这是我在甘肃古浪黄羊川拍摄的"甘肃的意大利"系列的第三部，纪录的主要是我在当地认识的朋友和熟人们的生活，他们主要是镇上中学的老师，还有一些原来在这个学校工作，后来调入县里，总之，都是一些有公干的人，有稳定的收入。从2000年和他们认识到现在，已经有10年的时间。我的拍摄是在2005年7月到2008年10月之间，最终的片子呈现为4个部分，每个部分基本对应于一个独立时期，里面的大环境和个人的境遇都在逐渐改变。 This is the 3rd documentary film in my series of films, Italy, Gansu Province，which was shot in Huangyangchuan Township, mainly documented the lives of my local friends and acquaintances there. Most of them are local high school teachers, or ex-teachers later transfered their jobs to the county. In all, not like local farmers, they have steady jobs and steady incomes. We got to be friends in 2000. My shooting lasted from Jul. 2005 to Oct. 2008, this film is constructed in four parts, each part correspond an certain period of time, with a different circumstance and personal condition.

海拨3600米的青海省祈连山区,矿工们依靠山区上的小煤窑艰难度日。在祈连山的皑皑白雪下面，在黑暗的窑洞里，有一种生活在延续着，如矿工帽檐上那忽明忽灭的煤油灯火。挖炭得钱何所营，身上衣裳口中食。万般辛苦，只是“为了生存”！ 拍摄时，矿主的子弹曾在他头上呼啸而过.

荒木经惟，一个备受争议的日本摄影家。他从不忌讳在自己的作品中直观展现关于性的种种，因此他饱受卫道士的指摘和批判。他的行为乖张，衣着夸张随意，在很多人眼里分明就是一个随时可以大吃女模特豆腐的色老头，然而他又曾饱含深情地推出那本成名影集《感伤的旅程》，里面记录了荒木和爱妻阳子蜜月旅途中的点点滴滴。斯人已逝，影集中的瞬间成为永远，而竹中直人根据这对夫妇改编的电影《东京日和》更是感到了无数人。温柔的荒木，不羁的荒木，究竟哪一个更加真实？导演Travis Klose通过大量的采访和记录，或许能像你我展示一个更为真实的荒木经惟…… 本片荣获2004年布鲁克林国际电影节最佳纪录片和最佳配乐奖。

1人到中年的口口卡（作者本人），喜欢说自己喜欢和年轻人在一起，但事实上他才不愿意给年轻人镜头呢，他心里说：再来的时候我拿棍子打你出去，调侃时会说别人的摄像机只是一个玩的东西；更多时候谈及的是自己的回忆，他号召所有人脱下自己的裤子，当然这只是一个嚼头；只有他被激怒了他才会批判别人，不然以和为贵吧还是，他信誓旦旦地说，我年轻的时候也想找老虎打打！！！ an middle aged person(the writer) like to say being with youth. but infact he doesnt want to camera to youth, he thought: I would beat you if you come again. when people's chatting, camera is just a toy for fun, more for record memory, he ask people to take off pains of course just a joke, only he was anger he would criticize others, or being peacefully.he said frankly: I want to beat tiger when I was young. 2剧情简介： 有位老师和我说：他喜欢疯狂的纪录片，那么我觉得不错，我来拍你试试。 我把镜头对准了刚刚获奖的几位纪录片导演，我尝试表达相反的意见“你的纪录片不好！”那么他们有什么反应呢？ 纪录片作者总是把镜头对准别人，那么我来试一试把镜头对准他们自己，果然他们不喜欢。 我仿佛看到了我脆弱而又单纯的雄性老年，但愿能以此片随时警醒我自己。 導演闡述： A拍摄者只有有被拍摄的经历才能了解摄像机的残酷力量 所以对于拍摄者，被拍摄是第一课 B幻觉无处不在，藏在各处，艺术就是这种幻觉， 当我们明白赞美比批评更容易让孩子进步这个规则时，我们已经变老、我们泛滥地利用这个法则， 你藏匿在你的中年朋友中、互相赞美，形成幻觉，不如说你也就此生活在幻觉中颁奖时刻、演讲时刻、掌声、做爱、愤怒、严肃而紧张，批判的不真实、名声、荣誉、财富造成了大量幻觉， 我们藏匿在其中，不如说你也就此生活在幻觉中 让我带你们去有深度的地方，看看你是否迷失在有幻觉的深度上，还是根本就是肤浅的人。 C本片是在拍摄完成后才计划制作的，之前没有任何计划 Director’s Statement: 1shooters know the cruet strenth of camera, only through being shooted. so to shooters, being shooted is their first lesson. 2illusion in every where, art is that kind of illusion. when we understood a principle that praise kids is better than critisize them for improving. we were getting old, we abuse this . you hide in middle age friends, praise to each other and illusion come into being. so why should say we are living in illusion. illusion of time of reward, time of speech, applaud, having sex, anger, tension, untrue criticize, fame, honor, fortune,we are in it, why cant say you are in it too.let me take you to a place, to see whether you lose your illusion or not, or you are just boring person 3no scripture before shooting.

2010年11月，由台北市文化局和台北电影委员会举办的首届两岸三地纪录片导演交流展在台北举行，作为影展的一个重要环节，每位参展导演在影展期间需独立完成10分钟有关台北这座城市的纪录短片，最后形成“台北印象”纪录系列。 大陆独立纪录片导演张赞波完成的《得和路243巷28弄3號》，通过对刚刚辞世的外祖父在台北的旧址的一次寻访，完成了对被阻隔的亲情的一次深情凝视和缅怀。短短的十分钟，导演冷静地从个人的记忆和经验出发，最后以小见大、抽丝剥茧般牵扯出了整个时代的疼痛和历史的悲剧，看了让人动容。 Stared by Taipei Cultural Bureau and Taipei Film Commission, the first Cross-Strait Documentary Festival was held in Taipei November, 2010. As an important part of the festival, each director is commissioned to make a ten-minute documentary about Taipei for the project ‘Taipei Impressions’. In My Grandfather’s Address in Taipei, mainland director Zhang Zanbo visited his deceased grandpa’s former residence in Taipei, recalling and memorizing a family affection that has been shattered by history. Based on his personal memory and experience, the director reflected the suffering and historical tragedy in a touching way within ten minutes.

一个女性视角的情感故事。一位KTV的女服务员和一位前来唱歌消遣的男人谈起了恋爱，但从始至终，谎言，欲望，浮躁，放纵，迷茫，痛楚……都纠缠在女孩和她的男友之间。人性的明朗与幽暗、城市的温暖和冰冷也交替上演连绵不断，像女孩在KTV包间听惯了的一曲曲无比俗气却贴切人心的流行歌曲。 This is a much troubled female perspective love story. A KTV waitress is involved in a relationship with a customer who had come plainly for pleasure and relaxation. However, this relationship has been plagued from the very beginning by lies, desire, impetuosity, confusion and pain. The brightness and darkness of human nature, the warmth and coldness of the city staged themselves alternately and perpetually, just like those vulgar yet properly put pop songs the girl had grown so familiar with by working in KTV private rooms.

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

纪录片《人生一串》是由哔哩哔哩和旗帜传媒 联合出品的国内首档呈现国人烧烤情结的专题片，以展现全国各地独具特色的烧烤文化为主题。与以往的烧烤节目不同，《人生一串》极具市井气息，把镜头从庙堂拉至寻常摊铺，真实地去展现烧烤的乐天内涵与江湖风味。 第二季在形式和风格上保持不变，延续食欲烧烤、烟嗓旁白、百万文案及烟火故事，挖掘天南海北的烧烤宝藏，讲述那些发生在深夜平凡却动人的故事，带领观众去探寻街角巷尾的饕餮盛宴、美食人情。 《人生一串2》将带来更密集炸裂的烧烤美食、更意想不到的叙事结构、更地道的市井讲究。

《人生一串》是国内首档呈现国人烧烤情结的专题片，以展现全国各地独具特色的烧烤文化为主题，涉及近30个城市的500多家传奇烧烤摊。与以往的烧烤节目不同，《人生一串》极具市井气息，把镜头从庙堂拉至寻常摊铺，真实地去展现烧烤的乐天内涵与江湖风味。

film

2019 documentary film by Steven Bognar and Julia Reichert

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

2018 film directed by Wang Bing

一部极其感人的纪录电影《积存时间的生活》，日本导演伏原健之拍摄，由日本影后树木希林担任旁白，日本现代陶渊明津端夫妇生活纪录片。藉由津端修一夫妇丰富的生活阅历，一幢深居林间的小屋，探索那些深藏于时间长河中的真正瑰宝。 一部极其感人的纪录电影，由新闻工作出身的日本导演伏原健之拍摄，他在三顾茅庐后，终以四封信获得隐居山林建筑师津端修一与英子夫妇点头「我们愿意协助」，开始著手拍摄这部电影。 一幢深居林间的小屋，位于日本高藏寺新城的一隅。那是建筑师津端修一、按著其师安东尼雷蒙德自豪的木造住宅所建成的。一年四季景緻万千，庭园栽植的上百种蔬果，经由其妻英子的巧手都成了道道佳餚。不论烹饪、裁缝、耕作，没有一样能难得倒她。他们的家居处处充满体贴与用心，印证建筑大师科比意的名言「房子该是生活的藏宝盒」。 津端修一曾任日本住宅公团首席建筑师，60年代便提出保留树林为风开道的理念，希望新的建案都能开始与自然共生，却不为当时以发展经济优先的政策所採纳，徒成一片片了无生气的集合住宅。他于是改从自身做起，不仅放下繁忙工作，并在住宅区购入土地、盖起房屋也种植了林木。在历经半世纪的时光后，两夫妇的勤奋与优雅，果然为这片淨土栽下了无数珍宝...

2016 film by Huang Ya-Li

Barbara Wong interviews HK women (of all ages (even 4 year olds), all walks of life, all sexual preferences, singles, wives, mistresses, prostitutes) with an all women crew and gets some wild and frank responses. The documentary is bold, honest, funny and touching. Highly recommended to any man who wants to understand women better and any woman who wants a fun girls' night out.

《男人这东西》形式跟《女人那话儿》很相同，访问了三十多个不同年龄、界别及阶层的男士，包括了圈外及圈内人士，让他们痛快地表达今时今日作为男人，对爱情、事业、权力、性等等的看法。如：男人为何会得一想二、为何会觉得女人烦透了、为何会选这个做妻子而那个只可做女友、在事业及女人中为何始终会选择事业、为何可以只讲性不讲爱……