Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.

Three men are sitting around a table, two of them playing a game of Écarté. When the game is over, a domestic serves drinks.

1895 film directed by Louis Lumière

1895 French short black-and-white silent documentary film directed by Auguste and Louis Lumière

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

In the tenement slums of Paris between the world wars, impoverished street singer Albert yearns for beautiful Romanian immigrant Pola. Pola's boyfriend, local hoodlum Fred, grows jealous of Albert's constant attention to his woman and frames the hapless musician for one of his own petty crimes. But while Albert is in prison for Fred's misdeed, Pola ends up falling for Albert's faithful best friend, Louis.

1973 animated film directed by René Laloux

2013 film

1930 film by Jean Cocteau

1983 film by Robert Bresson

在希特勒兴起与斯大林去世之间这动荡的几十年间发生了一场世界大战，巴黎是这段罕见历史的一个舞台，艺术家和作家们影响了全球政治。纳粹兴起的十年里，思想界从一群特殊的知识分子那里寻求指引。赫伯特•洛特曼追查并记录了有影响力的人物——纪德、马尔罗、萨特、波伏瓦、毕加索、库斯勒、加缪和他们亲法西斯的敌人在德国占领时期、解放时期以及超级大国的对立淹没了他们声音的冷战时期的活动。

《我生命中的电影》收录了特吕弗挑选出来的一些文章，都是他从1954年起为多家报刊杂志撰写的。在1954年到1958年的这段时间里，首先是他作为记者写的文章，然后还有他作为导演写的。两者区别十分明显。自从他当上导演后，便不再批评同行们的作品。

A sexually repressed school teacher releases her pent up passions in a series of shocking crimes.

1962 film by Agnès Varda

萨特在书中设定主人公得了一种病症，并指出这种病症是每个人都可能得的，因此罗根了有时处在不适状态中而犯“恶心”，我们也可能犯“恶心”。罗根丁在搏斗，他企图摆脱他的真实存在，与过去的一个或某些艺术品、甚至一段爵士音乐（some of these days 这段时光的一瞬）来认同，去达到某种自由。这就是萨特在此书中所要表达的中心思想：“存在与自由”。

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

《方向》《画的秘密》作者烧脑神作 “上帝降临”引发“人间喜剧” 量子物理、现象学、精神分析…… 一场前所未有的论战 平庸的人类面对“上帝本人” 知识、智力、语言、逻辑，受到无情的挑战 科学、经济、社会、信仰、艺术，也陷入玄虚 ..................... ※编辑推荐※ 光天化日，上帝降临，人会怎样面对？你会怎样面对？《画的秘密》《方向》的作者推出的这部“神作”，一本正经，皮里阳秋，将法国式的玄论空谈发挥到极致，用戏仿的手法呈现了人类面对超级智慧时令人啼笑皆非的种种表现。 ☆ 如果说《方向》是无字天书，那《全民审判》就是话痨天书。精神分析学、哲学、历史学、神学、物理学、天文学……无所不包，各种言论头头是道，似是而非，令人读了忍俊不禁。 ☆ 《全民审判》是一出黑色幽默风格的闹剧，“全民”与“上帝”交锋，真正面对考验的不只是上帝，更是人类的知识、智慧……和人性。 ☆ 在人工智能、大数据大行其道的今天阅读马修的这部八年前的作品，别有一番滋味。 ..................... ※内容简介※ 假如“上帝”化身为人，人会如何对待他，又如何看待自己？假如上帝并不存在，人又将何去何从？ 一个神秘的人自称为上帝，出语惊人，精神科医生和科学家都无法证明他不是上帝，而人类的无力只能证明他是超乎常人的存在……于是传媒、出版、哲学、艺术、娱乐等领域都出现了荒唐离奇的大众现象，甚至引发了一场史无前例的全民大审判，原告代表是人类的各种“家”和所有的“者”，被告就是上帝。这场闹剧将如何收场？ ..................... ※媒体推荐※ 一颗哲学、修辞学的珠宝，上面镌刻着马修的名字。 ——PlanetBD 在极端的情境设置下，作者极尽讽刺之能事：出现在具体现实中的神秘存在引发了当代世界科学、经济、精神等力量一场接一场的玄虚。 ——《费加罗报·独家》 还是我们熟悉的马修，又是跟黑色差不多的专色，又是一次实验，又一次让我们大开眼界。 ——法国漫画批评网站读者评论 ..................... ※获奖记录※ 2010年漫画评论人与新闻人协会（ACBD）大奖

《哲学与政治:阿尔都塞读本》以作者卓绝的“自我批评”历程为线索，以他献身于对哲学和政治关系的思考为主题，既收入了作为1968年伟大事件理论前夜的《哲学课》、作为作者思想绝笔的《马基亚维利和我们》等大部分新译篇目，也包括了对《意识形态和意识形态国家机器》等经典文本的精心重译。一个崭新的阿尔部塞形象将向人们展现出当代左翼思想所能拥有的“第一流智力”的尺度。