爵士乐
爵士乐如何思考
Thinking in Jazz:The Infinite Art of Improvisation Douban
[美]保罗·F.伯利纳 translator: 任达敏 publishing house: 译林出版社 2019 - 8
人们通常认为,爵士乐是一种即兴演奏的艺术。即便是两位素不相识的爵士乐手,只要一同登台,就能演奏出一连串和谐而美妙的音符。这些精彩绝伦的乐思,究竟是如何产生的?乐手们是怎样学会即兴演奏的? 在保罗·F.伯利纳看来,爵士乐作为一种思考方式,其发展贯穿着艺术家的一生。艺术家不 仅受到早年音乐环境的影响,而且随后在更大范围的爵士乐社区内经历磨炼,培养独奏能力,以及在乐队中协作的能力,最终成就独一无二的即兴演奏技艺。本书采用民族音乐学的研究方法,历时超过15年,采访了逾50位知名乐手,广泛引用自20世纪20年代至今的诸多案例,且综合了乐谱分析,全面地再现了爵士乐富于变化的思考方式。本书是爵士乐研究的里程碑作品,曾获艾伦·梅里亚姆音乐学奖。
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Dec. 1, 2019
把尾声对照英文版又看了一遍,又有新的感受。加一星!不懂乐理的看最后一部分即可。

非常棒的爵士乐大百科和民族志。如果我懂乐理,肯定还会更喜欢这本书(技术的部分只能望而却步)。非常有启发性的作品——同时也反应出作为一部社会学作品来读有多让人感叹『那么多有趣的线索,怎么不多说一点!』作者暗示了音乐的社会性,却并没进入。不过不管怎么说,读的过程里我就想跳舞跳舞跳舞。
文化社会学 音乐社会学 艺术社会学 社会学 爵士乐
"Do You Know...?"
Douban
Robert R. Faulkner / Howard S. Becker publishing house: University Of Chicago Press 2009 - 9
Every night, somewhere in the world, three or four musicians will climb on stage together. Whether the gig is at a jazz club, a bar, or a bar mitzvah, the performance never begins with a note, but with a question. The trumpet player might turn to the bassist and ask, “Do you know ‘Body and Soul’?”—and from there the subtle craft of playing the jazz repertoire is tested in front of a live audience. These ordinary musicians may never have played together—they may never have met—so how do they smoothly put on a show without getting booed offstage. In “Do You Know . . . ?” Robert R. Faulkner and Howard S. Becker—both jazz musicians with decades of experience performing—present the view from the bandstand, revealing the array of skills necessary for working musicians to do their jobs. While learning songs from sheet music or by ear helps, the jobbing musician’s lexicon is dauntingly massive: hundreds of thousands of tunes from jazz classics and pop standards to more exotic fare. Since it is impossible for anyone to memorize all of these songs, Faulkner and Becker show that musicians collectively negotiate and improvise their way to a successful performance. Players must explore each others’ areas of expertise, develop an ability to fake their way through unfamiliar territory, and respond to the unpredictable demands of their audience—whether an unexpected gang of polka fanatics or a tipsy father of the bride with an obscure favorite song. “Do You Know . . . ?” dishes out entertaining stories and sharp insights drawn from the authors’ own experiences and observations as well as interviews with a range of musicians. Faulkner and Becker’s vivid, detailed portrait of the musician at work holds valuable lessons for anyone who has to think on the spot or under a spotlight.
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June 22, 2021
非常棒,信手拈来的一本书。两位作者都是爵士乐手/社会学家。对于各种演奏技巧、业内术语以及爵士乐的历史都很熟稔。理论上没有特别花哨的地方,也没抽象出新的层次(『即兴爵士演奏是一种共同知识的创造过程』)。但就是一种油然而生的生活感,从50年代的芝加哥工人酒吧,到2000年的新英格兰音乐餐馆。浸润了音乐的一本书。本书还有一本『配套』的作者对话录,等通过添加审核后贴一下。此外,推荐各位在黑夜里听一下Chet Baker 的estate ,绝了。
爵士乐 艺术社会学 社会学
Thinking Together
Douban
Howard Saul Becker / Robert R. Faulkner publishing house: USC Annenberg Press 2013
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June 22, 2021
昨天读的Do you know?的「背景材料」,事实上是Becker 和Faulkner两位互通的邮件,记录了他们构思那本书的过程。评且有点评各种音乐际遇的小故事(我觉得故事更有趣)。这本书提醒了我们,正典在爵士乐(以及广义上的社会科学)内的重要性:正典是乐手们互相交流的基础。即兴演出往往从互相熟识的曲目开始;正典也构成了人际互动的象征符号(「啥,你连这首调子都没听过?你行不行?」)。只不过和社会学的三巨头不同,爵士正典包含大约几百首曲子,而且随着整个音乐行业组织结构(比方说听音乐的方式,比方说流行的肇因)变化,这个曲库也在不断发生变化。这本没有实体书,只有电子版。有意思的是还特地整理了二人所讨论的各首曲目(都有油管链接)。学术性不太强,喜欢听音乐故事或者对艺术进行些抽象思考的推荐读一下。
爵士乐 艺术社会学 社会学