日本电影
The Human Condition III: A Soldier's Prayer (1961) WikiData IMDb TMDB Douban
人間の條件
9.5 (40 ratings) director: 小林正树 actor: 仲代达矢 / 新珠三千代
other title: 인간의 조건 3 / 人間の條件
After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines.
Oct. 11, 2020 watched
在旷野求生的段落中,一改之前纯粹的现实主义,开始有倾斜构图、空镜头、仰角构图、大特写、内心独白,与之前相比具有克制的表现主义,很明显深入到精神层面,让观众跟随男主角直面内心的矛盾,进入终极的反思。在结尾段落,再次出现内心独白,男主角的生命和整个故事都结束在极其沉重的悲剧氛围中。
小林正树 战争 1960s 二战 1961
The Human Condition II: Road to Eternity (1959) WikiData IMDb TMDB Douban
人間の條件
9.1 (39 ratings) director: 小林正树 actor: 仲代达矢 / 新珠三千代
other title: 인간의 조건 2 / 人間の條件
Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army and revolts against the abusive treatment against the recruit Obara. He also sees his friend Shinjô Ittôhei defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.
Oct. 8, 2020 watched
开头感觉像《全金属外壳》,但比《全金属外壳》还要残酷。中间部分主角想要改革新兵管理体制,看到一点亮色,旋即陷入困境。最后战场上死亡殆尽,归于沉寂。最爱国的新兵也马上面临幻灭。最让人感慨的是,改革一个组织的内部制度、文化传统有多困难,即使奋不顾身都难以做到。而这些基层组织,正是构成军国主义、法西斯主义的细胞。
1950s 小林正树 战争 1959 二战
Harakiri (1962) WikiData IMDb TMDB Douban
切腹
9.4 (400 ratings) director: 小林正树 actor: 仲代达矢 / 石滨朗
other title: 하라키리 / 切腹
Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.
Feb. 24, 2019 watched
小林正树作为左翼导演,造就了这样一部非常独特的武士电影。在他那里,武士并不作为英雄存在,而是为了生活竭力挣扎的普通人。这部电影里因为家人生病而陷入困境的主角让我们觉得很熟悉,因为我们很多人仍在经历这种境况。日式建筑、服装、音乐和运动非常克制的长镜头一起,形成了稳定、对称的美学风格。少数几个武打场面也用声音充分营造出了紧张激烈的气氛。
武士 小林正树 1960s 经典 黑白
Twenty-Four Eyes (1954) WikiData IMDb TMDB Douban
二十四の瞳
8.4 (71 ratings) director: 木下惠介 actor: 高峰秀子 / 田村高广
other title: 二十四只眼睛 / 二十四の瞳
1954 film by Keisuke Kinoshita
April 14, 2018 watched
老师带领学生在樱花中歌唱的画面美不胜收,十几年后师生重聚的场面非常催泪,伴随全片的音乐乐而不淫哀而不伤。但只有当大石老师在全国上下陷入爱国之癫狂的年代,坚定地说她不想让学生成为士兵、不想让他们在战场送命时,这部电影终于可以列入伟大的电影之列。日本这一批杰出的左翼导演实在值得尊敬。
1950s 1954 高峰秀子 日本左翼 黑白
Kikujiro (1999)
菊次郎の夏
8.7 (1379 ratings) director: Takeshi Kitano actor: Takeshi Kitano / Yusuke Sekiguchi
other title: 菊次郎的夏天 / 菊次郎の夏
1999 film by Takeshi Kitano
March 5, 2007 watched
我第一次看这部电影是十几年前,当时不太能体会大叔与儿童之间的感情,并且对公路电影的节奏很不适应。如今我自己成了大叔,也有了孩子,再看一遍有了更多的共鸣。同时,在《摩托车日记》之后,我对公路电影关于孤独、寻觅的母题也有了更多的体认。所以第二次看体验好了很多。北野武一如既往地用省略、对比制造喜剧效果,用长镜头和久石让的音乐来烘托人与人的感情。荒诞和温情形成反差,又结合得天衣无缝。再加上北野武独特的个人魅力,形成了风格鲜明又不着痕迹的感染力。
儿童 菊次郎的夏天 童年 北野武 温情