AMERICAN FILMS OF THE 1990S I NEED TO SEE

1991 film by Ron Howard

In the year 1935, a teen named Billy Bathgate finds first love while becoming the protégé of fledgling gangster Dutch Schultz.

Follow the adventures of Belle, a bright young woman who finds herself in the castle of a prince who's been turned into a mysterious beast. With the help of the castle's enchanted staff, Belle soon learns the most important lesson of all -- that true beauty comes from within.

1991 film directed by Barry Levinson

This gritty inner-city film follows various people living in a troubled New Jersey setting, most notably Nick Rinaldi, a disillusioned contractor who has been helped along his whole life by his wealthy father. Other characters in this ensemble drama about urban conflict and corruption include Asteroid , an unstable homeless person, and Wynn, an idealistic young politician.

Is there love after death? After he dies suddenly, the hapless advertising executive Daniel Miller finds himself in Judgment City, a gleaming way station where the newly deceased must prove they lived a life of sufficient courage to advance in their journey through the universe. As the self-doubting Daniel struggles to make his case, a budding relationship with the uninhibited Julia offers him a chance to finally feel alive.

In the fall of 1963, Eddie Birdlace is an 18-year-old Marine Corps volunteer who is about to ship out with three of his buddies for a tour of duty in Vietnam. Planning a massive blowout for their last night in San Francisco, Eddie, his buddies, and a number of other Marines set up a contest they call a "dogfight”.

Grand Canyon revolved around six residents from different backgrounds whose lives intertwine in modern-day Los Angeles. At the center of the film is the unlikely friendship of two men from different races and classes brought together when one finds himself in jeopardy in the other's rough neighborhood.

A Jewish homicide detective investigates a seemingly minor murder and falls in with a Zionist group as a result.

A fictionalized account of what may have happened when John Lennon and Brian Epstein went on holiday together to Spain in 1963.

Years after her Indian family was forced to flee their home in Uganda, twentysomething Mina finds herself helping to run a motel in the faraway land of Mississippi. It's there that a passionate romance with the charming Black carpet cleaner Demetrius challenges the prejudices of their conservative families and exposes the rifts between the region's Indian and African American communities.

A gangster, Nino, is in the Cash Money Brothers, making a million dollars every week selling crack. A cop, Scotty, discovers that the only way to infiltrate the gang is to become a dealer himself.

An anthology of 5 different cab drivers in 5 American and European cities and their remarkable fares on the same eventful night.

A stunt pilot comes across a prototype jetpack that gives him the ability to fly. However, evil forces of the world also want this jetpack at any cost.

Raynor is an undercover narcotics cop. For his next assignment he chooses the more inexperienced but tough and good-looking Kristen. Their ultimate target is Gaines, a renowned but very elusive drug dealer. While doing their work they unexpectedly fall into a morase of drug-addiction and fall in love with each other. Despite subjecting themselves to the life of low class, one track junkies they do not get the evidence they want to convict Gaines, and instead are forced into using false evidence in court.

Millionaire conservative Bob Roberts launches an insurgent campaign against incumbent senator Brickley Paiste, firing up crowds at his rallies by singing '60s-style acoustic folk songs with lyrics espousing far-right conservative social and economic views.

A former Secret Service agent grudgingly takes an assignment to protect a pop idol who's threatened by a crazed fan. At first, the safety-obsessed bodyguard and the self-indulgent diva totally clash. But before long, all that tension sparks fireworks of another sort, and the love-averse tough guy is torn between duty and romance.

An aged Charlie Chaplin narrates his life to his autobiography's editor, including his rise to wealth and comedic fame from poverty, his turbulent personal life and his run-ins with the FBI.

Richard and Priscilla Parker are an ordinary suburban couple whose lives are invaded and rocked by their hedonistic, secretive new neighbors, Eddy and Kay Otis.

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.