Anyone who saw Monelle (FID2019) won’t have
forgotten it. Genius peculiarto and filmmaker
Diego Marcon : creative, explosive sketches,
elementary and powerful devices designed
to remain burned both on the eye and in
the memory. Here, again, there are very few
characters: in a bedroom opposite the window,
a man sits on an unmade bed, then his two
children and finally their mother, each with a
contorted face à la Paul McCarthy. Again, the
sound is decisive: a chilling, disjointed ditty
sweetly describing abomination. The Parent’s
Room is a huddled-up horror film that, under the
domestic bliss, reveals the truth disrupting any
nuclear family: the murder. (Jean-Pierre Rehm)