IVE EP <Looks Can Kill> IVE 携迷你专辑《Looks Can Kill》回归。自出道以来，IVE 始终以独属于自己的方式，不断刷新关于自信与自我确信的表达，如今的她们早已不再局限于单一的形象。从正规专辑《REVIVE+》到世界巡演，IVE 不仅进一步巩固了自己在韩国及全球市场的影响力，也一次次证明了当下所处的位置。本次迷你专辑立足于此刻的 IVE，以更加大胆、立体的方式，进一步拓展属于她们的音乐世界。 登场即宣告胜负，IVE 式 Girl Hero 的诞生 《Looks Can Kill》以“仅凭存在本身就能给予致命一击的英雄”为概念出发点。在延续 IVE 至今所展现的“Girl Fantasy”角色形象的同时，继丘比特与魔法少女之后，IVE 再次推出全新的另一重自我（Another Ego）——“Girl Hero”。作为一项衍生（Spin-off）企划，本次专辑为 IVE 一直以来构建的世界观开辟了全新的表达维度。 致命魅力降临的瞬间，《Looks Can Kill》 主打曲《Looks Can Kill》以最直观的方式展现了本张专辑的核心理念。歌曲描绘了这样一种存在：登场的瞬间，胜负便已揭晓。仅凭自身的存在就足以压倒对手，瞬间掌控全场的 IVE，正是这首歌所呈现的形象。《Looks Can Kill》以 IVE 独有的自信与主导力，诠释了掌控全场的决定性时刻。 歌曲以极具吸引力的合成器铺底节奏开场，厚重的贝斯、充满动感的鼓点与丰富饱满的电子音效层层递进，逐步营造出强劲的推进力。如果说过去的 IVE 清晰地展现了自信与自我确信的态度，那么这次的主打曲则将这一理念进一步推向新的高度，甚至将令人沉沦的魅惑瞬间，也转化为由 IVE 主导的叙事。经过桥段后，最后一段副歌以极具爆发力的方式震撼释放，不仅将整首歌的听觉快感推向顶点，也最鲜明地展现了如今的 IVE 将以怎样的面貌与姿态重新介绍自己。 六个场景，构成一张完整原声带般的专辑 收录曲同样各具特色，承担着不同的表达作用。《Mirror Mirror》巧妙地颠覆童话元素，以暗黑而梦幻的情绪拓展了专辑的整体风格；《SNAKESKIN》则描绘了褪去虚假、展现真实自我的蜕变过程。《CRUMBS》以厚重的贝斯和直观鲜明的节奏为基础，展现出将节拍牢牢掌握在自己手中的自信姿态；《Girls Girls Girls》通过自由、开放的氛围，为整张专辑注入轻盈的呼吸感；而《Glow Motion》则凭借梦幻且流畅自然的音效质感，让这张 EP 的余韵得到更加柔和的延伸。 值得关注的是，尽管每首歌曲都有着鲜明的个性，整张专辑却依然能够自然地串联成一个整体。从气势强劲、不断向前推进的曲目，到灵活转换氛围、舒展听觉体验的作品，《Looks Can Kill》并未将自己局限于单一的声音风格之中。而贯穿其中的共同特质，正是自信、掌控力，以及 IVE 始终鲜明而坚定的核心。 以 Spin-off 拓展世界观，以“Real HERO”完成蜕变 主打曲《Looks Can Kill》的音乐视频借鉴了英雄电影的叙事方式，展现了 IVE 作为扮演英雄的超级明星，同时也能在现实生活中产生影响力的多重面貌。通过穿梭于拍摄现场内外的镜头设计，IVE 自由而大胆地运用自身形象，将意义从“扮演英雄的 IVE”进一步延伸至“本身就是英雄的 IVE”。 与此同时，本次专辑也将目光投向了这样一个瞬间：人们对 IVE 的憧憬，逐渐转化为他人追逐梦想的动力与勇气。一个人的存在能够触动另一个人，而这份影响力又进一步引发新的改变。IVE 以独属于自己的英雄叙事，描绘了这一不断延伸的过程。 在收录曲《CRUMBS》的曲目视频 SPIN-OFF FILM 中，粉丝“DIVE”与 IVE 一同展开了一场想象中的越轨冒险。正如电影中的英雄即使走出银幕，也能为现实中的人们带来梦想与勇气，IVE 同样超越了剧情设定本身，进一步拓展了英雄的意义，成为能够在现实生活中带来积极改变的存在。IVE 所诠释的英雄，并非依靠特殊能力拯救世界的人，而是能够将梦想与勇气传递给他人，并激励他们继续向前迈进的存在。 超越成熟与完整，令人期待 IVE 下一阶段的专辑 IVE 已经用实力证明了许多。从出道初期留下的强烈印象出发，她们并未停留在最初的成功之中，而是通过一首首热门歌曲、一张张专辑、一次次舞台表演与世界巡演，不断巩固属于自己的地位。如今的 IVE，早已无法仅凭一时的话题热度来定义。她们清楚地了解自身的身份与特色，也能够以最贴近大众的语言和最具感知力的方式，不断拓展自身的表达边界。 在这一发展脉络之上，《Looks Can Kill》并未简单重复 IVE 已经熟练掌握的优势，而是尝试通过更加多元的音乐质感，展现她们与生俱来的自信。从强劲的记忆点与充满速度感的节奏，到奇幻色彩、自我欣赏，再到释放感与蜕变叙事，这张专辑证明了 IVE 并非只拥有一套成功公式的团体，而是一支能够持续拓展并不断赋予既有公式全新变化的团队。 因此，这张专辑既诠释了当下的 IVE，也让人更加期待她们的未来。她们不满足于停留在唯一的标准答案之中，而是持续拓展自己的世界，在形象与音乐两个层面不断创造全新的篇章。《Looks Can Kill》将成为最鲜明的证明，展现 IVE 正站在无限可能性之上，向着下一个阶段继续前进。 IVE EP <Looks Can Kill> TRACKLIST 01 Looks Can Kill *Title Lyrics by Gaeko, 서지음, Lil Cherry, 레이, Rick Bridges Rap Making by 레이, Rick Bridges Composed by Charles Roberts Nelsen, BAVA, Ashley Fulton, Jason Hahs, MLITE Arranged by Inverness, BAVA 《Looks Can Kill》是一首电子舞曲流行风格的歌曲，以抓耳的合成器铺底节奏开场，在厚重而粗粝的贝斯之上，动感十足的鼓点与丰富的电子音效元素和谐交融，营造出自信从容、气场十足的氛围。尤其是经过扭转整体氛围的桥段后，最后一段副歌以爆发性的能量强势迸发，为听众带来畅快淋漓的感官冲击与极致的情绪释放。 02 Mirror Mirror Lyrics by 서지음 Composed by Joshua Linne, Nikolay Mohr, Blush Davis, Miranda Glory Inzunza, Natania Lalwani, MLITE Arranged by FriendsFromCollege 《Mirror Mirror》是一首充满暗黑与梦幻气息的小调风格作品，巧妙运用莫扎特《E小调第21号小提琴奏鸣曲》，为歌曲的开篇与尾声营造出强烈的听觉冲击。钢琴与弦乐贯穿全曲，引领着歌曲的情绪走向，间或响起的铃音与松弛慵懒的演唱音色相互交织，营造出独特而令人不寒而栗的诡谲氛围，展现出这首概念性曲目的鲜明魅力。 03 SNAKESKIN Lyrics by 서지음 Composed by Jack Brady, Jordan Roman, Kristine Bogan, Lauren Aquilina, MLITE Arranged by The Wavys 《SNAKESKIN》是一首以低沉且富有冲击力的贝斯与独特合成器音色为亮点的作品。在强劲的节奏之上，神秘而迷离的人声与旋律层层铺展，留下鲜明而深刻的印象。从简约精致的前半段，到后半段逐渐转向 EDM 音效，整首歌通过精心设计、层层递进的编排，将作品的魅力进一步推向极致。 04 CRUMBS Lyrics by 이스란, 오메가사피엔, Lil Cherry, 조윤경, 가을, 리즈 Composed by Jhune, Evan Gartner, Gabriella Grombacher, MLITE Arranged by Jhune, Evan Gartner 《CRUMBS》是一首以极具律动感的贝斯线为亮点的电子舞曲流行作品，通过厚重的底鼓与合成器铺底音色相互交融，营造出简约却层次丰富的声音质感。尤其是令人一听便萦绕耳畔的抓耳旋律线，搭配丰富多变的和声、即兴演唱等多元人声元素，进一步放大了歌曲的独特魅力。 05 Girls Girls Girls Lyrics by 서지음 Composed by Kevin Hickey, Samuel Robert Knowles, Alna Hofmeyr, CASTLE, Sarah Hudson, MLITE Arranged by Zhone, Karma Kid 《Girls Girls Girls》是一首流行舞曲，以轻松自在的节奏和从第一个音符开始便牢牢抓住听众耳朵的上瘾系合成器音效为亮点。在富有律动感的编曲之上，明亮轻快的人声为歌曲注入清新又充满活力的氛围，呈现出令人耳目一新的音乐魅力。 06 Glow Motion Lyrics by 조윤경 Composed by Zara Larsson, Caila Betsy Nell Thompson Hannant, Margo Wildman, MLITE Arranged by Caila Betsy Nell Thompson Hannant, Margo Wildman 这首作品由全球流行音乐艺人 Zara Larsson，以及参与其专辑《Midnight Sun》全曲创作的制作人 Margo XS 与 Cecile Believe 共同打造。歌曲以细腻而梦幻的氛围为基底，将令人联想到自然的有机感合成器音效与精致的流行音乐制作巧妙融合，通过柔和的旋律线营造出神秘而引人沉浸的听觉体验。这是一首展现 IVE 不同于以往的音乐风格、进一步拓展其音乐表现边界的流行作品。

已经将近四年没有发片的Red Hot Chili Peppers在著名制作人理克 鲁宾(Rick Rubin)的协助之下，终于为歌迷们交出了这张重量级的双张专辑Stadium Arcadium。本张专辑一经发行，便在多个国家的音乐排行榜中夺冠。在美国，Stadium Arcadium在发行第一周不仅创造了Red Hot Chili Peppers单周专辑销量的最高纪录，而且还成为了他们在Billboard 200专辑榜中的首张冠军专辑。相对于近几年颇为沉寂的主流摇滚乐坛，这套双张的Stadium Arcadium真的可以算作是一张惊喜之作。在多样化的编曲，流畅上口的旋律中，这四位美国摇滚老顽童的魅力尽现。毫不夸张的说，这张Stadium Arcadium是完全有实力和Red Hot Chili Peppers的经典之作Blood Sugar Sex Magik与Californication相媲美的一张专辑。

细腻的情怀，不一样的风格。 首度日本灌录大碟终极 LPCD 化。

When JADE made her bombastic solo debut with “Angel of My Dreams” in July 2024, her yet to be named album had already been completed. The song, a Mike Sabath production that splices power-ballad theatrics, stomping electro basslines, and sugary, sardonic melodies into a Frankenstein’s monster of a tune, was hailed by fans and critics alike for its bold experimentalism, setting up sky-high expectations for the Little Mix star’s future output. As JADE told Apple Music’s Rebecca Judd, shortly after its release: “There’s a lot of songs on the record that have that same experimental vibe. I have a few of the more straight-down-the-line, poppy songs on there, but peppered in with the chaos that is my brain.” The statement holds water now <i>THAT’S SHOWBIZ BABY!</i> has landed. Front-loaded with singles, which see JADE navigate shimmering disco sensuality (“Fantasy”), ballroom club (RAYE co-write “Midnight Cowboy”), and no-punches-pulled electropop (“FUFN (Fuck You for Now)”) with consummate ease, the back half of the record pulls her broad spectrum of influence together cohesively without sacrificing any of the originality or left-field choices that have come to shape her sonic identity. “I think [the reaction to ‘Angel of My Dreams’] has given me reassurance that I can really be myself,” JADE said. “I can take these risks. I can do something a bit braver…” That confidence extends to the album’s lyrical themes, which examine JADE’s complex feelings about life in the spotlight, love and its maddening effects—see the delightfully unhinged romance of “Plastic Box”—and the relatable feeling of being at war with your own mind, from all angles. She shoulders her own blame for throwing up emotional walls on “Self Saboteur” only to pull back the curtain with skittish midtempo “Glitch,” revealing the distorted inner voice “telling me lies, telling me how it is” and “hijacking all my decisions.” “Unconditional” makes floaty, ethereal promises of love without reservations to someone struggling to love themselves over a chugging, synth-pop beat, while “Natural at Disaster” takes the concept of a torch song and interprets it literally, putting a vocally dramatic match to the gentle, piano-backed memory of a toxic dynamic. “If there are any darker topics that are personal to me that I write about, then I always give it a bit of a humor to it,” JADE said, speaking to Apple Music’s Zane Lowe in the week of release. “It’s been fun as a songwriter being able to finally write more personal concepts and explore that and show people exactly who I am.” Unsurprisingly, given JADE’s widespread songwriting contributions during the decade she spent as a member of one of the UK’s most successful girl groups, <i>THAT’S SHOWBIZ BABY!</i> shares some of its DNA (and its producers, including Sabath, MNEK, and Lostboy) with the sounds of late-career Little Mix. While it’s common for band members striking out on their own for the first time to reinvent themselves entirely—a kickback against the artistic compromise that collective creativity demands—JADE boldly bucks the trend, converging her own unique impetus with echoes of the familiar. <i>THAT’S SHOWBIZ BABY!</i> feels more grounded in authenticity as a result, allowing her to take ownership of her past as she builds for the future.

2026全新广东大碟。

Précommandez le Vinyle / Vinyl pre-order :

Britol Trip Hop三巨頭之Portishead大成功專輯，連Levi's都徵用廣告歌。

[뉴스엔 이민지 기자] 리센느(RESCENE)가 오는 11월 3일 미니 4집 ‘PULSE’(펄스)를 발매한다. 소속사 더뮤즈엔터테인먼트에 따르면 리센느(원이, 리브, 미나미, 메이, 제나)는 이날 새 앨범을 공개하고 컴백 활동에 돌입한다. 이는 지난 7월 리메이크 싱글 ‘Pretty Girl’(프리티 걸)을 발표한 이후 약 4개월 만의 신보다. 실물 앨범 기준으로는 지난해 11월 공개한 미니 3집 ‘lip bomb’(립밤) 이후 약 1년 만이다. 리센느는 올해 원이의 개인 유튜브 채널을 통해 유행어로 떠오른 '거제 야호' 인기에 힘입어 대세 그룹으로 떠올랐다. 2024년 8월 발매한 미니 1집 ‘SCENEDROME’(씬드롬) 타이틀곡 ‘LOVE ATTACK’(러브 어택)으로 역주행한데 이어 'Pretty Girl'이 정주행을 이어가며 대세 걸그룹으로 자리매김했다. 한편 리센느는 그동안 앨범마다 ‘풀 향’, ‘베리 향’, ‘인센스향’ 등 향기를 활용한 콘셉트를 선보여왔다. 미니 4집 ‘PULSE’에서는 어떤 향기와 음악으로 기존 색깔을 확장할지 관심이 쏠린다.

The pop singer’s full-length debut is a bold and uproarious introduction, buoyed by sturdy songcraft and steely indifference to good taste.

Ye looks to his faith—and the Sunday Service Choir—on his ninth album.

Special Collectors Edition package comes with deluxe, lift-top box packaging, include both audio discs and add a DVD with a variety of promotional music videos, TV performances and filmed concert performances plus a series of postcards.

迷幻音乐在九十年代成为尚存后朋克的中坚力量.Mazzy Star便是其杰出代表之一. Mazzy Star更加喜欢阴柔凄美的迷幻味道.从他们的音乐中更容易发现像the Doors.the Velvet Underground的遗风.邋遢懒散的吉他悲痛哀怨的民谣曲风几乎弥漫了整个九十年代几乎成为此类音乐的一种标准.Mazzy Star事实上是吉他手David Roback主唱Hope Sandoval的私人乐队. David Roback在Opal乐队时听到了由Hope Sandoval演唱的一盒录音带[Going Home].Hope嗓音深深打动了他.在Opal乐队的最后一次巡演中.Hope成为了乐队的主唱.不久后.David Roback和Hope Sandoval组建了Mazzy Star.乐队组建初期音乐风格和路线即已经划定.所有的音乐理念的构建在第一张专辑中即都几乎全部完成.此后的两张专辑都是在此基础上再填加一些其它的音乐元素的再发展.但终究没有出离原来的路线，这不知是乐队的创造力不足还是风格的限制或者其它什么原因.其实这也是大多数非主流乐队的最终归宿.在人员组合结构所决定的才华一次性燃尽后.难以为继.最终以解散告终.