日本警视厅特殊部队（SIT）小队长濑文焚流（加濑亮 饰），在一次执行任务时遭遇队友的离奇死亡，面对高层他百口莫辩，最终被调职到公安部公安第五课——不明事件调查科。该部门专门调查一些匪夷所思的超自然案件，当然在所谓“科学昌明”的现代化社会，这也意味着第五课是一个很难得到认可的边缘部门。除濑文外，第五课只有油滑的上司野野村光太郎和智商高达201的怪女孩当麻纱绫（户田惠梨香 饰）。在此期间，预言师、神之手等各种各样拥有超能力（SPEC）的人物接连登场。 濑文在和当麻办案的过程中，渐渐趋近了一个鲜为人知且充满阴谋和秘密的未知世界……

Walt continues to battle dueling identities: a desperate husband and father trying to provide for his family, and a newly appointed key player in the Albuquerque drug trade. As the danger around him escalates, Walt is now entrenched in the complex worlds of an angst-ridden family on the verge of dissolution, and the ruthless and unrelenting drug cartel.

Villainous Gru lives up to his reputation as a despicable, deplorable and downright unlikable guy when he hatches a plan to steal the moon from the sky. But he has a tough time staying on task after three orphans land in his care.

发生在2010的北京夏天，有惨淡成灰的痴妄等待，有幻灭挣扎的扭曲变形，有麻木中渐渐沉淀的妥协，有恣肆着忘乎所以的幸运，有刀光血影的绝地仓皇，有自欺欺人的怦然欲动。。 林泽秋作品，敬请关注这样一部清新飞扬的青春短片。

Two strangers meet in South Korea, each on a vacation. When he misses his tour bus, he asks a woman if he can hang out with her for a few days. They have fun together, but never tell each other their names. So when the trip is over they don't know how to contact each other.

阿海（张书豪 饰）的家乡毎年有三分之二以上的时间是在下雨中度过的，所以说人们更渴望雨后的阳光。一天，雨刚停住，骑车女孩菁菁（简嫚书 饰）闯进了阿海家的水果摊。面对满地打滾的水果，菁菁连一句对不起都没说，更不管踫伤的手脚，只顾坐在地上翻跌落的包包。阿海很惊异，包里有什么这么重要？急于弄清楚答案的阿海秘密跟踪菁菁，原来是耳机，这里几乎天天下雨，菁菁却从不带伞，但绝不会不戴耳机，好象她天生厌倦下雨的声音。一个偶然机会，阿海发现菁菁还会吹萨克斯，而且是他从未听过的乐曲。当阿海好心劝他加入学校的管乐社时，菁菁以逃跑拒绝了。这是个怎样的女孩，她究竟有怎样的身世，阿海迷茫了......

公视偶像剧《死神少女》由电影《刺青》、《漂浪青春》导演周美玲所执导，取材于真实社会案例，贯穿了12个青少年的故事，反映现在社会中青少年面临的各种问题，如：同性恋、校园暴力、家庭暴力等。 石雨高中流传着一个传说，以灵魂为代价向死神少女许愿，她就会帮实现愿望！这也为这所高中带来死亡的阴影。死神少女——渡（房思瑜 饰），永远的19岁，奈何桥的守护者，非生非死，无善无恶。她是一个能聆听世人召唤的死神，当凡人因为困扰而向她发出祈愿时，她就会现身，满足凡人亲自许下的愿望。而具有灵异体质的——沈奇（炎亚纶 饰），是唯一一个可以看见死神少女的人。起先，沈奇认定渡就是一切不幸的罪魁祸首，可透过了解一则则的故事的真相，他终于明白渡非刽子手，只是帮助迷失的人重新找回自己，沈奇自己也渐渐爱上渡。最终他们的命运将何去何从？

2010 film directed by Lee Chang-dong

剧情简介 “我们这代人，没有自己的文化了知道吗？”！主角万迁（庄奕斌饰）叫嚣着。有这样几个年轻人，他们胸怀梦想，却又不肯奋勇前进。看电影变成了他们逃避现实的手段。有一天，他们发现连自命不凡的资格也没有了，在迷茫不己之时，他们决定拍一部葫芦变形金刚科幻大片...... 影片以纪录的形式，真实赤裸的讲述了万迁和他的好兄弟林光（庄江航饰）、马三弟（李季饰）将梦想付诸实践的全过程。他们向学校里的大姐大冯箏（高一方饰）要人，凭着新鲜劲和自己怪异的想法，偷拍面试的演员，还与电影学院的左左（左明浩饰）PK复仇......虽然年轻，有冲劲，有想法，但是由于没资金没经验，拍摄过程中事件连连，稍显稚嫩的富家少爷马三弟（李季饰）最终还是跑回家继承父业，剧组的大部分人也即将毕业。大学这所逃避现实的暖房不是避难所，时间一到，扫地出门。身为导演的万迁（庄奕斌饰）遇到了前所未有的压力，他做出了一个决定，最终他们能否将科幻大片制作完成，然我们拭目以待。 片中角色与真实的剧组都一一对应，就连剧中的故事在真实拍摄过程中也时有发生，可以说，这是一部剧组人员自己的故事。 谨以此片献给所有心大志大的追梦人。 “Like our generation, we don’t have our own culture”, shouted Mr. Wan Qian(by Zhuang Yibin).There are several young men who have their own dreams but never strive to realize them. Watching film is one way for them to escape from the reality. One day, they discovered that they were of no more pompous qualifications. At the time of feeling lost, they finally decided to make a science film of Calabash Transformer... It’s a documentary movie, telling the true story about a dream being pursued by Mr. Wanqian and his best friends, Mr. Lin Guang(by Zhuang Jianghang) and Mr. Ma Sandi(by Li Ji). They ask help from their Big Sister, Ms. Feng Zheng(by Gao Yifang), film interviewees by their new and strange methods, PK with Zuozuo(by Zuo Minghao) from School of Film. Though they are young men with drive and initiative, for lack of funds and experience, they meet a barrage of filming troubles. In the end, the young master of rich family, childish Ma Sandi (by Li Ji) went back to run his father’s business. The others would also graduate from their school soon afterwards. University nurtures a temporary escapism, but it’s not a permanent shelter from reality. Once the graduation time comes, everyone has to leave. As the director of this film, Mr. Wanqian(by Zhuang Yibin), who suffered the unprecedented pressure, was forced to make a big decision. Were they able to work out their science film? Let’s wait and see. The prototypes of the characters of this film could be found in the real production team. Even some plots happened are of real stories took place in their life. Therefore, it’s a story of production crew themselves. This film is dedicated to all dream chasers with great minds and high aims.

Oki, a film student, gets involved in two relationships as she navigates the advances of a fellow student and grapples with her feelings for her much older professor.

Focuses on the people, their stories and architecture spanning from the mid-1800s, when Shanghai was opened as a trading port, to the present day.

　　某一天，就读圣米海洛夫学园的织部真冬捡到了男主角亚历山大·尼古拉叶维奇赫尔（简称沙夏），他是一个俄国少年，是个能够通过吸吮圣乳而自由地操纵铁元素（包括血液里的铁质）的炼金师，右眼中有十字架型的圣痕，幼年时的恐怖经历造就了他的冷酷个性，别号致命者沙夏。就在此刻，埋藏长达两千年之久的圣像之迷，将点燃以这所学园为舞台的众炼金士之战！！

电视动画《缘之空》改编自Sphere发行的同名恋爱冒险游戏，动画由feel.负责制作。在2010年5月21日发售的漫画版单行本第1卷的书带上，发表了TV动画化的决定。电视动画于2010年10月4日起在AT-X首播，全12话。 该作内容中的一段故事，述说着双胞胎兄妹之间禁断爱情的发展，因颠覆挑战观众们对于电视动画作品表现界限的刻板印象，在当时造成了轰动与话题。在2012年5月于日本召开的第623回东京都青少年健全育成审议会上，针对民众提出的对于包括《悠之空》在内的以“性”作为描写内容的此类相关作品做出审查。在审查会议记录上指出，《缘之空》虽在片中出现兄妹逾越近亲间行为的桥段，但并无把此举塑造成符合社会正当规范的行为，或者超出必要范围地反复详细描绘这些片段，因此并没有违背新条例（不健全图书）。

Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.

金城小子 这一次，我决定回家。 1980年，我17岁，离开老家金城去北京读书，然后工作至今。30年来，每逢春节我还是回金城的，每次都和几个小时候的朋友吃喝玩乐；他们仍然生活在这里，有的依然在小城里的工厂当工人，有的已经下岗。 金城是东北的一个小镇，以造纸厂为中心，生活着几千名工人和他们的家属以及附近的农民。1950年代的中国，工人阶级领导一切，工厂宏伟高大，几十米的烟囱浓烟滚滚，汽笛声响，上下班的工人人潮汹涌，家属们就住在附近的低矮平房里。当时的平房是成片的，北边的一片叫北宅，东边的叫东宅，南边的叫南宅，几片住宅间有农田、河沟相隔，小时侯这里是一帮伙伴调皮捣蛋的乐园。慢慢的住宅间的农田河沟被楼房填满了，慢慢的国营转制，工厂再也不热闹了，厂房几乎被新盖的楼房淹没，就象眼看着一支军队全部变成了后勤人员，前方打仗已经没有了战士。 城市化进程使我们坐火车看到的田野越来越少，一片一片楼房相连。我们忽然发现所有的城市都是一个样子，街上走的都是后勤人员，都是买卖人，工人阶级被淹没了，我们忽然发现我们都是城里人，我们的故乡都被楼房盘踞，我们都是没有故乡的城里人。现在，小时侯的朋友都胖了，当年，为了考上美术院校，我画过他们；30年过去了，我再一次画他们，趁着现在他们还没全部下岗。 我们都曾经是雇农、贫农、富农、地主，我们都曾经是无产阶级，工人阶级，工农子弟兵。 今天，我们向前大步走，我们将全部变成有产阶级，至少我们拥有水泥和砖头。 刘小东 2010年8月6日

这是我在甘肃古浪黄羊川拍摄的"甘肃的意大利"系列的第三部，纪录的主要是我在当地认识的朋友和熟人们的生活，他们主要是镇上中学的老师，还有一些原来在这个学校工作，后来调入县里，总之，都是一些有公干的人，有稳定的收入。从2000年和他们认识到现在，已经有10年的时间。我的拍摄是在2005年7月到2008年10月之间，最终的片子呈现为4个部分，每个部分基本对应于一个独立时期，里面的大环境和个人的境遇都在逐渐改变。 This is the 3rd documentary film in my series of films, Italy, Gansu Province，which was shot in Huangyangchuan Township, mainly documented the lives of my local friends and acquaintances there. Most of them are local high school teachers, or ex-teachers later transfered their jobs to the county. In all, not like local farmers, they have steady jobs and steady incomes. We got to be friends in 2000. My shooting lasted from Jul. 2005 to Oct. 2008, this film is constructed in four parts, each part correspond an certain period of time, with a different circumstance and personal condition.

2010 film directed by Hong Sang-soo

1人到中年的口口卡（作者本人），喜欢说自己喜欢和年轻人在一起，但事实上他才不愿意给年轻人镜头呢，他心里说：再来的时候我拿棍子打你出去，调侃时会说别人的摄像机只是一个玩的东西；更多时候谈及的是自己的回忆，他号召所有人脱下自己的裤子，当然这只是一个嚼头；只有他被激怒了他才会批判别人，不然以和为贵吧还是，他信誓旦旦地说，我年轻的时候也想找老虎打打！！！ an middle aged person(the writer) like to say being with youth. but infact he doesnt want to camera to youth, he thought: I would beat you if you come again. when people's chatting, camera is just a toy for fun, more for record memory, he ask people to take off pains of course just a joke, only he was anger he would criticize others, or being peacefully.he said frankly: I want to beat tiger when I was young. 2剧情简介： 有位老师和我说：他喜欢疯狂的纪录片，那么我觉得不错，我来拍你试试。 我把镜头对准了刚刚获奖的几位纪录片导演，我尝试表达相反的意见“你的纪录片不好！”那么他们有什么反应呢？ 纪录片作者总是把镜头对准别人，那么我来试一试把镜头对准他们自己，果然他们不喜欢。 我仿佛看到了我脆弱而又单纯的雄性老年，但愿能以此片随时警醒我自己。 導演闡述： A拍摄者只有有被拍摄的经历才能了解摄像机的残酷力量 所以对于拍摄者，被拍摄是第一课 B幻觉无处不在，藏在各处，艺术就是这种幻觉， 当我们明白赞美比批评更容易让孩子进步这个规则时，我们已经变老、我们泛滥地利用这个法则， 你藏匿在你的中年朋友中、互相赞美，形成幻觉，不如说你也就此生活在幻觉中颁奖时刻、演讲时刻、掌声、做爱、愤怒、严肃而紧张，批判的不真实、名声、荣誉、财富造成了大量幻觉， 我们藏匿在其中，不如说你也就此生活在幻觉中 让我带你们去有深度的地方，看看你是否迷失在有幻觉的深度上，还是根本就是肤浅的人。 C本片是在拍摄完成后才计划制作的，之前没有任何计划 Director’s Statement: 1shooters know the cruet strenth of camera, only through being shooted. so to shooters, being shooted is their first lesson. 2illusion in every where, art is that kind of illusion. when we understood a principle that praise kids is better than critisize them for improving. we were getting old, we abuse this . you hide in middle age friends, praise to each other and illusion come into being. so why should say we are living in illusion. illusion of time of reward, time of speech, applaud, having sex, anger, tension, untrue criticize, fame, honor, fortune,we are in it, why cant say you are in it too.let me take you to a place, to see whether you lose your illusion or not, or you are just boring person 3no scripture before shooting.

2010年11月，由台北市文化局和台北电影委员会举办的首届两岸三地纪录片导演交流展在台北举行，作为影展的一个重要环节，每位参展导演在影展期间需独立完成10分钟有关台北这座城市的纪录短片，最后形成“台北印象”纪录系列。 大陆独立纪录片导演张赞波完成的《得和路243巷28弄3號》，通过对刚刚辞世的外祖父在台北的旧址的一次寻访，完成了对被阻隔的亲情的一次深情凝视和缅怀。短短的十分钟，导演冷静地从个人的记忆和经验出发，最后以小见大、抽丝剥茧般牵扯出了整个时代的疼痛和历史的悲剧，看了让人动容。 Stared by Taipei Cultural Bureau and Taipei Film Commission, the first Cross-Strait Documentary Festival was held in Taipei November, 2010. As an important part of the festival, each director is commissioned to make a ten-minute documentary about Taipei for the project ‘Taipei Impressions’. In My Grandfather’s Address in Taipei, mainland director Zhang Zanbo visited his deceased grandpa’s former residence in Taipei, recalling and memorizing a family affection that has been shattered by history. Based on his personal memory and experience, the director reflected the suffering and historical tragedy in a touching way within ten minutes.

一个女性视角的情感故事。一位KTV的女服务员和一位前来唱歌消遣的男人谈起了恋爱，但从始至终，谎言，欲望，浮躁，放纵，迷茫，痛楚……都纠缠在女孩和她的男友之间。人性的明朗与幽暗、城市的温暖和冰冷也交替上演连绵不断，像女孩在KTV包间听惯了的一曲曲无比俗气却贴切人心的流行歌曲。 This is a much troubled female perspective love story. A KTV waitress is involved in a relationship with a customer who had come plainly for pleasure and relaxation. However, this relationship has been plagued from the very beginning by lies, desire, impetuosity, confusion and pain. The brightness and darkness of human nature, the warmth and coldness of the city staged themselves alternately and perpetually, just like those vulgar yet properly put pop songs the girl had grown so familiar with by working in KTV private rooms.