Best Japanese Films Kinema Junpo (1926-2025)

A rambunctious and ribald tale of a troupe of travelling actors who alternate highlights of kabuki theatre with strip shows.

Kyoko, the daughter of a successful novelist, marries an aspiring writer. However, her husband’s difficulties with his writing and his resentment over her father cause deep strains in the marriage.

A touching story depicting the harsh lives of farmers in Kasumigaura. An attempt to start a fishery business to revive an ailing farming community creates friction amongst the proud residents.

Junai Monogatari AKA Story of Pure Love is about two poor youths, Mitsuko and Kando, rebelling against society in various ways, who are desperately trying to be together despite tortuous circumstances. The film depicts their lives as thieves, menial laborers who can get little pay, society outcasts, and of course, lovers. Junai Monogatari depicts, mostly, their struggles within the Japanese reformatory system and Mitsuko's worsening sickness.

The story of the trials and tribulations of a lighthouse keeper and his wife.

Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

In a military family, an illegitimate son is brutalized by his brothers. A patriarchal, feudalistic household where dissent is forbidden is used to reveal the whole imperialist system that afflicted Japan between 1921 and 1946.

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.

A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.

It's a man's world. Shimamura, an artist, comes to this snowbound town to rejuvenate himself. He connects with Komako, a geisha he met on a previous trip, and it seems like love. She's the foster daughter of a local family, almost engaged to the family's son Yukio, now dying of consumption. He's tended by his sister Yuko who's angry at Komako for abandoning her brother. Shimamura returns to Tokyo but promises he will be back soon. In anticipation of his return, Komako breaks with her patron and her family loses their home. Complications arise when Shimamura doesn't come back as promised. Then Komako discovers that he and Yuko knew each other in Tokyo. Can Komako escape destiny?

A poor peasant, after years of scraping, becomes a rich and powerful Osaka merchant. Mizoguchi Kenji's final project; he died before completing it and directing duties turned over to Yoshimura Kozaburo.

1957 film by Yasujirō Ozu

Kinichi and Akiko meet when they visit their fathers in prison. After successfully gambling on a bicycle race, they spend an enjoyable day together at the beach.

Tamio Moroi, a young university graduate, works at a large brewery where he is taught to do nothing but look busy. When his father goes insane, he is told to send money for medical research into the condition. This prompts him to pay his father a visit, leading to a series of mishaps that leaves him at the bottom of the heap in what he once expected to be a promising lifetime career.

Ichiro Yoshida, the father of the boy Kiyoshi, who has been repatriated from China, returns home after a ten-year separation. The father, who has been estranged from his son for many years, pays no attention to the boy, often punishes him unfairly, and gives all his tenderness to his little daughter, who was born after his return. The boy sees all the injustice of his father and, offended, leaves home. The father realized that he was wrong, that he was guilty before his son. The mother finds the boy and brings him home. The father and the son become friends from that day on.

​Reiko, a young woman with a physical disability, begins a clandestine affair with the married architect Katsuragi, but also becomes dangerously obsessed with his unfaithful wife, Akiko.

Tane, the lady proprietor of an inn for amorous couples, lives there with her three children. When her eldest daughter loses her fiancé due to the fact her mother is a mistress, her despair drives her to become a cabaret hostess.

Meiji Tenno portrays the buildup to the Russo-Japan War. In addition to showing the political events that led to war, it also shows the era from the story of a farm family in rural Japan that sends their son off to war. As such, it could be considered an anti-war movie, showing how, while war is devised by governments, the people do not really understand what war is, and its combatants often do not know what they are fighting for.

Police beat a murder confession out of four innocent men who are then sentenced to death. Based on a true story.