NMIXX(엔믹스) “Strange Muse” Track List NMIXX 6th EP “Strange Muse” ➫ 2026.10.19 6PM (KST) 🏹 Pre-Save & Pre-Add

Yazz Ahmed, hailed as one of the most influential trumpet players of her generation. An Ivor Novello award winning composer who makes sweeping epics that are rich with storytelling, depicting evocative ancient worlds and mythological muses. With her fourth studio album, A Paradise in the Hold, the British-Bahrani musician dives even deeper into her dual heritage and has come up with a treasure trove that draws on traditional music and stories from her... childhood home. Ahmed writes for the voice for the first time, with lyrics inspired by Bahraini wedding poems and the yearning songs of the pearl divers. Deeply textural, expansive and full of potent performances, the album charts the heroic voyages of the jewel-hunters of yore, who sailed home through rough seas with precious cargo, and Ahmed’s own voyage of self-discovery over the past decade.

Mezzanine is the third studio album by English electronic music duo Massive Attack, released on 20 April 1998 by Circa and Virgin Records. Produced by Massive Attack and Neil Davidge, it saw the duo expanding their trip hop sound to electronica stylings,[1] with diverse influences from new wave,[2] rock, hip hop, and dub music.[3] Mezzanine topped the charts in the United Kingdom, Australia, Ireland, and New Zealand, becoming the group's most commercially successful album to date. It spawned four singles: "Risingson", "Teardrop", "Angel", and "Inertia Creeps".

<b>100 Best Albums</b> The most expensive hip-hop recording ever made, Kanye West's fifth album was a 68-minute LP pulsing with the rapper's singular mix of the self-aggrandizing and the confessional. The album combined the art-rock ambitions of The Beatles, the opulence of Pink Floyd, and the pop-star grandeur of Michael Jackson—but had the personal gravity of a singer-songwriter statement. There's a nine-minute prog-rap opus ("Runaway") that came with a 35-minute short film. The album art is by contemporary artist and Warhol associate George Condo. "All of the Lights" features an orchestra and vocals from Rihanna, Alicia Keys, and Elton John. But despite its ostentatious appearance, the heart of <i>My Beautiful Dark Twisted Fantasy</i> is that of raw honesty, with West's frayed ends of reflection, self-criticism, relationship woes, ruminations on fame, and moments of anger. <i>My Beautiful Dark Twisted Fantasy</i> would forever change the landscape of hip-hop, its genre-crossing boldness, limitless imagination, and sheer sumptuousness of presentation foreshadowing the genre's 2010s turn towards maximalist sounds and arthouse design.

"Good Luck, Babe!" is a song by the American singer-songwriter Chappell Roan, released as a single on April 5, 2024, through Amusement Records and Island Records. Roan wrote the song with Justin Tranter and Dan Nigro, who produced it. A 1980s-influenced power ballad, "Good Luck, Babe!" incorporates synth-pop, new wave, and dance, with elements of baroque pop and soft rock. Its maximalist production consists of pulsing synthesizers and a string section. Its lyrics vengefully address a queer woman who denies her romantic feelings for Roan in order to enter a compulsory heterosexual relationship. Music critics acclaimed Roan's vocals, the production, and the storytelling lyrics. Many publications included "Good Luck, Babe!" in their rankings of the best songs of 2024; NME, The Guardian, and Rolling Stone placed it at number one on their lists. The single became Roan's breakout song and a sleeper hit; it peaked at number four on the Billboard Hot 100 chart. It also reached number one on charts in Ireland and Poland, and reached the top five in Australia, Canada, New Zealand, Singapore, and the UK. It has been certified platinum in Australia, Belgium, Canada, France, Greece, New Zealand, Portugal, Poland, the UK, and the US. Source: Wikipedia

Everyone knows Descartes for saying “I think, therefore I am.” However, as the descendant of Greek philosopher Lisa Rinnapolous, I would like to highlight his most underrated quote: “Sometimes I want to feel like a fucking slut, so I’ma turn on that new Rebecca Black and show off my stuff.” Going from pop music’s clown to niche stan Twitter icon and now an artist in her own right, “Age of the Exhibitionist” is Rebecca Black’s sophomore album, and the first where she stops sounding like someone trying to shed her label as a past internet punching bag and starts sounding more like the fucking superstar she is. Leaning away from the hit-or-miss hyperpop of her previous works, “Age of the Exhibitionist” pivots into a brand of electropop best described as the child of “Born This Way” by Lady Gaga and “STARFUCKER” by Slayyyter. But honestly, it’s really hard to pin this down to a few specific influences when Rebecca’s delivery is so unique and inimitable.