看过 绑架
没法用一句话简单概括的复杂观影感受。一方面，十九世纪神权动摇的大背景下这样一个从家庭出发的平民视角，于最近对宗教史很感兴趣的我来说，本身就具有相当历史趣味，而建立在犹太教与基督教信仰冲突上的故事戏剧性也的确够足，人物跌宕的命运及他们信仰在这种混乱情境下的走向在观影时始终勾动着我的好奇心。但另外一方面，作为无神论者，我做不到简单地跟从电影渲染的情绪走，反而常常感到别扭。以其中一个例子说明，父亲输了官司后懊悔地不停击打自己脑袋与孩子接受洗礼两个时空的镜头被剪在一起，多少在将「见不到孩子」的痛苦通过视听与「孩子信仰改变」的痛苦相并行相混淆，其中隐隐透出了导演将视「宗教信仰」为极重要之事的态度，这对无神论者当然是无感甚至嗤之以鼻的。而一旦跳出电影，自然也很难忽视导演明贬基督暗抬犹太的小心思，更别扭。
Movie
Rapito (2023)
Rapito WikiData IMDb TMDB Douban
马可·贝洛基奥
actor:
芭芭拉·朗奇
/
法布里齐奥·吉福尼
…
other title:
绑架
/
与神对话
…
In 1858, in the Jewish quarter of Bologna, the Pope's soldiers burst into the home of the Mortara family. By order of the cardinal, they have come to take Edgardo, their seven-year-old son. The child had been secretly baptized by his nurse as a baby and the papal law is unquestionable: he must receive a Catholic education. Edgardo's parents, distraught, will do anything to get their son back. Supported by public opinion and the international Jewish community, the Mortaras' struggle quickly take a political dimension. But the Church and the Pope will not agree to return the child, to consolidate an increasingly wavering power…