黑白
To Be or Not to Be (1942)
To Be or Not to Be
9.3 (445 ratings) director: 恩斯特·刘别谦 actor: 卡洛·朗白 / 杰克·本尼
other title: 你逃我也逃 / 生存还是毁灭
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
Feb. 24, 2019 watched
看似没什么技巧,但实际上剧作、节奏、蒙太奇、声音的运用都恰到好处。每每在意料之外又在情理之中的情节和台词制造了十足的笑料,也维持着很有效的悬念。称得上是古典风格的杰出喜剧。
战争 美国 经典 黑白 1942
Harakiri (1962) WikiData IMDb TMDB Douban
切腹
9.4 (399 ratings) director: 小林正树 actor: 仲代达矢 / 石滨朗
other title: 하라키리 / 切腹
Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.
Feb. 24, 2019 watched
小林正树作为左翼导演,造就了这样一部非常独特的武士电影。在他那里,武士并不作为英雄存在,而是为了生活竭力挣扎的普通人。这部电影里因为家人生病而陷入困境的主角让我们觉得很熟悉,因为我们很多人仍在经历这种境况。日式建筑、服装、音乐和运动非常克制的长镜头一起,形成了稳定、对称的美学风格。少数几个武打场面也用声音充分营造出了紧张激烈的气氛。
武士 小林正树 1960s 经典 黑白
M (1931)
M - Eine Stadt sucht einen Mörder
8.3 (321 ratings) director: 弗里茨·朗 actor: 彼得·洛 / Ellen Widmann
other title: M就是凶手 / M - Eine Stadt sucht einen Mörder
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
Dec. 24, 2018 watched
1931年的影片,但电影语言相当成熟。例如片头一个长镜头,女孩子们玩“下一个谁出局”的游戏,虽然故事情节还没开始,但画面的象征性已经显示出悬疑的气氛。女孩被杀时一系列空镜头,和画面里飞起来的人形气球,具有显著的表现主义特征。故事后半部分,黑道先于警察抓到凶手,并私设法庭进行审判,荒诞而意味深长,又成了讨论法律与情感的张力(我们在当代社会也经常遇到)、及1930年代纳粹崛起前夕德国社会现实的社会问题剧。不过,整部电影除了凶手之外再没有一个鲜明的人物形象,只有符号式的群像,观众无法寄托认同感,让整个故事显得有些沉闷。但这可能也是表现主义的风格特征之一。
德国电影 1930s Fritz_Lang 惊悚 德国
The Great Buddha+ (2017) WikiData IMDb TMDB Douban
大佛普拉斯
8.8 (1680 ratings) director: 黄信尧 actor: 庄益增 / 陈竹昇
other title: 大佛普拉斯 / The Great Buddha +
2017 film by Huang Hsin-yao
Dec. 3, 2018 watched
台湾电影有关注底层民众、关注社会问题的人文传统,但我阅片所及,很少看到这种黑色幽默风格的。例如2009年金马奖获奖的、戴立忍导演的《不能没有你》,同样也是反映边缘人的处境,但其沉重让人不忍看下去。但这部《大佛普拉斯》的幽默乃至悬疑,却让人很畅快地看完全片,然后再慢慢体会其中的无奈和悲凉。旁白和台词制造了间离效果,不时提醒观众这是电影而不是现实,如荒诞派戏剧一样,让观众保持对剧中情节的批判性。黑白摄影很好,中间不时插入的空镜头给人一种冷眼笑看尘世的感觉。
人性 2017 台湾 金马奖 黑白
The Third Man (1949)
The Third Man
8.2 (273 ratings) director: Carol Reed actor: Joseph Cotten / Alida Valli
other title: 제3의 사나이 / 第三の男
In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.
April 16, 2018 watched
那些黑夜里的镜头光影、构图十分精当,尽显黑色电影的魅力。吉他音乐有时候表达惆怅,有时候渲染紧张。下水道里的戏可能给日后的很多影片带来了灵感。奥逊·威尔斯的出现又给本片增添了光彩。
英国电影 CarolReed 1949 卡罗尔·里德 OrsonWelles
Twenty-Four Eyes (1954) WikiData IMDb TMDB Douban
二十四の瞳
8.4 (70 ratings) director: 木下惠介 actor: 高峰秀子 / 田村高广
other title: 二十四只眼睛 / 二十四の瞳
1954 film by Keisuke Kinoshita
April 14, 2018 watched
老师带领学生在樱花中歌唱的画面美不胜收,十几年后师生重聚的场面非常催泪,伴随全片的音乐乐而不淫哀而不伤。但只有当大石老师在全国上下陷入爱国之癫狂的年代,坚定地说她不想让学生成为士兵、不想让他们在战场送命时,这部电影终于可以列入伟大的电影之列。日本这一批杰出的左翼导演实在值得尊敬。
1950s 1954 高峰秀子 日本左翼 黑白
Meshi (1951) WikiData IMDb TMDB Douban
めし
7.9 (70 ratings) director: 成濑巳喜男 actor: 原节子 / 上原谦
other title: / めし
1951 film by Mikio Naruse
April 25, 2016 watched
形式方面像小津安二郎一样朴实、内敛,但情节有足够的冲突。故事围绕战后日本家庭经济的拮据和女性地位的变化,既紧贴现实,又深入人物内心。
1950s 女性 原节子 1951 黑白
Wild Strawberries (1957)
Smultronstället
8.9 (560 ratings) director: Ingmar Bergman actor: Victor Sjöström / Bibi Andersson
other title: 산딸기 / 野いちご
Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.
Jan. 16, 2007 watched
上次看已经是十几年前,只记得触动很大,但已忘了具体为什么。再看一遍,我觉得触动我的正是主角内心无处不在的纠结,他在宗教与科学、理性与感情之间徘徊不定,怀疑上帝、感慨感情的脆弱、质疑人与人沟通的可能,但又不堪承受永恒的孤独。伯格曼的可贵正在于他如此深刻地揭示着现代人必然面对的困境。
1957 英格玛·伯格曼 瑞典 IngmarBergman 经典