BY THE NUMBERS: FAVORITE DIRECTORS OF THE 1920S

Struggling stockbroker Jimmie Shannon learns that, if he gets married by 7 p.m. on his 27th birthday -- which is today -- he'll inherit $7 million from an eccentric relative.

An unhappily married couple moves to Vienna, where the wife’s married best friend lives, and soon, sparks fly between the wife and the best friend’s husband.

Two farmhands compete for the love of the farmer's daughter.

An alcoholic, abusive ne'er-do-well is shown the error of his ways through a legend that dooms the last person to die on New Year's Eve before the clock strikes twelve to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.

Mary, a poor farm girl, meets Tim just as word comes that war has been declared. Tim enlists in the army and goes to the battlefields of Europe, where he is wounded and loses the use of his legs. Home again, Tim is visited by Mary, and they are powerfully attracted to each other; but his physical handicap prevents him from declaring his love for her. Deeper complications set in when Martin, Tim's former sergeant and a bully, takes a shine to Mary.

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

Henriette and Louise, a foundling, are raised together as sisters. When Louise goes blind, Henriette swears to take care of her forever. They go to Paris to see if Louise's blindness can be cured, but are separated when an aristocrat lusts after Henriette and abducts her. Only Chevalier de Vaudrey is kind to her, and they fall in love. The French Revolution replaces the corrupt Aristocracy with the equally corrupt Robespierre. De Vaudrey, who has always been good to peasants, is condemned to death for being an aristocrat, and Henriette for harboring him. Will revolutionary hero Danton, the only voice for mercy in the new regime, be able to save them from the guillotine?

1928 silent film by Marcel L'Herbier

The story of an idle rich boy who joins the US Army's Rainbow Division and is sent to France to fight in World War I, becomes friends with two working class men, experiences the horrors of trench warfare, and finds love with a French girl.

A meek young man must find the courage within when a rogue tramp menaces his hometown.

The travails of a third-rate traveling theatre company and its wardrobe lady / maid who dreams of stepping in as their melodramatic production's (Flaming Women) female lead.

1928 French film by Jean Epstein

Gösta Berling is a young and attractive minister. Because of his alcoholism and his daring sermons, he is eventually defrocked. He becomes tutor of countess Marta's stepdaughter and they fall in love. But the countess has a plan of her own.

A hopelessly hopeful drifter, a bitter young woman, and a helpless child live on the docks, spending their days in poverty and listless wandering. Overhead, a dredge hauls up mud and trash from the nearby seabed-- the same mud and trash from the day before. They finally decide to leave for the city to seek fulfillment, only to encounter further privation, destitution, temptation.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

This is one of the classic Soviet silent films. The story is about a family torn apart by a worker's strike. At first, the mother wants to protect her family from the troublemakers, but eventually she realizes that her son is right and the workers should strike. The plot is similar to other Soviet films of the era but does focus more on the individual than some of Eisenstein's films. The mother and son do represent the collective but they are also strong characters on their own.
The best part of the film is the editing. It is always sharp and quick. When there is action, the edits are fast and give the viewer a sense of chaos. The Soviets were masters of montage and this film is a prime example. The acting is also better than in most silent films. It is clear that the actors come from the serious stage and not Vaudeville. The cinematography is somewhat average, though, and the film feels a little flat at times. It is not perfect, but it is worth seeing for all and essential viewing for those interested in Russian film or montage.
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Mary Magdalene becomes angry when Judas, now a follower of Jesus, won't come to her feast. She goes to see Jesus and becomes repentant. From there the Bible story unfolds through the Crucifixion and Resurrection.