 2012 on Cabin 24 Records. The first single from the album, "Ghost" was released on November 15, 2011.In a recent interview,[1] Ingrid spoke about the album, saying: "It's coming along really well. We were hoping to have everything done by now, and we're not at all done. I keep writing more songs, so that's kind of a good thing, because I keep creating new things, and that's what's halting the process, because we have to go in and record that song. It's been a long, arduous process, but the harder you work on something, the prouder you are of it." "I played a few of the songs for my father that we've been working on, and he asked me where are all the peppy songs were. Evidently, there aren't any peppy songs on this record. But that's OK, I'm not a little kid anymore. I love singing my little ukulele songs. But I feel like it's time to stand up and really sing. [This record] is fiercer and not as childlike. Not to dis my old work, but I feel like I've done the whole barefoot singer-songwriter thing" "'Parachute' was a lot poppier, kind of darker. The next record isn't going to sound like that, but I think in the way that 'Parachute' sort of pushes out the limits of what I've been doing in the past; it's stepping across a boundary. I think that's what I'm doing with the record. I don't think the record sounds like 'Parachute,' but I think it's a bit stronger. There are some similarities in that it's different from my previous work. I'm singing harder, I'm pushing more. Hopefully that will be evident." On Tuesday, November 15, Ingrid announced the tracklist and release date, as well as the album's first single, "Ghost," and unveiled the cover artwork.[2] The cover artwork was painted by Joe Sorren specifically for the album. She plans on promoting the album by going on tour in Spring 2012. She will also be performing live on the Macy's Thanksgiving Day Parade.[3]

Chris Daughtry's sturdy rock presence and distinctive vocal style won the hearts and minds of American Idol Season 5 fans across the globe. On his debut record for 19 Recordings/ RCA Records, Chris will be fronting his own band, Daughtry, and fans can expect the same cutting edge attitude and startling rock immediacy that made Chris a household name. With noted rock producer Howard Benson at the board, Daughtry's is the first Idol album with most of the songs written or co-written by the singer. A host of high-profile artists are also working with Chris as writing partners. Chris' track 'Wanted Dead Or Alive' is the most downloaded track from the America Idol Season 5 encores album with more that 100,000 downloads and still counting. Chris is by far the fans' favorite and is consistently singled out as the most talented performer in every review of the tour: 'Daughtry proved that he's b far the most talented performer in Idol history.' -St. Petersburg Times.

Digitally remastered 1997 reissue of his very first hitscollection. Contains 12 classic tracks, including three noton the U.S. version: 'She Belongs To Me', 'It's All OverNow, Baby Blue' and 'One Of Us Must Know'. Columbia release.

The act of making music can be extremely useful in life. If your heart has been broken, giving voice to those raw emotions can act as a salve to ease the pain. Greg Laswell knows this, because he did just that on 2006’s Through Toledo, surely one of the most intense breakup albums ever made. When you’ve finally reached the point where life is beginning to seem beautiful and exciting again, there’s no better way to celebrate it than by singing the song that greeted you, fully formed in your head, when you awoke that very morning, telling you everything is gonna be all right. That’s precisely what Laswell did with How the Day Sounds, a six-song EP released early this year, serving as a progress report on his revitalized state of being. Once you’re together enough to become aware of the other lives that are touching your own, you can then help those around you, just as you’ve helped yourself, with an anthem or a lullaby. This impulse is what motivated the creation of Three Flights From Alto Nido, the enigmatically yet aptly titled third volume of Laswell’s trilogy of heartbreak and redemption. Pointing out that “alto nido” translates from the Spanish as “high nest,” Laswell explains that “Three flights" implies that you’re on your way to a ‘high nest,’ even if you’re not quite there yet. “Whereas Through Toledo was intimate and autobiographical for the most part, the EP reflected the transitional time of coming out of it,” Laswell explains. “With this album, I wanted to do something really big sounding—a little bit bigger than I am, really. In a sense, the album was shaped around the fact that 2007 was a difficult and strange year for just about all of my friends and family members, and I wrote ‘Comes and Goes (In Waves’) as a kind of open letter to everyone that had had a hard time, reassuring them that everything’s gonna be OK. So I wanted to make the song big and sprawling and full of hope.” “This one’s for the lonely, the ones that seek and find/Only to be let down time after time,” the song begins, over a feathery acoustic guitar, on a slow build toward its widescreen climax. “This one’s for the torn-down, the experts at the fall, come on friends, get up now, you’re not alone at all.” As much as any, these four lines encapsulate the impulse behind the album. When asked about other key songs, Laswell points to “It’s Been a Year,” an exquisite midtempo piece burnished with strings and overflowing with humanity. “It achieved what I wanted to say very quickly,” he explains. “It wrote itself, really, as if it was already out there and I just needed to find it.” Another musical and emotional high point is “I’d Be Lying,” which documents a seemingly perfect relationship that falls victim to bad timing. Laswell’s lush arrangement plays against the bittersweet premise, as he stacks layer after layer of vocals, achieving outright grandeur in a stunning display of arrangement and production skills. “Even on the songs that seem sad at first listen,” he points out, “I wanted to convey an element of hope, to make people feel good when they hear it.” Reappearing from the EP, in newly mixed form, are the pivotal, life-(re)embracing “How the Day Sounds” and the propulsive, anthemic “Days Go On,” each of which remains as captivating and thematically key here as they were in the transitional context of the EP. “Those songs are full of hope, and the album really does wrap around them,” says Laswell. “They gave course to how the rest of the album was created. Laswell began writing this batch of songs in his Hollywood apartment between sessions for the EP, working in a garage studio located in Santa Ana, which he’d leased soon after moving from his hometown of San Diego. Although he’d decided to separate life and work when he moved, the act of creating the EP was inspiring him anew, and every night he’d work out a new idea in Garageband, cooking up a set of lo-fi but useful demos. When he took them into the studio and began adding elements, he realized that these songs called out for something more than he’d brought to any of his previous work. Rather than handling everything himself—writing arranging, playing and singing all the parts, producing, engineering and mixing—as he’d done since transitioning from a bandmember to a solo artist, Laswell opened up his creative process, enlisting guitarist Brandon Walters, who regularly joins him in his live performances. “Onstage we felt this chemistry, a musical relationship I wanted to bring into the studio,” Greg points out. “So the two of us went into this mad-scientist mode, tracking layer after layer. Brandon would hop on banjo, I’d grab an electric guitar, then add a piano, and it just kept growing.” When the recording was done, Laswell turned over another new leaf by calling on highly skilled mixer Greg Collins (U2, Eels, Cary Brothers). “These songs needed to be really big,” he says, “and pulling it off in the mix was just beyond my skill set. Greg made them even bigger; he pulls these songs up to a level I hadn’t even imagined. He’s just brilliant, and he’s added so much to this record.” Working with Walters and Collins united Laswell’s impulse to go outside himself on Three Flights From Alto Nido with the process of creating it. “That’s the way I approached this record from the beginning,” he says. I wanted to make it for everybody. Not just me, by myself, doing songs about me, but writing songs to other people and for other people. If people want to feel sad and sorry for themselves, they can listen to Through Toledo.” He punctuates this statement with a quick, rueful laugh. “If they want to feel better, hopefully, they can listen to this record.”