读过 Good Talk 🌕🌕🌕🌕🌑
听到书里作者和公婆家关于大川川的争论那会儿,我想,8年过去,又是大选,作者以及儿子现在是否要再一次经历那些困惑与愤怒的瞬间。这书很短,三个小时就听完了,节选了在美国新墨西哥州长大的印度裔女孩儿一路成长的片段,用对话来呈现出来。
讲真问这个世界是在变好吗这样的问题,有时候我觉得是人想要自己为难自己。
Book
Good Talk Douban Goodreads
author:
Mira Jacob
publishing house:
One World
2019
- 3
A bold, wry, and intimate graphic memoir about American identity, interracial families, and the realities that divide us, from the acclaimed author of The Sleepwalker’s Guide to Dancing.
“By turns hilarious and heart-rending, it’s exactly the book America needs at this moment.”—Celeste Ng
“Who taught Michael Jackson to dance?”
“Is that how people really walk on the moon?”
“Is it bad to be brown?”
“Are white people afraid of brown people?”
Like many six-year-olds, Mira Jacob’s half-Jewish, half-Indian son, Z, has questions about everything. At first they are innocuous enough, but as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she’s gotten her own answers: her most formative conversations about race, color, sexuality, and, of course, love.
“How brown is too brown?”
“Can Indians be racist?”
“What does real love between really different people look like?”
Written with humor and vulnerability, this deeply relatable graphic memoir is a love letter to the art of conversation—and to the hope that hovers in our most difficult questions.
“By turns hilarious and heart-rending, it’s exactly the book America needs at this moment.”—Celeste Ng
“Who taught Michael Jackson to dance?”
“Is that how people really walk on the moon?”
“Is it bad to be brown?”
“Are white people afraid of brown people?”
Like many six-year-olds, Mira Jacob’s half-Jewish, half-Indian son, Z, has questions about everything. At first they are innocuous enough, but as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she’s gotten her own answers: her most formative conversations about race, color, sexuality, and, of course, love.
“How brown is too brown?”
“Can Indians be racist?”
“What does real love between really different people look like?”
Written with humor and vulnerability, this deeply relatable graphic memoir is a love letter to the art of conversation—and to the hope that hovers in our most difficult questions.