Tetsuji Takechi's third film is based on two short stories by Jun'ichirō Tanizaki. The film depicts the lurid and violently erotic dreams of a writer, his wife and his sister, after having spent a night out drinking and visiting sex shows. It underwent extensive censorship before the government would allow it to be released. About 20% of the film's original content was cut and this footage is now considered lost.

流行女歌手叶室千枝子（路加奈子 饰）和青年画家仓桥（石浜朗 饰）一同来看牙医。诊所的肃穆气氛让千枝子愈加紧张害怕，而她的紧张情绪也影响到了仓桥。在将二人麻醉之后，牙医（花川蝶十郎 饰）和护士（松井康子 饰）露出了狰狞的面目，千枝子和仓桥也由此进入一个亦真亦幻的诡异世界…… 根据日本魔鬼派作家谷崎润一郎1926年同名短篇小说改编，影片被标榜为日本第一部“粉红电影”，也是首部遭到“喷雾”命运的影片。

After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike.

The ambitious police officer Cruchot is transferred to St. Tropez. He's struggling with crimes such as persistent nude swimming, but even more with his teenage daughter, who's trying to impress her rich friends by telling them her father was a millionaire and owned a yacht in the harbor.

武侠片是香港电影重要类型，尤其在五十年代末、六十年代初，平均每年近二百部粤语片中，约有四份之一是武侠片。其中，由曹达华、关海山、柠檬、高鲁泉等主演的《如来神掌》(1964年)系列更以其曲折的剧情、利落的叙事、独突的人物及朴素的特技，至今仍为人津津乐道。由于电影台多次回放，今天的少年观众亦有缘看得，可以说，《如来神掌》己是香港文化的组成部份了。 《如来神掌》系列有两个版本，第一个由曹达华、于素秋主演，有五集；第二个由雪妮、曾江主演，有二集，成于六十年代末；第六、七集叫《如来神掌再显神威》，故事渊源自首五集，却发生于九十年之后，电影的类型取向也有所不同，近新派刀剑武打片而远神怪武侠片，因此意像有很大变迁。从电影拍摄、剪辑等外部技巧的角度来看，第二个版本比第一个版本优胜。但是，由现象到实质，从总体感觉来看，首五集却处处打动人心。 《如来神掌》第一部上集：龙剑飞（曹达华）资质不高，学武不成，面部又被师妹毁容，更受到其夫婿欧阳豪（肖仲坤）的侮辱及谋害。后被“金眼神鵰”救回火云洞，拜“火云邪神” 古汉魂（柠檬）为义父，先后学得“如来神掌”和“七旋斩”。古汉魂六十年前曾被无定飞环孙碧玲（容玉意）暗算，两人失明。龙剑飞去取金龙之子为古汉魂治双目，孙碧玲的孙女裘玉华（于素秋）和玉娟（林凤）也来了。龙剑飞救了两人，并给她们一对龙子，自己也恢复了容貌。又得长离教主毕孤（高鲁泉）授他七旋斩。古汉魂复明，让龙剑飞送回龙子。龙剑飞再遇裘玉华和玉媚，一起救出脱离魔教的陆瑜（关海山）。孙碧玲见到龙剑飞穿着火云战衣，将他打伤，生死未卜。

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

1964 Japanese film by Masaki Kobayashi