看过 美姐 🌕🌕🌕🌕🌑
我懂你的意思,大姐是儿时的初心,是子规泣在心头的血;三姐是外化的自己,是虔诚卑微的五蕴炽盛;二姐是剩下的唯一解,是徒劳背后聊胜于无的释然。但是出字幕之后我总觉得这片子没底,我觉得导演并没有彻底解决铁蛋(我)所面临的问题。因为自我和解的本质就是放下,而「放下」的意思其实是认命。我不满足于这样的答案,或者说,我不想认命,我更不希望铁蛋认命。就像大姐出嫁之后铁蛋哭天抢地地阻拦一样,我希望能让大姐留下来,哪怕付出任何代价。但铁蛋后来兜兜转转了那么久,也还是没有找回大姐,所以他才心灰意冷地回到家里。于是我这才明白,这片子其实不是没底,而是我所希望得到的那个属于铁蛋的底,从一开始就不在铁蛋的选择里。
Movie
The Love Songs Of Tiedan (2012) IMDb TMDB Douban
美姐
other title:
美姐
/
铁蛋儿的情歌
…
In his second feature, director/co-writer Hao pays rousing tribute to 'Er-ren-tai', a form of saucy musical performance closely associated with Hao's home region in the north-west near the Mongolian border. This colourfully accessible slice of backwater ethnography follows hapless hero Tiedan (Feng Si) from joyous childhood through to a maturity notable for an eventfully unorthodox love-life. Taking their cue from the Er-ren-tai songs themselves, which express passionate feelings in bursts of hyper-stylised intensity, Hao and his Korean editor Baek Seung Hoon sock over short scenes packed with freewheeling incident and comedy.