听过《Invasion of Thunderbolt Pagoda》 🌕🌕🌕🌕🌕
它不是弘大庄严的，而是充满阴森诡秘的气氛，甚至像是被邪灵附身者的变形——就像封面上的那张延展的像是其他器官的人脸。它所使用的乐器与其说是乐器，不如说是法器、灵器。整张专在第一首里就奠定了基调，而它的奇长与这种调子正适合让那些对于黑夜有所幻想的人的大脑漫无目的地神游。专辑的最后一首，我把它叫做夜鬼哭、或者骨钟的嗡鸣，看似白日要来，可那些在恶夜里挣扎的（第三第四首听起来像是挣扎与渴望等），却只剩下了森森白骨。我搜索Night Skull到底应该是什么的时候，却查到了一个很相似的词：Skull Knight，这是我很喜欢的漫画《烙印战士》里面一个重要的角色，我记得叫做骷髅王还是骷髅骑士来着，他和主角一样，都是不屈地抵抗魔神的角色，只是他早已变成了白骨，白骨穿着盔甲，或许只剩意志依然在战斗吧。
Invasion of Thunderbolt Pagoda [Music] Douban
Angus MacLise
release date 1999-12-28
publisher:
Siltbreeze Records
Angus MacLise was active on New Yorks' underground avant-garde scene in the early '60s, both as a musician and poet. Among his many collaborations was the Theatre of Eternal Music, together with Tony Conrad, La Monte Young, John Cale and Marian Zazeela. In 1965 he became The Velvet Underground's original percussionist, but left before they made any records.
After he left the Velvets, he continued to make improvised music, film music and poetry until his death in Kathmandu, Nepal, 1979.
After he left the Velvets, he continued to make improvised music, film music and poetry until his death in Kathmandu, Nepal, 1979.