听过《Harry Potter & the Prisoner of Azkaban》 🌕🌕🌕🌕🌑
电影拍得好，作曲家也充满了灵感。在第二部电影以及配乐都裹足不前后，由阿方索·卡隆指导的第三部电影虽然风格大变遭到粉丝不满，但不可否认从电影质量上来说实属上乘，也带给了HP系列电影的第二个，也是目前为止最后一个奥斯卡配乐提名。
Music
Harry Potter & the Prisoner of Azkaban Douban
John Williams
genre:
Soundtrack
release date 2004-05-25
publisher:
Warner Bros. Pictures
CD enhanced with exclusive wallpaper and screensaver, flip book of stills from film, exclusive link to demo of new EA Harry Potter video game, Golden Ticket Contest: Winner receives trip to Hollywood to tour WB lot and museum, pull out poster.
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Track Listing
1. Lumos! (Hedwig's Theme) (1:37)
2. Aunt Marge's Waltz (2:15)
3. The Knight Bus (2:52)
4. Apparition on the Train (2:15)
5. Double Trouble (1:37)
6. Buckbeak's Flight (2:08)
7. A Window to the Past (3:54)
8. The Whomping Willow and The Snowball Fight (2:22)
9. Secrets of the Castle (2:32)
10. The Portrait Gallery (2:05)
11. Hagrid the Professor (1:59)
12. Monster Books and Boggarts! (2:26)
13. Quidditch, Third Year (3:47)
14. Lupin's Transformation and Chasing Scabbers (3:01)
15. The Patronus Light (1:12)
16. The Werewolf Scene (4:25)
17. Saving Buckbeak (6:39)
18. Forward to Time Past (2:33)
19. The Dementors Converge (3:12)
20. Finale (3:24)
21. Mischief Managed! (12:15)
Celeste: RANDY KERBER
Early Music Instruments: THE DUFAY COLLECTIVE
Chorus: LONDON VOICES
Children's Choir: THE LONDON ORATORY SCHOOL
"Double Trouble" includes performance by LONDON SINFONIETTA
Music Recorded & Mixed at ABBEY ROAD STUDIOS, LONDON, March 2004
Total Playing Time: 68:38
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John composed "Double Trouble" during the production of the film as we decided that a children's choir would be a warm welcome back to Hogwarts. The theme, a melodic mischievous close cousin of the "Hedwig's Theme" composed around text from Shakespeare's "Macbeth", became the foundation stone for the rest of the film score. Its medieval color became the musical identity of the wizarding world in this third installment of Harry Potter.
John juggled these medieval motifs with a late 19th century rossini-esque narrative, a delirious big band Jazz number, and 20th century music (which we both share a love for). How he managed to create a unity out of it all, beats me!
It was a great privilege to witness, as the scoring sessions unfolded, music breathing life into what has become a much better film.
Gracias Maestro!
Alfonso Cuaron, Director
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Track Listing
1. Lumos! (Hedwig's Theme) (1:37)
2. Aunt Marge's Waltz (2:15)
3. The Knight Bus (2:52)
4. Apparition on the Train (2:15)
5. Double Trouble (1:37)
6. Buckbeak's Flight (2:08)
7. A Window to the Past (3:54)
8. The Whomping Willow and The Snowball Fight (2:22)
9. Secrets of the Castle (2:32)
10. The Portrait Gallery (2:05)
11. Hagrid the Professor (1:59)
12. Monster Books and Boggarts! (2:26)
13. Quidditch, Third Year (3:47)
14. Lupin's Transformation and Chasing Scabbers (3:01)
15. The Patronus Light (1:12)
16. The Werewolf Scene (4:25)
17. Saving Buckbeak (6:39)
18. Forward to Time Past (2:33)
19. The Dementors Converge (3:12)
20. Finale (3:24)
21. Mischief Managed! (12:15)
Celeste: RANDY KERBER
Early Music Instruments: THE DUFAY COLLECTIVE
Chorus: LONDON VOICES
Children's Choir: THE LONDON ORATORY SCHOOL
"Double Trouble" includes performance by LONDON SINFONIETTA
Music Recorded & Mixed at ABBEY ROAD STUDIOS, LONDON, March 2004
Total Playing Time: 68:38
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
John composed "Double Trouble" during the production of the film as we decided that a children's choir would be a warm welcome back to Hogwarts. The theme, a melodic mischievous close cousin of the "Hedwig's Theme" composed around text from Shakespeare's "Macbeth", became the foundation stone for the rest of the film score. Its medieval color became the musical identity of the wizarding world in this third installment of Harry Potter.
John juggled these medieval motifs with a late 19th century rossini-esque narrative, a delirious big band Jazz number, and 20th century music (which we both share a love for). How he managed to create a unity out of it all, beats me!
It was a great privilege to witness, as the scoring sessions unfolded, music breathing life into what has become a much better film.
Gracias Maestro!
Alfonso Cuaron, Director