An old woman's memories are rekindled as she rereads her diary. She recalls her youth in England when she married a suitor over the objections of her parents and moved with him to the Wyoming frontier. They live a hardscrabble life there and suffered deprivation, hunger, Indian attacks, and the death of her baby. Although they eventually make a go of it, her husband becomes involved with another woman. Now that he is on his deathbed, will she forgive her husband after 40 years.

The story is essentially the same as the popular Jane Cowl play, with Talmadge in the dual role of Kathleen and Moonyean. Kathleen, a young Irish woman, is in love with Kenneth Wayne but is prevented from marrying him by her guardian John Carteret. John is haunted by memories of his thwarted love for Kathleen's aunt, Moonyean.

A 1917 film directed by Joseph A. Golden & Julius Steger

A rich swell travels out West to escape marrying a social climber. There, he meets and marries a bareback rider from traveling circus. Bringing her home, his family's pernicious double-standards are revealed.

Puck is a music hall dancer, married to an abusive husband. One night the music hall catches fire. Puck is rescued by an army officer and her husband perishes. Puck marries the officer and they begin a new life in India, until a man from her past finds her and makes demands.

Kiki, a poor young woman who sells newspapers on the street corners of Paris, is able to land a job singing and dancing at a nearby theater. While she is there, she invites herself into the life of the revue's manager, with whom she has fallen in love.

The photographer sends miss Ophelia a dozen photographs of her in different poses. Selecting the best one, she presents it to her favorite boarder, Billy, who does not think much of it and who gets very indignant when it is compared with the photo of his sweetheart. Miss Ophelia goes up to her room in tears and tells her faithful maid, Belinda, that her heart is broken. Belinda goes down and forcibly tells Billy what she thinks of him. Miss Ophelia resolves on suicide, because no one seems to love her. Belinda gets back in time to prevent this and, to divert her mistress, she suggests that they go together to a beauty specialist. Arriving there, both receive attention. Miss Ophelia gets a new complexion, while Belinda gets new teeth. Both invest in new gowns and dresses and the transformation is complete. At supper time, the boarders are all astounded.

Norma Talmadge plays a Mexican saloon singer, known as 'The Dove.' She is romanced by a young caballero and menaced by a Villa-like brute of a dictator, played by Noah Beery.

Show girl Jill Deverne is married to song writer Fred Deverne, and everyone is involved in the Broadway night life and endless parties. Jill is being pursued by a gangster, and she leaves her husband after he spends the night with a floozie. Jill ends up as the gangster's moll, but she soon gets tired of the lifestyle.

Renee is a French artist's model who uses morphine as an escape from the dull reality of her life. She recommends it to a neurotic artist because "it kindles the fires of genius." The artist quickly becomes addicted to the drug and the quality of his work begins to disintegrate. He takes on a new model, marries her, and starts her on the same path of moral degradation, until a guilt-ridden Renee decides to intervene in order to save them both. According to silent film historian Kevin Brownlow, THE DEVIL'S NEEDLE was banned by the state of Ohio, but the censor board reversed its decision after recognizing the positive message beneath the film's scandalous surface. This special edition was mastered from a 35mm preservation print of the 1923 re-release version. The only known surviving copy, the element suffers significant nitrate decomposition during some scenes.

The Song of Love is a silent film of 1923 directed by Chester M. Franklin and Frances Marion. The film was produced and starred Norma Talmadge.