Ranked: The Films of Severin's "All the Haunts Be Ours: Vol. 1" Boxset

In fourteenth-century England, peasant girl Christine Carpenter is so attracted to a statue of the Virgin Mary that the local priest (who lusts after her) suggests she be walled up in the church as an anchoress, a holy woman with responsibility for blessing the villagers. But when the priest has Christine's mother tried as a witch, she digs herself out of her cell, a crime for which the punishment is death.

The residents of a housing development find themselves in trouble after they discover that their development was built on top of a sacred aboriginal graveyard, on which a curse was placed upon anyone who disturbed it.

In a Czech town in the seventeenth century, an elderly woman enters a church to accept communion. Her true purpose is to collect the holy host for a midwife who needs it to treat an ailing dairy cow. The woman is caught and is forced to explain her sacrilegious actions. Religious and secular authorities agree that she is in league with witches and may even be a witch herself. This prompts an inquisition where confessions are obtained through threats and torture. A tribunal is held to provide a legal facade. Though the hunt is initially confined to the impoverished fringes of local society, the hysteria soon expands to the point that no one, not even leading citizens, is safe. The ultimate target is a clergyman, Deacon Lautner, who defies the righteous men of the tribunal. Based on actual trial records from the 1678 to 1695 period, this well made Czech film features excellent performances and strong production values. It is somewhat extreme by 1969 standards.

After the break-up of a long-term relationship, urban sophisticate Norah seeks refuge in a remote house in the country.

An imaginative and somewhat disturbed young girl fantasizes about evil creatures and other oddities to mask her insecurities while growing up in rural Australia.

Probably the best Norwegian movie ever. For younger generations of Norwegian film enthusiasts, Andre Bjerkes "De dødes tjern" is held to be one of the best Norwegian films ever to be made. This film-noir is a "must see" for everybody with a liking for classic cinema!

In 1848 Poland, Kacper Wosinski is cursed by his wife Maryna on her deathbed. Her evil spirit then haunts him in the form of a she-wolf.

Pastor Wittenbach is to examine the library's rich noble family of Poland and Lithuania. And finds that family has some family secrets. It is said that one family member, the young earl, was born from a combination of women and a bear. In this film, the viewer but often must rely only on their judgments, since there is very little response. The film is very ambiguous. Difficult to distinguish whether an old woman or the witch. This is a problem of this film. At that time, and it is that TV is very good, but hardly enough to be seen.

A white lawyer finds his values shaken when he is paired with an angry Indigenous activist who insists on kidnapping the head of a logging company to teach him the price of his destruction.

WOODLANDS DARK AND DAYS BEWITCHED explores the folk horror phenomenon from its beginnings in a trilogy of films - Michael Reeves' Witchfinder General (1968), Piers Haggard's Blood on Satan's Claw (1971) and Robin Hardy's The Wicker Man (1973) - through its proliferation on British television in the 1970s and its culturally specific manifestations in American, Asian, Australian and European horror, to the genre's revival over the last decade. Touching on over 100 films and featuring over 50 interviewees, WOODLANDS DARK AND DAYS BEWITCHED investigates the many ways that we alternately celebrate, conceal and manipulate our own histories in an attempt to find spiritual resonance in our surroundings.

John Carradine narrates the Washington Irving story of Ichabod Crane and the Headless Horseman.

A man heading through the countryside is drawn to a strange castle, which is reputed by the locals to be haunted. There he meets a beguiling young woman who ensnares him in her world of secrets.

A young woman’s secret rocks an isolated church community.

When a group of Indigenous activists attempt to repatriate ancestral artifacts found in a cave on Australia's Kangaroo Island, one of them is shot, evading police and taken to a local hospital, where the doctor attending to her experiences strange visions relating to violent events from the past.

The movie follows the original tale in a somewhat loose fashion, but manages to retain the majority of the images and action. A seminary student must survive three nights in prayer guarding the deceased witch maiden while she, along with an army of hellish demons, try to lure him out of his Holy Ring of Chalk.

Story follows young man Strahinja who is in love with a local beauty Radojka, but their relationship has an obstacle - her father Zivan, who considers Strahinja as nothing but a loser. To prove that he's able to take care of himself and his future bride, Strahinja agrees to take vacancy in village mill... But, mill is known as a place where no one meets the dawn alive...

During a Ouija board session with her teenaged friends, 16-year-old Alison gets a message from beyond the grave not to go home for her birthday three years later.

The territory of Akwesasne straddles the Canada-U.S. border. When Canadian authorities prohibited the duty-free cross-border passage of personal purchases - a right established by the Jay Treaty of 1794 - Kanien'kéhaka protesters blocked the international bridge between Ontario and New York State.

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

Highly unusual, powerful and tragic horror film, which shows ignorance and superstitions of Italian province. A girl is believed to be possessed by the devil and the cause of the tragic events that occur in the small town where she lives. Israeli actress Daliah Lavi (who the same year plays in Mario Bava's "Whip and the Body") portrays young, ignorant country girl named Purificazione, who herself convinced that she is really responsible for all misfortunes. Director Rondi was acclaimed Italian screenwriter, who works with many great Italian directors, including Fellini, Rosselini, De Sica. "Il Demonio" was based on true facts.