The Great War has come, the Wall has fallen and the Night King's army of the dead marches towards Westeros. The end is here, but who will take the Iron Throne?

The cold winds of winter are rising in Westeros...war is coming...and five kings continue their savage quest for control of the all-powerful Iron Throne. With winter fast approaching, the coveted Iron Throne is occupied by the cruel Joffrey, counseled by his conniving mother Cersei and uncle Tyrion. But the Lannister hold on the Throne is under assault on many fronts. Meanwhile, a new leader is rising among the wildings outside the Great Wall, adding new perils for Jon Snow and the order of the Night's Watch.

The War of the Five Kings is drawing to a close, but new intrigues and plots are in motion, and the surviving factions must contend with enemies not only outside their ranks, but within.

On the drug-infested streets of West Baltimore, there are good guys and there are bad guys. Sometimes you need more than a badge to tell them apart. Season 1 follows a single sprawling drug and murder investigation in Baltimore — one that culminates in a complex series of dangerous wiretaps and surveillance.

McNulty's on harbor patrol. Daniels is in the police-archives dungeon. Prez is chafing in the suburbs. Greggs has a desk job. The detail may be on ice, but corruption marches on . . . and a horrific discovery is about to turn the Baltimore shipping port inside out. Setting up in the wake of the first season's joint homicide/narcotics detail that exposed a major drug operation — and left its members stigmatized and reassigned — the second season expands to include not only familiar drug dealers, but a group of longshoremen and organized crime members who are caught up in a major homicide case.

The heat is on in Baltimore. The drug war is being lost, bodies are piling up, and a desperate mayor wants the tide turned before the election. But the police department hasn't got any answers. Wiretaps haven’t worked. Neither have stakeouts or street busts. With the demolition of the Franklin Terrace towers, Stringer Bell and the Barksdale crew have been forced to improvise. But no matter how hard McNulty and the detail try, the dealers always seem to be one step ahead of the game. It’s time to change the rules.

In Season 1, feeling his handle on his family and his business slipping away, mob boss Tony Soprano suffers a series of anxiety attacks that land him in the office of a psychiatrist. Opening up to his shrink, Tony relates the details of his life as a “waste-management consultant,” and tries to come to terms with the professional and private strains that have brought him to the brink of a breakdown.

The War of the Five Kings, once thought to be drawing to a close, is instead entering a new and more chaotic phase. Westeros is on the brink of collapse, and many are seizing what they can while the realm implodes, like a corpse making a feast for crows.

His uncle's in jail. His mother's in the hospital. His best friend's still missing. His sister's moving home. His panic attacks are back. And his shrink refuses to see him. Tony Soprano has recently been elevated to the status of mob boss following a federal bust and as the second season picks up, Tony is under more stress than ever as he deals with the demands of his new position. Making matters worse, his long-lost sister Janice has arrived to take care of their ailing mother.

In the projects. On the docks. In City Hall. And now, in the schools. The places and faces change, but the game remains the same. A new story begins. This year, while expanding on storylines introduced in previous seasons — including the new vocations of several characters, the rise of a new drug empire, and the city's imminent mayoral election — the series expands its focus into Baltimore's school system, providing an inside look at the role of the urban educational system in shaping young people's lives. This storyline is played out through four new young characters, each of whom faces difficult choices amidst the temptation of crime and easy money.

In the projects. On the docks. In City Hall. In the schools. And now, in the media. The places and faces change, but the game remains the same. In the fifth — and final — season, the series expands its focus into the media — specifically the role of newspapers in big-city bureaucracy — as it follows a newspaper staff as they struggle to maintain integrity and meet deadlines in the face of budget cuts and staff reductions.

Aired on HBO from 4 March 2001 to 20 May 2001

Aired on HBO and A&E from 15 September 2002 to 8 December 2002

Following the shocking developments at the conclusion of season five, survivors from all parts of Westeros and Essos regroup to press forward, inexorably, towards their uncertain individual fates. Familiar faces will forge new alliances to bolster their strategic chances at survival, while new characters will emerge to challenge the balance of power in the east, west, north and south.

Westworld - a theme park where guests indulge fantasies with robots, a destination offering the future of sin, the artificial intelligence that fuels it and the humans that sense there's something more sinister at play.

The long winter is here. And with it comes a convergence of armies and attitudes that have been brewing for years.

aired on HBO from 12 March 2006 to 10 June 2007

该剧讲述了一个虚构电视台“亚特兰蒂斯有线新闻台”（简称：ACN）台前幕后的故事。 Will McAvoy（杰夫·丹尼尔斯 Jeff Daniels 饰）是一位资深新闻节目主持人，为ACN电视网八点档旗舰节目《晚间新闻》带来超高收视率，但因为飞扬跋扈、刚愎自用，引发过团队成员的不满。在他刚结束休假回到办公室后，发现他的大部分部下将要另谋他就，集体被挖角。McAvoy的老板、ACN电视网新闻部部长Charlie Skinner（萨姆·沃特森 Sam Waterston 饰）有卓越的眼光与新闻理想，知道该如何拯救一档新闻节目，眼光更是准得惊人。他不但没有放弃Will，更利用他的工作能力竭力维护这档节目中的所有人才。这一次，Will不得不带领一批全新的团队成员，重振《晚间新闻》的旗鼓......