崔健曾代表中国的摇滚音乐，曾几何时我们大家都在唱着“一无所有”，崔健老了吗？离我们远了吗？不！崔健还在！让我们重新享受他的音乐！ 崔健首张个人专辑。中国有史以来的第一张原创摇滚乐专辑。奠定了其在中国摇滚乐历史上的开山鼻祖之地位。【一无所有】、【新长征路上的摇滚】、【花房姑娘】、【不是我不明白】等名曲即有反映时代大背景的HARD ROCK风格作品，也不乏温婉流畅民谣情歌，并且包含了在当时鲜为人知的RAP元素。成为80年代中国年轻人的最佳代言，并且多年来传唱不衰，是当之无愧的传世经典之作。

《解决》是崔健继《新长征路上的摇滚》之后发行的第二张专辑，作品大都完成于1989年之前，专辑于1991年2月在内地首发，3月在台湾地区发行，1994年4月又由日本东芝EMI株式会社在日本发行。由于当年国内版并没有发行CD，使得京文唱片再版的《解决》专辑弥足珍贵，极具收藏价值。《解决》是崔健音乐生涯中承前启后的里程碑式的作品，用崔健的话说就是：“我的摇滚乐始终都是乐观的，我相信今后的一切都会得到解决。”而与第一张专辑比较，显然《解决》已不再是单纯的觉醒意识，而是开始在纷杂的社会里，发现问题，挑明问题，解决问题了。

First CD reissue of the album. Sgt. Pepper's Lonely Hearts Club Band (often referred to simply as Sgt. Pepper) is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture. «Before Sgt. Pepper, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 30-plus years, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds," the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64," to Harrison's Eastern-leaning "Within You Without You," and the avant-garde mini-suite, "A Day in the Life," Sgt. Pepper was a milestone for both '60s music and popular culture. --Billy Altman» Credits: Phonographic Copyright ℗ – EMI Records Ltd. Copyright © – EMI Records Ltd. Artwork [Cover Staged By] – Jann Haworth, Peter Blake (4) Artwork [Cover] – M C Productions, The Apple Artwork [Wax Figures] – Madame Tussauds Design – Paul Wilkinson (3) Design Concept [Cd Packaging Design Idea] – Kathryn Varley Engineer [Recording] – Geoff Emerick Engineer [Second] – Richard Lush (tracks: 1 to 8, 10 to 13) Liner Notes – Peter Blake (4) Liner Notes [Quote] – George Martin Liner Notes [Words] – Mark Lewisohn Photography By [Cover] – Michael Cooper (8) Producer – George Martin Written-By – Lennon/McCartney* (tracks: 1 to 7, 9 to 13) ℗ 1967 Original Sound Recordings made by EMI Records Ltd. © 1967 EMI Records Ltd. © 1987 EMI Records Ltd. Made in the U.K. (on back cover). Made in Italy (on CD). Comes in a jewel case enclosed in a cardboard box with a 28 page booklet including Sgt. Pepper's cut-outs. Track 1 recording started in studio 2 at Abbey Road on February 1, 1967. Album version mixed from take 10. Track 2 recording started in studio 2 at Abbey Road on March 29, 1967. Album version mixed from take 11. Track 3 recording started in studio 2 at Abbey Road on March 1, 1967. Album version mixed from take 8. Track 4 recording started in studio 2 at abbey Road on March 9, 1967. Album version mixed from take 15. Track 5 recording started at Regent Sound Studio, Tottemham Court Road, London on February 21, 1967 and later completed at Abbey Road. Album version mixed from take 3. Track 6 recording started in studio 2 at Abbey Road on March 17, 1967. Album version mixed from take 9. Track 7 recording started in studio 2 at Abbey Road on February 17, 1967. Album version mixed from take 9. Track 8 recording started in studio 2 at Abbey Road on March 22, 1967. Album version mixed from take 2. Track 9 recording started in studio 2 at Abbey Road on December 6, 1966. Album version mixed from take 4. Track 10 recording started in studio 2 at Abbey road on February 23, 1967. Album version mixed from take 11. Track 11 recording started in studio 2 at Abbey Road on February 8, 1967. Album version mixed from take 11. Track 12 recording started in studio 1 at Abbey Road on April 1, 1967. Album version mixed from take 9. Track 13 recording started in studio 2 at Abbey Road on January 19, 1967. Album version mixed from takes 6 & 7. Black and white photograph courtesy of the Michael Cooper Collection. The rear of the booklet states all tracks except 8 are by Lennon/McCartney, but the liner notes are more specific.

《崔健：无能的力量》是中国摇滚第一人崔健的第四张专辑。他的专辑发布，似乎引发的社会意义和背负的历史使命更多于了音乐的本身。整张专辑在音乐风格上更为明显的体现出黑人说唱音乐及电子乐对崔健的深远影响。《混子》成为了90年代青年人的最真实写照。《无能的力量》、《九十年代》、《时代的晚上》、《春节》等歌曲透露出崔健浓重的世纪末情节。

1994年8月出版发行的《红旗下的蛋》是当年最富争议的一张唱片，作为崔健最具先锋性和叛逆性的作品。收集了1991年以后所写的歌，它们更有力度，更具有鲜明的个人风格，更加成熟。这张专辑的编曲更加趋向于将旋律节奏化的特点，并且着重突出了多声部打击乐的编配和音色变化。音乐更趋于Jazz和Funk风格，大量的民乐和打击乐的运用，也体现出崔健对Jazz的热衷和他长期与伴奏乐队的酒吧表演的背景。标题曲《红旗下的蛋》和《飞了》是崔健的演唱风格像说唱风格衍变的明显体现。《北京故事》中崔健开始了对拼贴音效的尝试。这里面有种此时此地独一无二的时代感。无论是歌迷还是评论界对崔健的这一变化始料不及。由于某种原因，这张专辑刚刚上市就被停止销售了，使得这次再版尤为珍贵。再版专辑将在封面设计和曲目收录上与首版保持一致。这张专辑的再版或许是我们现今不少人的精神再版或状态再版，这一套珍藏再版完整地记录了崔健早年的音乐历程，使再版后的崔健作品极具收藏价值。