During WWII, in the days leading up to Christmas, a woman arrives at an Italian Catholic boarding school for orphaned girls with a large cake and a plea for them to pray for her boyfriend, who is having an affair.

On a remote coast of the Russian Arctic in a wind-battered hut, a lonely man waits to witness an ancient gathering. But warming seas and rising temperatures bring an unexpected change, and he soon finds himself overwhelmed.

A veiled 16 year old Iranian teenager is terrified to take her red suitcase from the carosel at the Luxembourg Airport, and go through the exit doors. Her fear grows with every second in the face of what awaits her beyond the gate.

A neurotic middle-aged man's trip to visit his mother is delayed indefinitely when his keys are mysteriously taken from his door. He is subsequently haunted by an increasingly sinister chain of upsetting events. (Although it is not made apparent in the film, it should be said that Beau once used a Ouija board.)

对于爱情的讨论，不仅是余秀华诗歌的母题，也是她生活的一部分。她说她从来不曾拥有爱情，但仍想热烈地拥抱它。于是，我们对她身上的野性和激情充满好奇。 2023年春天，全球创意生活短片平台NOWNESS邀请第4届NOWNESS天才计划获奖导演徐天琳，一同记录余秀华的一场旅行。

25 composers, 25 filmmakers, 25 ultimate symbioses of music and cinematography that fit completely within the DNA of Film Fest Gent and the World Soundtrack Awards. For the unique 2x25 project, the festival asked 25 composers to compose a short piece of music, after which 25 filmmakers made a short film. The result: 25 exceptional films where the music inspired the form, narrative and texture.

2023 short film by Wes Anderson

A young adult Roald Dahl short story about a small/brilliant boy ruthlessly pursued by two large/idiotic bullies.

film 2023

2023 short film by Wes Anderson

A film producer, an assassin, and a patriot. These aren’t three characters in this film but three ways of describing Wu Dun, a member of the United Bamboo Gang who murdered the Taiwanese-American writer Henry Liu and became a producer of wuxia films.

A young man forages for magic mushrooms in the forests surrounding Lisbon, before distributing them with carrier pigeons to locals suffering from depression. With Shrooms Jorge Jácome trades the expected sensationalism of its central subject for lyricism and curiosity, shooting on dreamy, gossamer 16mm.

This film is about haunting memories of Asia's late 20th-century modernization. The story departs from a 1965 United States embargo on the hair trade, known as the "Communist Hair Ban". Yet, in every wig resides a ghost from the imperial past. Wigs were vital for the rise of the Asian economy in the post-war era. In the heyday of the 1960s, it was the number four export in Hong Kong's export-orientated industrialization. Between Mao's China - the largest source of hair supplies, and the insatiable Western market, Hong Kong functioned as the gateway. In 1965, U.S. Treasury Department imposed an embargo on "Asiatic hair", to cut off foreign currency to Communist China in the hair trade. The highly racialized category of "Asiatic hair" was later revised as "communist hair", to enable the wig industry to develop in U.S. allies including mainly South Korea and Japan, which led to a significant reconfiguration of light industry in East Asia. Departing from the moment of the communist hair ban, through stories of movement, diaspora and migration, this project examines the role of Hong Kong as a transient space that mediates and sanitizes the connection between different worlds, and the relationship between U.S. Imperialism and East Asia order in the Cold War era. Produced by: Ruoyao Jane Yao Director of Photography: Yavuz Selim Isler Cameraman (Hong Kong): Fai Wan Sound Recording: Franco van der Linde Casting Director: Sai-wang Lau Makeup: Ika Kartika Color Grading: Bob Lemm Voice-over: Jia Zhao, Hamza Junaid, Tommy Tse Cast: Zoenie Liwen Deng, Ruoyao Jane Yao, Zoe Tang, Michael de Ross, Sidney Vereycken, Sai-wang Lau, Jo-Lene Ong Produced by: Geodesic Studio, Vines Films Thanks to WAAG Society, Amsterdam 16mm Film Transfer and Scanning Andec Filmtechnik, Berlin

After the revolution in 1979, Iran prohibited the depiction of men and women touching on the silver screen. Since then, directors have relied on every cinematic trick in the book to mirror the ecstatic release of tension through touch – but often it is the game of glances that is enough to set a scene ablaze. Nazarbazi collages these saturated cinematic moments into a poem about Iranian film, that also echoes our own time of physical distancing.

「東京、遠いな」「あっというまだよ」 相鉄線沿線に住む、ある父と娘の物語。 幼少期、思春期、反抗期。 ふたりは、あらゆる季節を越えて、 2023年春、新たな風景へと進んでいく。 相鉄線を舞台に、父と娘の12年を描く、 相鉄・東急直通線開業記念ムービー。

苹果2024新年短片《小蒜头》官宣，《超凡蜘蛛侠》导演马克·韦布执导，范伟主演， 《漫长的季节》编剧潘依然执笔剧本，将于1月28日上线。

Nǎi Nai (奶奶) is my grandma. Wài Pó (外婆) is also my grandma. Together, they are my grandmas. Meet my grandmas. (World Premiere)

Three young sisters are set apart by the eruption of Fogo. But they sing. One day we’ll know why we live and why we suffer…

德國的悠悠夏日，烏克蘭的難民孩子們，落腳在過去納粹德軍的舊軍營，他們修理單車、學習德語、編織花冠，在道路凸起的邊緣用粉筆寫著「普丁別再濫殺人民」；砲彈攻擊、防空避難、宵禁成為孩子和父母的日常對話，軍營裡遺留的二戰軍事繪畫，被孩子們解讀為當下的俄烏戰事，同樣的歷史重複上演，一代代的孩子仍那麼稚嫩天真。