1997 film by Ariel Zeitoun

Philosophy teacher in the provincial city of Saint-Etienne, Gregoire is a discreet man of integrity. He strives to instill the fundamentals of wisdom in his lethargic high-school students. Circumstances lead him to Paris where he encounters a new student in the shape of Patrick, a star TV presenter. Patrick's career is on a high, but he's not happy. He wants to learn, he wants to change, he wants Gregoire to be his life-coach.

On a hospital bed, Marcello is plunged into a deep coma. His guardian angel asks the angel in charge of bringing him back to the afterlife to extend the contract of his protégé.

A very faithful Jewish man works making diamond dust in his family's workshop, to sell to industries. One day he goes on businnes trip. In the same train goes a very sexy girl, with some heroin bags (you guess it) very similar to the diamond bags. The police begins to chase the girl, and she hides the drug into the Levy's bag. The girl calls his boss ('Goliath') the situation and he and his band begins to hound Levy, who, by this time, selled the bags to a factory, not knowing the content. He has to get out of the problem with the help of his brother and his God.

Marie (and her three fathers) are taking A-levels. Marie passes. She spends the summer in the country with her mother, Sylvia, who has returned from America with her Californian husband who has two sons. Marie falls in and out of love for the first time in front of her alarmed fathers, who see Marie's innocence slipping away at frightening speed, and their relationships with the two women become even more complicated.

The childhood of the movie director Antoine Lisner, who left Algeria in 1962. In order to present his new movie, he comes back to Algiers with his son.

Un an après le succès du "Corniaud", Gérard Oury décide de réunir une nouvelle fois à l'écran Louis de Funès et Bourvil, un tandem déjà rôdé. Mais il ne se doutait pas au début de l’aventure qu’il allait réaliser un film aux multiples scènes cultes, dont chacune fût un défi. C’est ce que nous révèle ce documentaire, grâce à des anecdotes, des témoignages, comme celui de la fille de Gérard Oury, Danièle Thompson, coscénariste du film, qui raconte comment son père a appelé Malraux alors ministre de la culture pour obtenir le droit de tourner à l’opéra Garnier.

Seen through the filtered lens of boyhood memories, award-winning director Mohamed Lakhdar-Hamina crafted this half-fictional, half-autobiographical account of a brief period in the history of an Algerian village. It is 1940, and the quiet town is ruled by French colonialists appointed by the Vichy government. Algerians are being called up for service in the Vichy military, and Jews in the village are in danger of deportation. A beautiful young schoolteacher named Claire Boyer (Veronique Jannot) arrives in town and turns every male head within miles, including 14-year-old Mouloud (Merwan Lakhdar-Hamina, the director's son). Simon Attal (Michel Boujenah), a fellow teacher and a Jew, is also attracted to Claire, and so is Mouloud's older brother. Suddenly two murders occur in the village, Simon is in danger of being deported, and the tone shifts from the dreams of boyhood to the realities of manhood.

A realist dramedy about dedicated social workers who devote their long shifts to helping pregnant women.

In France during World War II, a poor and illiterate man, Henri Fortin, is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.