Ayako, a young woman from a rural fishing village, is sold by her family into a brothel when her father takes ill. There, she is quickly stripped of her innocence and illusions.

为了专心照料因意外导致全身瘫痪的丈夫，矶村家的母亲不惜与子女断绝一切关系。虽然三餐不愁，小孩自此却成无主孤儿，咬紧牙关自立去。十五年过去，孩子嫁的嫁，娶的娶，正当最小的一个亦披上嫁衣，五个儿女才渐渐体会到母亲的无私及伟大。

Yumeji is married to Tamaki and they have a son. Tamaki was a model for Yumeji. He makes a living by running a picture store. Due to his dissatisfaction as an artist and his own inner conflicts, he spends his days doing other things besides painting. Meanwhile, he has lots of female fans. They are fascinated by his sexual charm. He meets Hikono and falls in love with her.

初恋の相手と結婚したうら若き女性が、夫の隠された性癖に苦悩する姿を描いたドラマ。原作は江戸川乱歩の同名の短編小説。監督・脚色はＣＦ、プロモーション・ビデオ出身の松浦雅子で、今回が劇映画デビューとなる。撮影は「ＧＯＮＩＮ」の佐々木原保志。主演は「ＲＡＭＰＯ　奥山監督版」「ＲＡＭＰＯ　黛監督版」の羽田美智子で、自ら主題歌も歌う。第8回東京国際映画祭ヤングシネマコンペティション正式出品作品。

20世纪初的日本，坐落于山形县最上川上游的小山村被厚厚的积雪掩盖。谷村一家团团围坐，贫苦度日。7岁女孩阿信（滨田心音 饰）没有得到可以进入课堂的好消息，反而被父亲作造（稻垣吾郎 饰）命令去木材店帮佣。为了不让母亲（上户彩 饰）和奶奶（吉村实子 饰）为难，阿信只得和家人忍痛分离。木材店的生活十分艰苦，阿信吃不饱睡不暖，还被诬陷偷钱，她愤而从这里逃脱，结果在寒风凛冽的山中得到逃脱兵役的猎人俊作（满岛真之介 饰）的救助。寒冷的冬天，阿信体会到久违的温暖。只不过好景不长，她终将和俊作哥哥分开。即使短暂回到家中，前方路上还有更多的艰苦和考验等待着这个倔强不服输的小女孩……
本片为日本经典晨间剧《阿信》的电影版。

Japan, February 1868. As the Tokugawa shogunate declines and the power of Emperor Meiji grows, Gonzo, a soldier of the Restoration Army, returns to Sawando, his hometown, to announce the end of tyranny.

园子（吉村实子 饰）是一名看似非常幸福的家庭主妇，丈夫是著名的律师，有着不菲的收入，一家人住在宽敞明亮的豪宅里。可是实际上，园子丈夫的工作非常的繁忙，夫妻两人之间的交流几乎为零，这让园子感到非常的寂寞。
一天，在艺术学院里，园子邂逅了名为光子（不二子 饰）的女孩，特立独行阳光开朗的光子很快就吸引了园子的注意，渐渐的，两人之间产生出了不一般的暧昧感觉。最终，园子没能够抵挡光子散发出的魅力，两人走到了一起开始了一段禁忌之恋。一天，当园子和光子在家里翻云覆雨之时，园子的丈夫回来了撞破了两人的奸情。

Two newlyweds decide to build their dream home, and hire an old friend named Yanagisawa to design it. Unfortunately, Yanagisawa isn’t licensed to build homes, so they call in the wife’s father, a retired carpenter, to help out. When Yanagisawa’s contemporary ideas clash with the old carpenter’s traditional Japanese methods, the project becomes a huge mess.

On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.

Three people from the future, who travel spiritually to the era of the Egyptian queen Cleopatra VII Philopator and her Roman lovers Julius Caesar and Mark Antony, become their closest friends as they try to unravel the nature of the plan developed in their own time by a sinister enemy.

1964 Japanese film by Kaneto Shindō

As a young child, Hana loses her family to a devastating tsunami that wipes out her town. At a shelter, distant relative Jungo sees her wandering and adopts her as his daughter.

1961 film by Shōhei Imamura

1963 film by Shōhei Imamura

Years of warfare end in a Japan unified under the Tokugawa shogunate, and samurai spy Sasuke Sarutobi, tired of conflict, longs for peace. When a high-ranking spy named Tatewaki Koriyama defects from the shogun to a rival clan, however, the world of swordsmen is thrown into turmoil. After Sasuke is unwittingly drawn into the conflict, he tracks Tatewaki, while a mysterious, white-hooded figure seems to hunt them both. By tale’s end, no one is who they seemed to be, and the truth is far more personal than anyone suspected. Director Masahiro Shinoda’s Samurai Spy, filled with clan intrigue, ninja spies, and multiple double crosses, marks a bold stylistic departure from swordplay film convention.