Fleeing from despair after losing those dearest to him, the hero hides in a safe land of memories, where time stands still and all those dear to him are alive.

Four stagnant high school teachers decide to test out a theory that maintaining a constant level of intoxication will improve their overall lives.

Taking place after the events of the TV series, Mitsuhashi and Ito face the new enemies.

Japanese animated film

As the end approaches inexorably, the last humans, living millions of years into the future, send a message to the humanity of the present that is both a plea for help and a warning, but also an epic tale of evolution, decline and hope.

终生从事纪录片制作的经历让屡获殊荣的电影制作人克斯汀·约翰逊相信真实的力量。但现在，她已经准备好使用书中所有逃避现实的电影制作技巧，用一种创造性和幻想的方式记录她 86 岁精神科医生父亲的死亡，同时希望电影可以帮助她扭转时间，笑对痛苦，让她的父亲永生。《迪克·约翰逊的去世》是一封 女儿写给父亲的情书，书中充满了黑色幽默和疯狂想象力，创造性地将事实与虚构元素融合在一起，以此探索电影如何为我们提供解决生活深层问题的工具。《迪克·约翰逊的去世》由克斯汀·约翰逊（《持摄像机的人》）拍摄、制作和执导，凯蒂·舍维尼和玛丽莲·内斯担任制片人，莫琳·A·瑞安担任联合制片人，梅根·埃里森担任监制。

Amy is ravaged by the notion that she is going to die tomorrow, which sends her down a dizzying emotional spiral. When her skeptical friend Jane discovers Amy’s feeling of imminent death to be contagious, they both begin bizarre journeys through what might be the last day of their lives.

2020 film by Cristi Puiu

In the outskirts of London, Portuguese couple and parents of three, Bela and Jota, struggle to make ends meet. When a misunderstanding arises at school with their deaf daughter, the British social services grow concerned for the safety of their children. The film portrays the tireless battle of these immigrant parents against the law to keep their family together.

A single evening at a house party in 1908s West London sets the scene, developing intertwined relationships against a background of violence, romance and music.

麦奎因原计划为BBC执导一套6集5小时时长的剧集，讲述5个不同的故事，而在后来麦奎因把每个故事都进行了扩充，最终变成了5部电影长片。五部长片在BBC与亚马逊Prime Video播出时间确定：[红树林](11月20日)、[情人的摇滚](11月27日)、[教育](12月4日)、[亚历克斯·惠特尔](12月11日)、[红白蓝](12月18日)。 【小斧子】五部曲讲述了1960年代末至1980年代中期伦敦西印度社区的故事。标题引用了一句非洲谚语：“如果你是大树，我们就是小斧子”，这句谚语因为鲍勃·马利演唱的同名歌曲而广为流传。 [亚历克斯·惠特尔]讲述了曾获奖无数的作家亚历克斯·惠特尔从童年到成年的真实故事。Sheyi Cole、Jonathan Jules主演，麦奎因、西登斯与惠特尔共同编剧。

麦奎因原计划为BBC执导一套6集5小时时长的剧集，讲述5个不同的故事，而在后来麦奎因把每个故事都进行了扩充，最终变成了5部电影长片。五部长片在BBC与亚马逊Prime Video播出时间确定：[红树林](11月20日)、[情人的摇滚](11月27日)、[教育](12月4日)、[亚历克斯·惠特尔](12月11日)、[红白蓝](12月18日)。 【小斧子】五部曲讲述了1960年代末至1980年代中期伦敦西印度社区的故事。标题引用了一句非洲谚语：“如果你是大树，我们就是小斧子”，这句谚语因为鲍勃·马利演唱的同名歌曲而广为流传。 [红白蓝]讲述了一名大都会的警官，看到他的父亲被两名警察殴打，他想要从内部改变整个体系。约翰·博耶加、史蒂夫·图森特主演，麦奎因与纽兰共同编剧。

麦奎因原计划为BBC执导一套6集5小时时长的剧集，讲述5个不同的故事，而在后来麦奎因把每个故事都进行了扩充，最终变成了5部电影长片。五部长片在BBC与亚马逊Prime Video播出时间确定：[红树林](11月20日)、[情人的摇滚](11月27日)、[教育](12月4日)、[亚历克斯·惠特尔](12月11日)、[红白蓝](12月18日)。 【小斧子】五部曲讲述了1960年代末至1980年代中期伦敦西印度社区的故事。标题引用了一句非洲谚语：“如果你是大树，我们就是小斧子”，这句谚语因为鲍勃·马利演唱的同名歌曲而广为流传。 [教育]讲述了12岁的金斯利对宇航员和火箭情有独钟，他因为在课堂上捣乱被拉到校长办公室，他发现自己要被送到一所 "特殊需求 "的学校。Kenyah Sandy、塔马拉·劳伦斯主演，麦奎因与西登斯共同编剧。

Searching for a safer habitat, the prehistoric Crood family discovers an idyllic, walled-in paradise that meets all of its needs. Unfortunately, they must also learn to live with the Bettermans -- a family that's a couple of steps above the Croods on the evolutionary ladder. As tensions between the new neighbors start to rise, a new threat soon propels both clans on an epic adventure that forces them to embrace their differences, draw strength from one another, and survive together.

Nobita accidentally finds a fossil dinosaur egg mixed with rocks in the dinosaur fossil exhibition site that he had visited before. He returns it to its original state with the 'time blanket'.

In 1987, as martial law ends in Taiwan, Jia-han and Birdy fall in love amid family pressure, homophobia and social stigma.

2020 American computer-animated film

A portrait of an art institution as a cinematic landscape: in a succession of static shots, James Benning explores the buildings and terrain of the California Institute of the Arts, where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

As a child, Diana participates in an athletic competition on Themyscira against adult Amazons. After being knocked off her horse, she takes a shortcut and remounts, but misses a checkpoint. Antiope removes her from the race for cheating, explaining that anything worthwhile must be obtained honestly, while her mother Hippolyta advises her to be patient in her pursuit of glory and honor. In 1984, Diana is working at the Smithsonian Institution in Washington, D.C., while secretly performing heroic deeds as Wonder Woman. New museum employee Barbara Minerva, a shy geologist and cryptozoologist, has trouble getting noticed by her co-workers, but quickly finds a friend in Diana. The FBI asks the museum to identify stolen antiquities from a robbery that Wonder Woman recently foiled; Barbara and Diana notice a Latin inscription on one artifact (the Dreamstone) claiming to grant the holder one wish. Neither one openly takes the inscription seriously, but after Diana saves Barbara from an assailant by secretly using her powers, Barbara wishes she was strong, sexy, and cool "like" Diana and thus unintentionally acquires the same superpowers. Because Diana yearns for Steve Trevor, her lover who died heroically, he is resurrected in another man's body and they are reunited. Failing businessman Maxwell "Max Lord" Lorenzano steals the Dreamstone, hoping to use its power to save his nearly bankrupt oil company. His wish is to "become" the stone and gain its powers: whenever he grants someone else's desire, he can take what he wants from the wisher. This soon results in worldwide chaos, destruction, and instability. Diana discovers that the Dreamstone was created by Dolos/Mendacius, The God of Lies, also known as the Duke of Deception. It grants a user's wish but exacts an equally strong toll unless they renounce the wish or destroy the stone. Although Diana's powers and Barbara's humanity begin to diminish, neither is willing to renounce their wish. Max visits the U.S. President, who wishes for more nuclear missiles as protection against the Soviets, but these are detected, bringing the world to the brink of nuclear war. Max also learns of a new and secret satellite system that can broadcast to anyone in the world. Since his powers are causing his body to deteriorate, he plans to grant wishes globally to steal strength and life force from the viewers and regain his health. Diana and Steve confront him, but Barbara sides with Max, overpowering Diana and escaping with him on Marine One. Steve convinces Diana to renounce her wish and let him go, restoring her to full strength. Donning the armor of Asteria, the greatest of all Amazon warriors, Diana flies to the satellite headquarters and again battles Barbara, who has transformed into a humanoid cheetah after wishing to become an apex predator. After a brutal fight that ends in a lake, Diana overcomes Barbara with an electric shock, then pulls her out of the water. Diana confronts Max and uses her Lasso of Truth to communicate with the world through him, persuading everyone to renounce their wish. She then shows him visions of his unhappy childhood and of his son, Alistair, who is frantically searching for his father amid the chaos. Realizing the error of his ways, Max renounces his wish and reunites with Alistair, simultaneously renouncing everyone else's wishes, and turning Barbara back to normal. In the present day, it is winter, and Diana meets the man whose body Steve possessed. In a mid-credits scene, Asteria is revealed to be alive, living among humans and also secretly heroic.

The film tells a warm and realistic story, thinking and facing the ultimate problem that every ordinary person will face-imagining that death may come at any time, the only thing we have to do is love and cherish.