1994 film directed by Victor Nieuwenhuijs and Maartje Seyferth

正当维贝克一家准备外出度假时，妈妈泰恩接到一通电话：她的爸爸病重。他六个月前就知道了自己的病情，但他向家人隐瞒了癌细胞快速扩散的状况，现在已时日不多了。维贝克一家只好就在家里度假，以便照顾外公。百感交集的泰恩既伤心又害怕而且愤怒，不敢面对父亲将要逝世的事实，她试图用别的事情让她分心。十几岁的女儿阿努克对于不能出去度假感到很失望，因为她计划要在度假的时候把自己的初夜献出去。而她弟弟乔克本想和他最好的伙伴奇诺一起度假，却发现奇诺有另外一个好朋友。小贾思敏似乎是家里唯一一个对死亡感兴趣的人，她要外公告诉自己他死后会发生些什么事，还有他死后是否能把花园交给自己打理。无论是否愿意，外公都得面对即将发生的事。由于父亲意外引燃了一场烟火，整个家庭都被这个奇妙的时刻联系在一起，最后外公安然地去世了。

Dutch composer Simeon ten Holt achieved worldwide renown in 1979, when his work for four pianos Canto Ostinato was first performed. Although some music experts viewed it with disdain - it broke with prevailing notions of serialism and tonality - the piece was a huge hit in the contemporary classical music world. In the years since, numerous musicians have released their recordings of Canto, and it is still being performed around the world. Director Ramon Gieling interviewed a large number of people about the sometimes far-reaching impact this composition has had on their lives. One interviewee tells of how Canto was the soundtrack to the birth of her son; another has a section of the score tattooed on his arm. Gieling seeks to unravel the mystery of the universal power of music, and his blend of documentary footage, fiction, essays and archive material produces a multifaceted response to the question of just what it is about this piece that touches people so deeply.