看过 声声入耳
承载时光的语言符号身处已失去共识价值的境况却依旧被不断地复读与重提，试图以这样的触碰来挽回其中蕴含的意义与情感，但这仍然是一次于事无补的遗憾过程，疾病与命运并不因人的微小力量而改变，所幸，语言枯萎之后，我们却重新发现身体的轮廓，搀扶的轮廓被镌刻成隽永的绘画与影像，连死亡都再不能掠夺。电影不曾掩盖自身的私影像气质，只梳理简单的脉络，而不严格地控制与填充，只在叙述的推进中，任由结构在延展中变得松散，主题也随之分裂、发散，从父亲到语言，从语言到过去，从过去到人生，再从人生联想到自己的孩子，最后重新衔接回最开始的父亲，于导演近期与父亲的一次对谈中结束，于是一切似乎都搅和在一起，拥抱了某种关联——父亲，好像在此刻以另一种形式完全参与了自己的人生，并也在这个瞬间被全然镌刻。
Movie
Bringing the Voice (2023)
Traer la voz Douban
other title:
声声入耳
/
Traer la voz
Visual artist Klaudia Kemper tries to reconnect with her ageing, aphasic father, a psychoanalyst who remained in Brazil after she left for Chile when she was young.
During her youth, Klaudia became distanced from her father, who never visited her in Chile. However, for 21 years he wrote letters to her, until this was no longer possible. On deciding to reconnect with him, she finds an old man who has lost the ability to speak or write. This communication impasse notwithstanding, Klaudia explores ways to deal with her many emotions; from anger and pain, to love and longing, all encompassed by the Portuguese word ‘saudade’. Examining the complexity and limitations of language as a form of communication – its ability to both connect and disconnect people –the filmmaker finds a touching, cinematic voice to express her feelings towards her father. And in his many letters, Klaudia and her film return her father’s voice to him.
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