A man must attempt to clear his name after a theatre puts on a play that accuses him of committing a 30-year-old murder.

Claire is a beautiful young woman who works at her late father’s hotel, that is now managed by her evil stepmother Maud. Claire unwittingly sparks uncontrollable jealousy in Maud, whose young lover has fallen in love with Claire. Maud decides to get rid of Claire who finds shelter in a farm where she’s allowed to break free from her strict upbringing through encounters with seven “princes.”

在第一次世界大战的战壕里，一个穿着制服的长着雀斑的俄罗斯男孩在德国的瓦斯袭击中失明了。由于他敏锐的听觉，他被安排在前线，在巨大的金属管道处监听敌机，形成一种预警系统。 颜色褪去了，好像图像是从另一个时间来的。但这部颗粒化的影片也具有风格化、抽象化的特点。一点一点地，身体 处于中心位置——它们的脆弱性和能量，它们看起来就像是生物。照相机和编辑与那个年轻的盲人保持同步。他蹒跚地穿过军营，惹恼了其他人，因为他只能通过触摸来抓住周围的环境。他的脸仍然是敞开的，无辜的。他似乎在为自己的士兵寻找一个地方，无论是字面上还是比喻上。为谢尔盖·拉赫玛尼诺夫的第三钢琴协奏曲第30首（1909年）和交响曲舞蹈第45首（1940年）排练的当代管弦乐队纪录片并没有打断叙述的流程，而是将主题和主题翻译成了一个声音共鸣室。

Coming back to her broken family, pregnant writer Huang Xiaoyu and her French husband, Benjamin, finds herself trapped between her cult brainwashed mother, Li Jiumei, and her secretly homosexual father, Huang Tao.

2019 film directed by Kan Eguchi

Henrique is a terse Portuguese smallholder who lives out in the hills, far from civilisation. We realise something is wrong in his life when occasional passers-by ask if there is any news about his daughters. The next day, he drives to a nearby village, follows someone and does something terrible. He then flees back to the hills. The almost entirely dialogue-free second half of the film focuses on Henrique as he hides out. We occasionally hear voices, or a helicopter swoops overhead. In the end, he returns to the village. Ico Costa explicitly uses an elliptic narrative structure, to allow viewers to form a man from the clay he puts in front of them. Who is Henrique? Can his deed be understood? Is he telling the truth when he says he didn’t want to hurt anyone? In the meantime, almost incidentally, the stunning beauty of the landscape passes by. Henrique washes himself in the waters of a river – a river called Alva.

2019 film by Steven Soderbergh

故事讲述一个年轻的音乐家杰瑞姆，他去往郊区准备闭门创作其第一张唱片。一家高科技公司的研究人员说服他试用“伊夫”，一款旨在让他生活更轻松的智能冰箱。渐渐地，“冰箱机器人”赢得了杰瑞姆的信任，并最终对他的职业生涯乃至整个生活产生了深远的影响。

町田君是家里的长男，承担了全部家务，包括照顾弟妹。 町田君是班里的学生，成绩真的很一般，文法都不太会。 町田君是个温柔的人，不假思索给予援助，这能算一项特长吗？

The Lo family live in an old flat in the middle of a noisy neighborhood: father, mother, unemployed son, teenage daughter and his elderly, disabled father. Now a billboard is blocking their perfect view of the harbor, and their already chaotic life becomes sheer madness.

望月步初主演电影《五亿元的人生》！讲述了因为五亿日元捐款做了心脏手术得救的17岁少年高月望来，为了还清这五亿元获得自由，尝试各种各样打工成长的喜剧。共演山田杏奈、平田满等，7.20上映～

在中国的南方的某个冬日，女儿操办完父亲的葬礼之后，却发现故去的亲人重回家中。天色渐晚，团圆和离别融为一体。

《马赛克少女》的故事起于一桩社会迷案。西南小镇14岁女孩徐萦因突发状况被卷入旋涡中心，父亲徐广军试图寻回公道却手足无措，来自大城市记者贾世明以外来眼光打量这片迷雾笼罩之地。 影片以人的疏离隔阂及生存空间为出发点，将空旷潮湿的地理环境纳入叙事，兼具写实风格与幻境隐喻。封闭 小镇的社会关系、不羁少女的真实生活，在迷离风景与窒息氛围中愈加难以洞察。

琼·路易斯·乔尔奇（1947-2000）是多米尼加的一位电影制片人，也是一部充满情欲和越轨作品的作者。这部电影既献给这位无名英雄——世界上大多数人都不知道，但在他的祖国受到尊敬——也全心全意融入他的宇宙。 上了年纪的朋克天后维拉来到圣多明各，为她挚爱的朋友让-路易斯-乔 尔奇导演了一部未完成的作品：一部名为《火热与狂欢》的音乐电影。欢迎她的还有另外两位老朋友，制片人Víctor和摄影师Martín。这三人年轻时的黄金岁月是作为一个艺术团在一起的。加入他们的是亨利，维拉的忠实编舞。随着准备工作的进行和拍摄开始在众多迷人的社交聚会，冲突和死亡也开始蔓延到闹鬼的生产。 劳拉·阿米莉亚·古兹姆·恩和以色列第七任董事会成员的合作，充满了活泼的热带气氛，是一个大胆的创造性的思考，对衰老过程和肉身的乐趣。 Jean-Louis Jorge (1947-2000) was a Dominican filmmaker and the author of a sensual and transgressive body of work. This film is both dedicated to this unsung hero - unknown to most of the world but revered in his home country – and wholeheartedly embedded in his universe. Aging punk diva Vera arrives in Santo Domingo to direct her beloved friend Jean-Louis Jorge’s unfinished project: a musical film entitled ‘La fiera y la fiesta’. Welcoming her are two other old friends, Víctor, the producer, and Martín, the cinematographer. The trio spent the golden years of their youth together as an artistic troupe. Joining them is Henry, Vera’s loyal choreographer. As preparations get under way and shooting commences amidst numerous glamorous social gatherings, conflict and death also begin to creep up on the haunted production. Pervaded by a libidinous tropical atmosphere, Laura Amelia Guzmán and Israel Cárdenas’ seventh directorial collaboration is a boldly inventive meditation on the ageing process and the pleasures of the flesh.

2019 film by Abdellatif Kechiche

讲述一个沉浸在过去伤痛中的梅花鹿饲养员刘陆（刘陆 饰），因为一次与老同学马海（王紫逸 饰）的相遇，无意中得知平行世界里有另一个自己，她试图抓住这次与自我、家庭、世界的和解的机会，不惜解开二十年前的伤疤寻找自我救赎的故事。

都市正高速膨胀，却仍少经探索。小李夜晚工作、白天睡觉，他的舍友则与之相反。在北京的地下室里，两个男人不同时入眠，却分享了同张睡榻。这小小空间，成为两人仅有的庇护之地。但很快，这里也将不复存在。

Chaoying, a retired rancher, decides to renovate his house after selling off his cattle. Shuhe, a villager helping with the renovation, is found badly injured after a hit-and-run. Chaoying and his friend Shuangzi vow to bring the culprit to justice.

曹斐的个展《HX》题目取自“红霞”拼音的缩写，展览是以北京东北面酒仙桥地区的历史及其不断变化的现实作为长期研究项目的首次国际展示。这也是蓬皮杜艺术中心(Centre Pompidou)首次举办的中国艺术家个展。展览的第二部分“未来”，则是长达109分钟的科幻电影《新星》（Nova）。苏联的科幻小说和中国的科幻老电影是《新星》的重要灵感来源，而装置部分几次出现的旅行箱似乎暗示了影片主人公时空穿越的故事线索。 影片中的“新星（NOVA）”是一个虚构的城市，影片围绕着新星市和在新星计算机有限公司工作的科学家的故事而展开。该公司正与其它外国专家一起积极开发着一个秘密的项目“HX时光机”，通过将人类数字化以便在计算机世界中拦截和收集大量数据。主演的科学家也是该项目的领导者之一，他希望通过在自己年幼的儿子身上进行实验来取得重大突破，但他的尝试失败了，付出的代价是：儿子成为了一个只存在于网络世界中的电子孤魂：一个迷失的灵魂，被困于过去和未来、梦想和现实之间，他不断试图在人类的层面上和他的科学家父亲再次发生生命的关联。

Yeon-su, the police officer, is dispatched to an island and starts to witness strange situations. Yae-un, who lives in the island after she lost her parents when she was young, and the others´ behavior terrifies Yeon-su. Film director Park who constantly focused on stories related to human greed and collapse, deeply explores the guilt of human and the possibility of redemption again.