In the aftermath of a tragic fire in a Romanian club, burn victims begin dying in hospitals from wounds that were not life threatening. A team of investigative journalists move into action uncovering the mass corruption of the health system and of the state institutions. Collective follows journalists, whistle blowers, and authorities alike. An immersive and uncompromising look into a dysfunctional system, exposing corruption, propaganda, and manipulation that nowadays affect not only Romania, but societies around the world.

The enigma of the personality cult is revealed in the grand spectacle of Stalin’s funeral. The film is based on unique archive footage, shot in the USSR on March 5 - 9, 1953, when the country mourned and buried Joseph Stalin.

A playful trip around the world, through its fabrics and textiles and their place in a busy international market.

As the end approaches inexorably, the last humans, living millions of years into the future, send a message to the humanity of the present that is both a plea for help and a warning, but also an epic tale of evolution, decline and hope.

在“南方漫游”、“台湾漫游”后，我过着一种静止的生活。这样的生活让我想到了一个承诺，对一部电影的承诺。我决定拿起DV离开南京、去了北方，看看那个叫满洲里的地方。

终生从事纪录片制作的经历让屡获殊荣的电影制作人克斯汀·约翰逊相信真实的力量。但现在，她已经准备好使用书中所有逃避现实的电影制作技巧，用一种创造性和幻想的方式记录她 86 岁精神科医生父亲的死亡，同时希望电影可以帮助她扭转时间，笑对痛苦，让她的父亲永生。《迪克·约翰逊的去世》是一封 女儿写给父亲的情书，书中充满了黑色幽默和疯狂想象力，创造性地将事实与虚构元素融合在一起，以此探索电影如何为我们提供解决生活深层问题的工具。《迪克·约翰逊的去世》由克斯汀·约翰逊（《持摄像机的人》）拍摄、制作和执导，凯蒂·舍维尼和玛丽莲·内斯担任制片人，莫琳·A·瑞安担任联合制片人，梅根·埃里森担任监制。

セノーテはメキシコのユカタン半島に点在する洞窟泉。マヤ文明の時代、雨乞い儀式で生けにえが捧げられた神聖な場所。小田監督は自分で水中撮影を敢行する一方で周辺住民を取材し、マヤにルーツを持つ人々の集団的記憶と原風景の映像化に挑んだ。

Renowned Iranian director Jafar Panahi received a 6-year prison sentence and a 20-year ban from filmmaking and conducting interviews with foreign press due to his open support for the opposition party in Iran's 2009 election. In this film, which was shot secretly by Panahi's close friend Mojtaba Mirtahmasb and smuggled into France on a USB stick concealed inside a cake for a last-minute submission to Cannes, Panahi documents his daily life under house arrest as he awaits a decision on his appeal.

2018年9月13日下午晚些时候，飓风佛罗伦萨袭击北卡罗来纳州12小时前，美国国旗的两小时监控录像被记录下来。这段录像是在煎锅塔（frying pan tower）拍摄的，这是一座退役的灯塔，位于距北卡罗来纳州海岸39英里的大西洋上的煎锅浅滩上。 Berlin International Film Festival Forum Expanded group exhbition 柏林国际电影节论坛延展单元群展 展览名：ANTIKINO (The Siren’s Echo Chamber)； 译名：安提基诺(警报器的 回音室) 展览时间：2019.02.06-03.09 展厅地址：silent green / Ebensperger Rhomberg / Luxoom Lab 开幕式时间：2019.02.06 18:00(展厅开放) 19:00(开幕式)。 开幕式地点：silent green Betonhalle 策展团队：Stefanie Schulte Strathaus（首席策展人）、Anselm Franke、Maha Maamoun、Ulrich Ziemons

A 1968 animation/documentary that criticises the industrial system.

泰剧《以你的心诠释我的爱》八集花絮。

A portrait of an art institution as a cinematic landscape: in a succession of static shots, James Benning explores the buildings and terrain of the California Institute of the Arts, where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

2020 documentary film directed by Benjamin Ree

2020 film directed by Viktor Kossakovsky

1983 film by Chris Marker

Mr. Bachmann And His Class explores the close bond between an elementary school teacher and his students. His unconventional methods clash with the complex social and cultural realities of the provincial German industrial town they live in.

One of Hong Kong's most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung's directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year career is an unequivocal testimony to her unyielding dedication to filmmaking, and her expedition into the metamorphic city. This biopic probes into the acclaimed director’s idiosyncratic world, where we witness her rashness and goofiness, as well as her humanistic concerns for the everyday nobodies which make her films so moving.

Qiu Jiongjiong's stark black-and-white series of interviews with transsexual cabaret singer Madame Bi Langda. Madame Bi's recollections of past experiences explicitly touch on how she performs her way through life, whether interacting with friends, lovers or her audience. More than a document of the increasingly complicated gender identity politics in China, it's also a poignant testimony of a life dedicated to articulating the aesthetics of living.

Follow Aisholpan, a 13-year-old girl, as she trains to become the first female in twelve generations of her Kazakh family to become an eagle hunter, and rise to the pinnacle of a tradition that has been typically been handed down from father to son for centuries.

在对上世纪的家庭录像素材进行影像考古时，为了得到一位外国人在我的家乡杭州所拍摄影像的授权，我踏上了通过网络搜寻找到他联系方式的旅程。