Sensational sales figures, almost a cult status amongst their fans all over the world, sold-out shows, high chart positions and thrilling performances at almost every important European metal Festival: The Italian formation Rhapsody, with their three previously released albums, Legendary Tales (1997), Symphony Of Enchanted Lands (1998) and Dawn Of Victory (2000) as well as the speciallly priced Album, Rain Of A Thousand Flames released last Autumn, has been able to create a totally new and unique style called 'Hollywood Metal' and to fascinate fans all over the world with it.

Power Of The Dragonflame, their fourth full length album is another episode of the exciting Emerald Sword saga and one which brings the saga to an end. Power Of The Dragonflame took form in familiar surroundings, namely in the Wolfsburg 'Gate Studios` with Sascha Paeth and Miro, themselves experienced musicians (Heavens Gate, Virgo etc) and who have been closely tied to the success of the Italian band since the beginning of Rhapsody's career. Similar to their previous releases, the musicians Luca Turilli (guitar), Alessandro Staropoli (keyboards), Fabio Lione (vocals) and Alex Holzwarth (drums) let off a spectacular firework display of ideas, showing themselves not only as heavy, fast and aggressive, but also epic and orchestral. After the sensitive intro, 'In Tenebris' and exciting tracks such as 'Knightrider Of Doom`, 'The March Of The Swordmaster' and 'Steelgods Of The Last Apocalypse' the album culminates in the closing, over 19 minute long 'Gargoyles, Angels Of Darkness', which begins with a calm acoustic guitar prologue, accelerates in typical Rhapsody fashion and which includes the expressive, unusually theatrical voice of singer Fabio Lione. 'Gargoyles, Angels Of Darkness' combines all of the band's strengths: their rhythmic finesse, their epic basic structures and the hymn-like vocals.