英国
朱家故事
Piggybook Douban
★ 9.0 12 ratings
(英)安东尼·布朗 文/图 translator: 柯倩华 publishing house: 河北教育出版社 2009 - 1
朱家的生活看起来不错,房、车、花园,一应俱全;爸爸和兄弟两个被妈妈照顾得无微不至。然而这一天晚上,任劳任怨、辛勤顾家的妈妈突然不见了。一纸留言:“你们是猪”表明了妈妈对朱家父子的不满和失望。没有妈妈的朱家乱套了! 看过本书,我们发现男主外、女主内的观念似乎并不只是中国的传统家庭伦理,妈妈操持家中一切杂物的现象放之四海而皆有;因此而起的争执之声久宣不止,安东尼·布朗却以其特有的幽默方式,轻松的引导大家对于如何处理家庭琐事的分工与分担,进行了又一次的思考。同时,故事中,两个小男孩的转变也再一次提醒我们,家庭生活中,妈妈带给孩子无微不至的爱和照顾,然而对孩子,尤其是男孩子的行为起决定性影响的往往是爸爸。故事里对这一问题的阐释,沿袭了安东尼·布朗作品中一贯的超现实手法,但这部着重于描写家庭亲情伦理的作品,将超现实的想象与现实的场景结合得格外巧妙入扣,画面中处处隐藏的伏笔,轻巧地与看似不动声色的文字基调相互映衬,当读者一一发现其中妙处的时候,早已忍俊不禁了。
猫和少年魔笛手
Douban
★ 8.8 5 ratings
[英] 特里·普拉切特 translator: 周莉 publishing house: 人民文学出版社 2005 - 8
故事发生在——部分发生在——那辆从遥远的平原城市翻山而来的邮车上。 车夫不喜欢这段旅程。残破的路曲曲折折地穿过片片森林,盘在山间。树下是深深的阴影。有时他觉得有东西在偷偷摸摸地跟着马车,这让他心头发紧。 而且这一路上,最最诡异的是他能听见一些声音。他确信有声音从背后的车顶传来,而那里除了油布做的大邮袋和那个年轻人的行李之外没有别的。毫无疑问,没有东西大得足以藏人。可是时不时地,他的确听到尖细的声音在窃窃私语。 眼下只有一个乘客,一个金发小伙子,独自坐在摇摆的马车里看书。他看得很慢,一字字地指着,嘴里念念有词…… 一只脾气古怪但心地善良的神奇的猫,不仅会说话,而且具有超常的思维,在与他的伙伴——一个看上去一脸傻相的少年魔笛手以及生活在他鼻子底下的十来只非同寻常的老鼠,一起四处流浪的日子里,来到了糟糕的布林兹城——这里正在闹鼠疫……后来,他们结识了市长的女儿——一个满脑子奇思妙想的小女孩。 一只猫,一群老鼠,一个男孩,一个女孩,意想不到的有趣故事就这样开始了……
随风而来的玛丽阿姨
Douban
★ 9.0 13 ratings
[英] 帕·林·特拉芙斯 translator: 任溶溶 publishing house: 明天出版社 2005
《随风而来的玛丽·波平斯阿姨》是特拉弗斯写的六本以玛丽·波平斯阿姨为主角的童话中的第一本,发表于1934年。在这部童话中,特拉弗斯以她丰富的想象力塑造了一个超人形象:玛丽·波平斯阿姨。这可以说是这部作品的最成功之处。玛丽·波平斯阿姨在外表上与普通的家庭教师毫无二致,她有着瘦高的身材,挺括的黑头发,严肃的黑眼睛,粉红色的脸颊,荷兰玩偶似的翘鼻子,常带着一把鹦鹉头的伞和一个毯子缝成的手提袋。但实际上,玛丽·波平斯阿姨不是普普通通的人,她是一个有着无边的神力的超人,她有许多魔力,比如,她的手提袋是空的,但却可以取出肥皂、牙刷、香水、折椅等无数东西,她那个写着“睡前一茶匙”的瓶子,能倒出来草莓汁儿、橙汁、牛奶、糖酒。但凡神人都有宝物,玛丽·波平斯阿姨也不例外,她有一个奇妙的指南针,转动它就能带着孩子们瞬间环游世界,一会儿置身于北极爱斯基摩人的冰洞,一会儿又到了南方热带的棕榈沙滩,眨眼之间又能来到东方礼仪之邦的纸房子和西部印第安人的帐篷。作者正是通过简和迈克尔等几个孩子跟随他们的家庭教师玛丽·波平斯阿姨生活的经历向人们展现了一个色彩班斓的童话世界,从而给人们以启迪和乐趣的。
Sgt. Pepper's Lonely Hearts Club Band
Douban Discogs
★ 9.6 310 ratings
The Beatles genre: Rock
release date 1987-07-07 publisher: Parlophone
First CD reissue of the album. Sgt. Pepper's Lonely Hearts Club Band (often referred to simply as Sgt. Pepper) is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture. «Before Sgt. Pepper, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 30-plus years, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds," the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64," to Harrison's Eastern-leaning "Within You Without You," and the avant-garde mini-suite, "A Day in the Life," Sgt. Pepper was a milestone for both '60s music and popular culture. --Billy Altman» Credits: Phonographic Copyright ℗ – EMI Records Ltd. Copyright © – EMI Records Ltd. Artwork [Cover Staged By] – Jann Haworth, Peter Blake (4) Artwork [Cover] – M C Productions, The Apple Artwork [Wax Figures] – Madame Tussauds Design – Paul Wilkinson (3) Design Concept [Cd Packaging Design Idea] – Kathryn Varley Engineer [Recording] – Geoff Emerick Engineer [Second] – Richard Lush (tracks: 1 to 8, 10 to 13) Liner Notes – Peter Blake (4) Liner Notes [Quote] – George Martin Liner Notes [Words] – Mark Lewisohn Photography By [Cover] – Michael Cooper (8) Producer – George Martin Written-By – Lennon/McCartney* (tracks: 1 to 7, 9 to 13) ℗ 1967 Original Sound Recordings made by EMI Records Ltd. © 1967 EMI Records Ltd. © 1987 EMI Records Ltd. Made in the U.K. (on back cover). Made in Italy (on CD). Comes in a jewel case enclosed in a cardboard box with a 28 page booklet including Sgt. Pepper's cut-outs. Track 1 recording started in studio 2 at Abbey Road on February 1, 1967. Album version mixed from take 10. Track 2 recording started in studio 2 at Abbey Road on March 29, 1967. Album version mixed from take 11. Track 3 recording started in studio 2 at Abbey Road on March 1, 1967. Album version mixed from take 8. Track 4 recording started in studio 2 at abbey Road on March 9, 1967. Album version mixed from take 15. Track 5 recording started at Regent Sound Studio, Tottemham Court Road, London on February 21, 1967 and later completed at Abbey Road. Album version mixed from take 3. Track 6 recording started in studio 2 at Abbey Road on March 17, 1967. Album version mixed from take 9. Track 7 recording started in studio 2 at Abbey Road on February 17, 1967. Album version mixed from take 9. Track 8 recording started in studio 2 at Abbey Road on March 22, 1967. Album version mixed from take 2. Track 9 recording started in studio 2 at Abbey Road on December 6, 1966. Album version mixed from take 4. Track 10 recording started in studio 2 at Abbey road on February 23, 1967. Album version mixed from take 11. Track 11 recording started in studio 2 at Abbey Road on February 8, 1967. Album version mixed from take 11. Track 12 recording started in studio 1 at Abbey Road on April 1, 1967. Album version mixed from take 9. Track 13 recording started in studio 2 at Abbey Road on January 19, 1967. Album version mixed from takes 6 & 7. Black and white photograph courtesy of the Michael Cooper Collection. The rear of the booklet states all tracks except 8 are by Lennon/McCartney, but the liner notes are more specific.
Listened
Sept. 2, 2017
非常带劲,编曲都很好听,节奏感强,麦卡特尼好几首歌都是日常的生活,以前听还没太注意歌词。
1967 滚石500 60s 英国 thebeatles