I-Feel-Like-I'm-Fixin'-To-Die is the second album by the influential San Francisco psychedelic rock group Country Joe and the Fish, released in 1967. The title track remains one of the most popular Vietnam protest songs from the 1960s and originally appeared in a 1965 7" EP titled Rag Baby: Songs of Opposition. On the album version however, "I-Feel-Like-I'm-Fixin'-To-Die Rag" appears alongside "The Fish Cheer," which at concerts, became a Country Joe standard. At Woodstock, however, Joe had the crowd yell F-U-C-K instead of F-I-S-H. The title song faced a legal challenge from the estate of New Orleans jazz trombone pioneer Edward "Kid" Ory, whose daughter Babette claimed that McDonald appropriated the melody for his song from Ory's classic "Muskrat Ramble," as recorded by Louis Armstrong & his Hot Five in 1926. A 2005 judgment upheld McDonald's copyright on the song, claiming that Ory waited too long to make the claim.

Limited Edition Japanese "Mini Vinyl" CD, faithfully reproduced using original LP artwork including the inner sleeve. Features most recently mastered audio including bonus tracks where applicable.

Artwork – Jakob Skøtt Mixed By, Mastered By – Jonas Munk Performer – Jakob Skøtt, Jess Kahr, Jonas Munk, Rasmus Rasmussen Photography By – Falk-Hagen Bernshausen

Digitally remastered reissue of the 1974 album from this Dutch Psychedelic/Prog band. Progressive Line. 2006.

Clear Light was the only album released by the 1960s American psychedelic rock band Clear Light. It was released in September 1967 and peaked at number 126 on the Billboard pop albums chart. It combined elements of folk, rock, psychedelic, and classical music. It is an AMG music pick,[2] although the album was not a success at the time.

Previously unissued album from Swedish psychedelic spacerockers (aka Garden Of the Elks) recorded between 1973 and 1974. 2001.

The Blues Project supuso un gran paso hacia el cambio en algo tan conciso como el blues.Dirigiendo el proyecto se encontraba Al Kooper un teclista ínnovador que queria reestructurar los cánones rígidos del blues y dotarle de una aureola mas experi mental. Antes de que estallase la psicodelia,los Blues Project se atrevieron con ciertos desajustes sonoros provocados y eso les valió como carta de presentación ante los atónitos oídos de la prensa,que no daban crédito ante la amenaza de destrozar supuestamente una música excitante pero estática.Ellos fueron la antesale de Blood,Sweat & Tears e hicieron comprensible esos arreglos que caminaban entre los tres baluartes de la música juvenil americana por aquellos días, el rock, el blues y el jazz, aunque este último en menor medída.Rodados en ínfínidad de conciertos,Blues Project tomaban cláslcos del blues y composiciones propias y dejaban claro que la libertad de lenguaje sonoro eran lo que perseguian.Con este segundo Lp,el único que tendría el privilegio de aunar todo el grupo semínal al completo, consi- guieron deslumbrar en "I Can't Keep From Cryín' Sometimes", “Steve’s Song” y la estratégica "Fly Away",la labor de mentes vivaces como Danny Kalb,Steve Katz y el propio Kooper eran de nivel superior.

专辑介绍： 1967年Pink Floyd签约EMI公司，一路畅行，首张单曲和首张专辑轻松上榜。首张专辑《The Piper at the Gates Of Dawn》(黎明之门前的风笛手)可与The Beatles的《Sgt．Pepper'S》(帕波军士)一争高下。要评出英国迷幻专辑之最佳，《The Piper at the Gates of Dawn》当仁不让，一定要与《Sgt．Pepper’s》比肩同行。这张专辑既是首张也是Pink Floyd 最后一张类似的专辑。 这张专辑在滚石杂志选出的500张历代最强专辑中排名第347位。