1940s

Woven around the daily lives of two children, nine-year-old Nastenka and five-year-old Katia, this is a story of the 17 months' siege of Leningrad and of the people and families shattered by the war, their homes bombed and destroyed, their lives in a constant anticipation of the advancing German army and air raids.

1946 film by Kenji Mizoguchi

Unemployed Antonio is elated when he finally finds work hanging posters around war-torn Rome. However on his first day, his bicycle—essential to his work—gets stolen. His job is doomed unless he can find the thief. With the help of his son, Antonio combs the city, becoming desperate for justice.

Travelling family man Paolo agrees to pose as husband to an unwed pregnant girl he meets on a train. However, once faced with her father, things do not go as planned.

This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.
Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...
What more to say without spoiling the fun? Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.
It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels?
So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

1946 film by Mario Soldati

A Martinique charter boat skipper gets mixed up with the underground French resistance operatives during WWII.

After the death of her husband, an elderly woman and her youngest, unmarried daughter are forced to sell their house to cover his debts and decide to move in with one of the former's children, each of whom is scarcely happy to accommodate.

General Candy, who's overseeing an English squad in 1943, is a veteran leader who doesn't have the respect of the men he's training and is considered out-of-touch with what's needed to win the war. But it wasn't always this way. Flashing back to his early career in the Boer War and World War I, we see a dashing young officer whose life has been shaped by three different women, and by a lasting friendship with a German soldier.

The ordinary life of the prudent employee Mr. Travet accelerates as he and her wife meet his new chief.

The idyllic life of a young Cajun boy and his pet raccoon is disrupted when the tranquility of the bayou is broken by an oil well drilling near his home.

In the suburbs of Paris, an old maid has just been murdered. Every body talks about that, except the misanthrope Mr Hire. The same evening, Alice, just getting out of jail, arrives and meets up with her lover Alfred again. They act as they do not know each other, for Alice went to jail to spare Alfred. But Mr Hire falls in love with Alice, and he knows Alfred is the murderer...

In 17th-century England, Charles II, the rightful heir to the kingdom, is driven from his country by militants working for rogue leader Oliver Cromwell. Charles ends up in the Netherlands, where he falls for local beauty Katie and spends his days happily in the quiet countryside. Unfortunately, Cromwell's associate Col. Ingram and his men track Charles down, and the would-be monarch must resort to swashbuckling his way to freedom.

1942 film by Yasujirō Ozu

Three modern-day pilgrims investigate a bizarre crime in a small town while on their way to Canterbury.

Individualistic and idealistic architect Howard Roark is expelled from college because his designs fail to fit with existing architectural thinking. He seems unemployable but finally lands a job with like-minded Henry Cameron, however within a few years Cameron drinks himself to death, warning Roark that the same fate awaits unless he compromises his ideals. Roark is determined to retain his artistic integrity at all costs.

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第40名。
Coal Black is working as a maid in Harlem, but her mistress doesn't like the idea that Prince Charming is more interested in the maid than in her, so she pays some crooks to drive her to the country and kill her. But Coal Black is lucky, she isn't killed, but set free somewhere in the rural area - near a US Army Training camp. Seven GIs take care of her, but her old mistress finds out that she's still alive, and comes to poison her with candy. Only a kiss of her lover can save her now...

1943 American animated short film directed by Tex Avery

The stage director Shimamura, who is bringing western theatre to Japan, falls in love with the outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.

After discovering the dead body of her teenage daughter's lover, a housewife takes desperate measures to protect her family from scandal.